Joy Carrington Art

This artwork "Sitting Nude" c.1990, is an oil painting on hardboard panel by noted American artist Howard Rogers, b.1932. It is signed at the lower right corner by the artist. The artwork (panel) size is 8.85 x 11.85 inches, framed size is 17.75 x 21 inches. Framed in original wooden gold and grey frame, with fabric liner and gold bevel. It is in excellent condition, the frame have very small minor restorations, practically invisible. About the artist: Howard Rogers wanted to be an artist for as long as he could remember. "I had no idea what an artist was when I was a kid," he laughs. "But I had a distant cousin who had gone to art school and I saw some of his drawings. They really impressed me." Born and raised in San Diego, California, Rogers now focuses on the future: "I kind of enjoy today and tomorrow and to heck with yesterday." While in high school, Rogers took some art classes and served as an apprentice sign painter, eventually becoming a journeyman. He was also a member of his high school track team, competing in the high jump, the hurdles and cross-country, as well as doing some bike racing. Following a stint in the Army, he began training for the Olympics in bike racing, trying out in 1948, 1952 and 1956. Today, "I ride a stationary bike in front of my easel three times a week." After trying out for the 1956 Olympics...

Signed oil on canvas nudes in landscape circa 1910 by Belgian neo-impressionist painter Georges Lemmen. The work depicts nude bathers on a sunny beach beside the sea. Signature: Signed lower left with the cachet of painter Dimensions: Framed: 23.5"x24.5" Unframed: 14.5"x15.5" Provenance: Olivier Bertrand (expert on the painter) has confirmed the authenticity of this work Georges Lemmen was the son of an architect and studied under Amédée Bourson at the academy in St Joost-ten-Node. He was invited in 1889 to join the Group of Twenty ( Cercle des XX) which had been launched in 1884 by Oscar Maus and had in the interim emerged as an influential force in Belgian artistic circles, not least by bringing to public and critical attention the work of such artists as Georges Seurat and Paul Signac. The Cercle des XX would be reborn in 1894 as La Libre Esthétique. In the early days of the Cercle des XX, Lemmen espoused a pointilliste technique. His earlier painting was clearly influenced by the Neo-Impressionists; over time, however, his style became more subtle and nuanced - recalling, perhaps, that of his compatriot Van Rysselberghe, another Cercle des XX member. With the group's rebirth as the Libre Esthétique, Lemmen's work became more intimiste in character, most notably in his portraits, nudes and still-lifes, where the influence of Bonnard and Vuillard is unmistakable, as is that of Renoir, particularly after Lemmen's travels in the Midi in 1911. From this point onwards, he would go on to make a major contribution to the renewal of the graphic and decorative arts in terms of his input to the new 'free' aesthetic and to Art Nouveau. Although his draughtsmanship retained its essential purity and elegance of line, his painting became more fleshy, imprecise and sensual, his compositions governed less by technical considerations than by the urgent need to express his emotions. Between 1889 and 1893, Lemmen exhibited at the Salon des Indépendants in Paris, aligning himself with the Neo-Impressionists. In 1893, Henry van de Velde invited him to participate in the Pour l'Art association that had been created in Antwerp. He travelled to the south of France in 1911. By this juncture, he had already exhibited solo on two occasions (in 1906 and 1908) at the Galerie Druet in Paris. A further solo exhibition in 1913, his first in Brussels, cemented Lemmen's reputation. Museum and Gallery Holdings: Bremen (Kunsthalle): Standing Nude Combing her Hair Brussels (Mus. royaux des Beaux-Arts de Belgique): Children's Room (watercolour); Reading; Couture; Young Girl by the Sea...

Beautiful impressionist painting of a young nude female figure alongside a river in autumn by the American artist, Norwood Hodge MacGilvary. Very much the Art Nouveau style. Unsigne...

Signed "Cresswell" in the lower right corner. This evocative oil painting presents a poetic, symbolist-inspired scene of a nude female figure, likely a nymph, gently adorning a sculpted bust with flowers in a secluded garden setting. The composition unfolds in a softly lit, atmospheric space, where warm, earthy tones and delicate transitions of light create a sense of intimacy and reverie. The artist employs a fluid, painterly technique, allowing forms to emerge through subtle gradations rather than sharp definition. The figure’s elongated silhouette and graceful posture recall the classical tradition, while the blurred contours and tonal harmonies align with late 19th-century aesthetic sensibilities. The presence of sculptural elements and floral offerings suggests allegorical undertones, possibly referencing themes of beauty, transience, and devotion. Stylistically, the work sits at the intersection of Academic painting and Symbolism, with a strong affinity for the intimism and softness associated with artists influenced by Impressionism. The muted palette, combined with expressive brushwork, enhances the dreamlike quality of the scene. Both refined and sensual, this painting would appeal to collectors of Symbolist art, fin-de-siècle painting, and classical-inspired figurative works. symbolist painting, nymph painting, nude female figure oil painting, allegorical art, classical nude painting...

Attributed to Harold Knight (British,1874-1961) The Bathers oil on canvas signed `H. KNIGHT’ (lower right) 13 x 16.1/8 in. (33 x 41 cm.)

Nude 1960s. Oil on canvas. 60x73 cm "Nude" is a captivating and elegant artwork that celebrates the female form in a tasteful and artistic manner. Through skillful brushwork, the artist aims to convey the woman's beauty and allure, inviting viewers to appreciate the timeless fascination and artistic exploration of the nude human figure. Aleksandra Belcova...

Artist Robert Lepeltier (French, 1913-1996) Title: Le Desabillage, Two Women. Year: Circa 1950 Medium: Oil on canvas Signature: Hand signed in the back by the artist Canvas size: 16 ...

Pierre Montezin, French (1874 - 1946) - Les Foins, Year: 1938, Medium: Oil on Canvas, signed lower right, Size: 23.75 x 31.75 in. (60.33 x 80.65 cm), Frame Size: 31.25 x 39.5 inc...

the most important American Impressionists of his age. While many of his contemporaries focused on the landscape, Frieseke gained his inspiration from the figural, and in particular the theme of femininity. His works capture female figures engaging in traditionally feminine roles — strolling in the garden or posed in a domestic interior. At the Mirror...

In the picture, a naked girl among blue flowers, some of them flowers in buds, some have already bloomed or are actively in bloom. The girl seems to be peeping at the viewer through ...

Alexandre François Bonnardel Signed bottom right Signed with label from 'Société Lyonnaise des Beaux-Arts' on the reverse Panel Size: 14 x 11" (35 x 28cm) Outside Frame Size: 20 x 1...

Helena Adele Dunlap American, 1876-1955 Study of a Nude Man Oil on canvas 16 X 12 in. w/ frame 19 ½ X 15 ⅝ in. Signed lower left Helena Dunlap was best known for her involvement in...