Juan Muñoz Decorative Objects

This bracelet in sterling silver is hand-hammered. It is also available in gold-plated brass. Jarrige's jewelry is more companion than ornament, heightening one's physical awarene...

A brooch in gilded bronze by French art jeweler Line Vautrin circa 1950s-1960s. The unusual model depicts the mathematical sign of infinity, on which appears in relief inscription of...

Glossy porcelain figurine designed by Jaime Hayon with a modern design and a red heart. Like all the pieces in Jaime Hayon's The Fantasy Collection, this creation arises from the fus...

A very rare and monumental giant-sized model of the Royal Danish King's Guardsman hand crafted in wood having movable arms and legs and retaining its ...

Jetboard motorized aluminum surfboard by Jetboard by Sergent Fletcher Co., USA, 1965-68. Painted aluminum with steel wall mounting brackets.

We offer this silver plate Virgin sculpture by to Los Castillo, circa 1970. Of Taxco, Mexico.

We offer this silver plate Virgin sculpture Attributed to Los Castillo, circa 1970. Of Taxco, Mexico.

C. 20th Century LLADRO Nappy Eskimo figure by Juan Huerta.

A vintage composition Pinocchio doll by Knickerbocker Toy company, likely from the 1930s. The doll’s back is embossed with “Pinocchio - W.D. PR KNT CO -...

A hanging articulate three-piece gilt bronze brooch "Purgatoire" also known as "Le Ciel, la Terre, et l'Enfer." by Line Vautrin. Each element with figure symbolizes Heaven, Earth and...

A bespoken sterling silver necklace with five roundel bell shape of gradual sizes linked by joint chains, designed and made by Graziella Laffi (1923-2009), Lima, Peru, circa 1965. The subtly hammered roundels evoke a sense of history with the form found in pre-Columbian culture, yet the necklace appears beyond ethnic, it exuberates a confident and bold modernism. The necklace with Peruvian Cultural Ministry label to verso. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

A gilt bronze necklace with chain and a square plaque on the subject of "Adam and Eve in the Garden of Eden" with apple tree in the center, designed and made by Line Vautrin in her e...