Jules Dupre Wall Decorations

Antique Hudson River School Oil on Canvas Landscape with River Unsigned C1890 Measures - 18.5"H x 26.5"W x 2.25"D A captivating oil on canvas landscape painting from the Hudson Riv...

Antique framed impressionist oil painting on board. Lovely artist signed antique framed impressionist oil painting on board. This beauty d...

Antique Hudson River School Oil on Canvas Wooded Landscape Scene with Stag C1890 Measures - 24.5"H x 15.25"W x 3.5"D

19th century French framed floral oil painting. Stunning 19th century French framed oil on canvas painting. This gorgeous well executed Barbi...

Antique Hudson River School Oil On Canvas Landscape Painting C1890 Measures- 9"H x 20.25"W x 1.5"D

A beautiful oil on canvas painting titled "Montmartre rue de l'Abreuvoir" signed by G. Denis. This very decorative work of art is painted in the manner of Edouard Cortes that delig...

An exceptional early Cuzco School painting, naive depiction of the Holy Family, presented in a contemporary wooden frame. The Cuzco or Cusco school was a Roman Catholic artistic tradition that began in the 1500's in Peru, following the Spanish conquest and subsequent attempts by the Spanish invaders and missionaries to implement the Catholic faith and associated customs upon the Peruvian people. The school was established in the ancient city of Cusco which had previously been the capital of the Incan empire. Bernardo Bitti arrived in Peru in 1583, and with his arrival the acceleration of Cuzqueno Art flourished. During his two stays in Cusco, Bitti was commissioned to make the main altarpiece of the church of his Order, replaced by another after the earthquake, and painted some masterpieces, such as The Coronation of the Virgin, currently in the museum of the church of La Merced, and the Virgen del pajarito, in the cathedral. Cuzco School paintings are marked by their baroque influenced imagery and the subjects of the paintings shown with light focused upon them. Cuzco art...

Presenting a gorgeous 20th century original large oil on canvas by Jack Lanze. This is a beautiful Expressionist landscape painting in the style of the Dutch or French School. The...

A French Barbizon School framed oil on canvas painting from the early 20th century, depicting a pastoral farmyard scene and signed Theodore Linsyer. Born in France during the early y...

A beautiful view of a street scene in Paris, France. This painting perfectly depicts life in Paris with its restaurants, busy streets, cafes, hotels, monuments, and wonderful archite...

This Flemish painting of "Pastoral Scene" is from Belgium and is made from oil on canvas, 18th century. Flemish paintings flourished from the early 1...

17th century, Tuscan school Madonna and Child Oil on canvas, 31 x 21 cm With frame, cm 37,5 x 27,5 The pearly incarnations and the thoughtful play of looks between the Virgin, turned to the Son, and Questi, warmly open to the viewer, pour out the present painting with compositional perfection. Virginal fabrics become mottled at the folds, wrapping the Madonna in a thin vitreous mantle. The pastel colors, shining on the pink robe just tightened at the waist by a gold cord, enliven the faces of the divine couple in correspondence of the cheeks, lit by an orange warmth. Even the left hand of the Virgin, composed in perfect classical pose (Botticelli, Madonna with Child, 1467, Musée du Petit Palais, Avignon), is sprinkled with warmth thanks to the immediate touch with Christ. From the nimbus of the Mother a delicate luminous disk is effused, which takes back, in the most distant rays, the colour of the hair of the Son, from the tones of the sun. The Child Jesus is represented intent in a tender gesture of invitation with the right hand, while with the other he offers a universal blessing: with his hand he retracts the index and annular palms, extending the remaining three fingers, symbol of Father, Son and Holy Spirit. The painting welcomes and re-elaborates that typically Tuscan formalism that boasted in the rest of Italy the constant appreciation by the most up-to-date artists and collectors. Arrangement, composition and mixing of colors place the canvas in the middle between the changing mannerist and the sculptural figures of Michelangelo, essential yardstick of comparison in terms of anatomical and expressionistic rendering. In the present, silvery and pinkish powders act as three-dimensional inducers to the Child’s mentioned musculature and to the vivid folds of the clothes, expertly deposited on the lunar whiteness of the skins. While these colours recall the equally brilliantly transparent colours of Pier Francesco Foschi...