Jules Noel Paintings

Paul ROSSERT (1851-1918) Femme au bord de l'eau Oil on canvas Dimensions: 38 x 55 cm Signed lower left Provenance: - Private collection, Barbizon - Galerie Mancheron, Paris Painting...

Early twentieth Century Aviation Vintage Aircraft Airplane Gouache Framed Paintings by renowned Artist and Illustrator Charles Thomas Howard. Each of these three were painted to be published as postcards, these are the original artworks. They are in good clean condition with fresh and vibrant colours and I have framed them in handmade gold frames with a flecked cream mount. This is the De Havilland Comet...

The artist tells a whole action-packed story in one picture. A handsome young soldier shoots his pistol at a passing bomb-dropping airplane. The close call splashes water on him and his two sexy girl...

Signed figures in riverscape oil on canvas by French Barbizon painter Leon Augustin Lhermitte. The piece depicts a rural landscape with washerwomen in traditional Breton clothing was...

Depicts a sunny summer day in the Alps with figures of fishermen and working lumberjacks processing logs with a water-powered sawmill located on the bank of a turbulent mountain rive...

This early 20th-century oil painting by British artist David Bates (1840-1921) depicts a rural view in Capel Curig, North Wales. Bates was an accomplished landscape painter who often...

⭐Luminous beautiful landscape. ⭐ It's a landscape from Barbizon school. Probably inspired by Caspar David Friedrich, known for his landscapes seeking to tend towards the magnificen...

Vintage Oil Landscape Art of Redwood National Park Forest in California by 20th Century Artist, Tobias Everet Spence Art measures 14 x 17 inches Frame measures 21 x 24 inches Th...

This idyllic late 19th-century oil painting by English artist Edward William Cooke RA (1811-1880) depicts a west-country cove with two cottages, donkeys, figures, and fishing boats. Cooke was a highly renowned painter of marine scenes and landscapes who exhibited extensively at London’s Royal Academy. From our elevated vantage point, the view extends between two quaint cottages and across the beach before sweeping around the sandy coastline. Crystalline waters lap the shore, where moored craft rest. It’s an accomplished rendering of a challenging composition. It’s enhanced by trees, which essentially ‘frame’ the right side, while a wooded track provides interest on the left. Cooke was a keen admirer of the Dutch old masters, and the spirit of the Golden Age underpins this splendid work. In diaries, he recorded how he travelled by donkey to access elevated spots in the southwest, so it’s conceivable that he did so here. In his catalogue raisonné, it lists a work from the same year titled ‘Bay with Donkeys’. Born in Pentonville, London, Cooke was raised in the company of accomplished artists as both his father, George Cooke (1781-1834), and his uncle, William Bernard Cooke (1778-1855), were engravers. As such, they were associated with a circle of Victorian painters who aided Cooke’s early development. These included the highly regarded marine painter Clarkson Frederick Stanfield RA RBA (1793-1867), who provided frequent advice and inspiration. Indeed, as a teenager, Cooke produced numerous drawings after Stanfield’s works. A precocious talent, by the age of nine, he was already displaying an advanced understanding of engraving, particularly for ships, coupled with a natural, seemingly in-built skill as a draughtsman. Many of his early drawings depict pastoral landscapes after the masters, such as Nicolaes Berchem (1620-1683), Paulus Potter (1625-1654), and Karel Dujardin (1626-1678). In an extraordinary turn of events, in 1820, his advanced abilities led to his first commission when he provided botanical illustrations for John Loudon's 'Encyclopaedia of Plants’. These were followed by drawings published in the 'Botanical Cabinet...

The painting captures a serene moment on the foothill plateau, just as the day is beginning to wake up. The mountains are still wrapped in a soft blanket of morning fog, giving the s...

Along the road, we see several travelers: some are walking at a leisurely pace, others are engaged in animated conversations. At the top of one mountain, a small castle stands proudl...

An impressive painting in size and execution, a frosty winter day in a birch grove with a small pond. The orange-yellow sunset reflected on the surface of the pond creates the illusion of bizarre reflections. The frosty haze that has enveloped the forest intertwines with the approaching twilight, enhancing the sense of depth and atmosphere. On the right we see a traveler returning from the forest with an armful of brushwood on his back. In the distance a small flock of birds flies in, alarmed by something, bringing a sense of movement to this scene. The contrast of bright and cold shades creates an atmosphere of calm and silence...