Julian Jordanov Art

This exquisite lithograph after Henri Matisse (1869–1954), titled Nu Bleu IX (Blue Nude IX), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, originates from the 1958 ...

This exquisite lithograph after Henri Matisse (1869–1954), titled Nu Bleu XI (Blue Nude XI), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, originates from the 1958 ...

Lithograph on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Man Ray, 1984. Published by Centre National des Arts Plastiques, Ni...

A glowing lemon-yellow wash of color floods this erotic beach landscape with light. Hidden in the dappled shadow of a tree, a nude woman glances downward as she applies sunscreen. A ...

Offset lithograph poster print on paper Edition of Unknown Size Unsigned 11.65 x 16.54 in (29.6 x 42.0 cm) This is an original vintage artist-authorized David Hockney exhibition po...

This exquisite lithograph after Henri Matisse (1869–1954), titled L’Escargot (The Snail), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, originates from the 1958 iss...

Original poster: Palm Springs The Desert Oasis original poster by Bill Ogden. The poster is not linen-backed. Excellent condition. Mint. 1969. ...

This exquisite lithograph after Henri Matisse (1869–1954), titled La Perruche et la Sirene (The Parakeet and the Mermaid), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35...

This exquisite lithograph after Henri Matisse (1869–1954), titled La Grande Decoration aux Masques (The Large Decoration with Masks), from Verve, Revue Artistique et Litteraire, Vol....

SPELLBOUND is an original hand drawn lithograph(not a photo reproduction or digital print) printed using traditional hand lithography techniques on archival Arches paper, 100% acid f...

This exquisite lithograph after Henri Matisse (1869–1954), titled Nu Bleu V (Blue Nude V), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, originates from the 1958 is...

Ray Smith's aptitude for the surreal is apparent in this portfolio of six drypoint prints, presented in a portfolio case. Each image depicts an intriguing, fantastic landscape populated with chimeric nudes. Each one is carefully printed to appear as if doodled on lined notebook paper with ballpoint pen: Japanese letter paper chine-colle on Kizuki Hosho paper. Translated as "Letters from Japan," Cartas de Japon plays on tropes of an exotic, faraway land. The series of prints perhaps pictures Japan in the imagination of westerners, who for centuries speculated that those from other continents had wildly different bodies and customs. The title may be a reference to iconic Mexican director Carlos Velo's 1973 film Letters from Japan. Cartas del Japon, 1988-89 Portfolio of 6 drypoint prints printed on Japanese letter paper mounted on Kizuki Hosho paper Plate 6 x 7.8 in. Paper 18 x 23.4 in. Ed. 30 with three artist proofs. Printed by Hideharu Mishio, Norimasa Mizutani, and Marie Okada at Woodblock Workshop. Published by AC&T CORPORATION, Tokyo, 1989. Per the Broad: "Ray Smith’s paintings incorporate surrealistic and animistic tendencies informed by his Latin heritage as well as deep study of the history of modern art. Smith was born near the Texas/Mexico border...