Jules Dupre Paintings

Antique French Late 19th Century Barbizon School Framed Oil on Canvas Landscape Painting, "Boat Along the Grassy Shore." unsigned/undistinguishable

Probably a variation of ‘Spring’ After Boucher’s Four Seasons. Highly decorative. Typical rococo frivolity and color palette. Garlands and festoons of flowers with intertwined ribbon...

Italian male nude oil painting on wood panel, circa 1930. Stunning and unusual framed Italian male nude oil painting on a wood panel. This Italian A...

A beautifully executed vintage oil on canvas painting of a French seaside village housed in an intricately hand-carved antique gilt wood frame....

A large scale 19th century Hudson River School landscape painting depicting people fishing on a moonlit lake. Unsigned. Original giltwood and gesso frame is in good condition with minor repair and touch-ups to gilt. Artist unknown, but similar in subject and composition to the Albert Bierdstadt painting "Lake Tahoe, Spearing Fish by Torchlight" and similar in style to the François Regis Gignoux Painting...

19th century oil on wood sea landscape painting. Signed.

Antique late 19th century watercolor on paper pastoral painting, Wooded landscape with cows drinking from a stream. Unsigned. Unframed, edge wear, age toning.

Barbizon School (19th century) Forest Landscapes oil on canvas; oil on board 13 3/8 x 21 3/8 inches.

17th century, Tuscan school Madonna and Child Oil on canvas, 31 x 21 cm With frame, cm 37,5 x 27,5 The pearly incarnations and the thoughtful play of looks between the Virgin, turned to the Son, and Questi, warmly open to the viewer, pour out the present painting with compositional perfection. Virginal fabrics become mottled at the folds, wrapping the Madonna in a thin vitreous mantle. The pastel colors, shining on the pink robe just tightened at the waist by a gold cord, enliven the faces of the divine couple in correspondence of the cheeks, lit by an orange warmth. Even the left hand of the Virgin, composed in perfect classical pose (Botticelli, Madonna with Child, 1467, Musée du Petit Palais, Avignon), is sprinkled with warmth thanks to the immediate touch with Christ. From the nimbus of the Mother a delicate luminous disk is effused, which takes back, in the most distant rays, the colour of the hair of the Son, from the tones of the sun. The Child Jesus is represented intent in a tender gesture of invitation with the right hand, while with the other he offers a universal blessing: with his hand he retracts the index and annular palms, extending the remaining three fingers, symbol of Father, Son and Holy Spirit. The painting welcomes and re-elaborates that typically Tuscan formalism that boasted in the rest of Italy the constant appreciation by the most up-to-date artists and collectors. Arrangement, composition and mixing of colors place the canvas in the middle between the changing mannerist and the sculptural figures of Michelangelo, essential yardstick of comparison in terms of anatomical and expressionistic rendering. In the present, silvery and pinkish powders act as three-dimensional inducers to the Child’s mentioned musculature and to the vivid folds of the clothes, expertly deposited on the lunar whiteness of the skins. While these colours recall the equally brilliantly transparent colours of Pier Francesco Foschi...

A beautiful oil on canvas painting titled "Montmartre rue de l'Abreuvoir" signed by G. Denis. This very decorative work of art is painted in the manner of Edouard Cortes that delig...

Impressionist style Mid Century acrylic painting on canvas, by noted artist Jules Granowitter, c 1950/1960's. The painting depicts a moorish man in a large turbine. Executed in tona...

Flemish School, 17th century Live nature couple with animals Measures: Oil on canvas, cm 25 x 35 - With frame cm 37 x 48 The pair of canvases in question depicts two excited...