Joseph Meierhans Art

"Don't Cry Long" is a self-portrait of the artist and an unusual one at that in which the artist portrays herself shedding tears. Perhaps it is an expression of some grief experienced by Ms. Woodlock, but it also admonishes her to not "Cry Long" while at the same time poking fun because of her elongated face and the one lone "long" tear tracing a pattern down her face. In addition to self-portraits, Ethelyn painted commissioned portraits. In this painting her head is cocked and her famous bangs hang down her forehead. Compare two self-portraits, “Up From Under”, and “M’Eyes" to "Don't Cry Long." The major differences are the close facial view and the brilliant blood red paint that fills the entire canvas. This painting is included in the book, "Dreams Have Wings: An Artist's Journey into Magic and Mystery" printed in the United States, 1985. She describes "Don't Cry Long" as showing how funny looking we are, if we cry too long. Ethelyn Woodlock...

"Free flow movement" is an improvised gestural drawing conveys an impulse born in the space of sensations. Artwork is done in ink and ocher pastel on thick white paper. "Every time ...

"Combing Sound" is an improvised gestural drawing conveys an impulse born in the space of sensations. Artwork is done in ink and ocher pastel on thick white paper. "Every time I draw such abstract lines, a flow of energy moves my hand. I paint very fast to give the spontaneous flow as much space as possible. I never know what the result will be. The process of spontaneous drawing is a kind of magic that turns an invisible impulse into a reflection on paper. I feel the vibration in and around my palms and enjoy this dance of vibrations every time I paint. Each drawing is unique and one of a kind." Sve Gri...

Original oil painting on masonite by noted Mexican abstract artist Leonardo Nierman (1932 - ), signed lower right. In its original gilt wood frame measuring 38.5 x 30.5 inches. Ar...

Earl Hill (1927-1985). Gas Station Attendant, 1966. Oil on masonite panel, 10.5 x 13.5 inches, 15 x 18 inches framed. Signed and dated lower right. Inscribed...

Frederick Conway (1900-1973) was a painter, educator, and lecturer. From 1929 to 1970, Conway was a member of the faculty of the Washington University Art School. When Max Beckmann was in residence at Washington University, he and Conway became close associates. Conway was one of the first to realize the importance and seriousness of Beckmann's teaching. In 1949, Beckmann painted Conway's portrait. Conway was born in Saint Louis, Missouri, and studied at the Saint Louis School of Fine Arts and in Paris at the Academie Julian, the Academy Moderne, and the Academy Grande Chaumiere. He painted murals for the WPA (Works Progress Administration...

On offer is a striking mid-century theatrical surrealist work by the Chilean artist Fabio Lemus, who was active during the mid-20th century. STYLE: Lemus was noted for his whimsical...

Moody figurative abstract expressionist painting of a Victorian couple with an angel by artist David Rosen (American, 1912-2004), c. 1970. Signed "Rosen" lower right. Unframed. Image...

"Times Square" Mid 20th Century 1937 Modernism Broadway Drawing NYC Cityscape Philip Goodwin (20th Century) "Times Square," 23 ½ x 17 ¼ inches. Gouache...

Double sided figurative abstract by San Jose, California area artist Daniel David Fuentes (American, 20c-2017). San Francisco bay area abstract expressionist and landscape artist dur...

About this work: “St. Michael’s Church, Charleston, SC" 1937 by Sandor Bernath (1892-1984). This beautiful view of St. Michael’s Church by Bernath captures one of Charleston’s great...

“Six Figures, c. 1965-70” by Sakti Burman (b. 1935). A wonderful example of Burman’s distinctive fusion of Indian folkloric imagery with European surrealist and fantastical sensibil...