Kano Tanshin

Antique Japanese small table top four panel folding screen. Wood block print on paper. First quarter 20th century. Perfect to use as wall art.

Fantastic 19th century Japanese Edo/Tokugawa period two-panel byobu screen featuring Chinese children frolicking on a garden terrace with a pavilion and large pine tree. Made in the ...

Stunning late 19th century Japanese Meiji period six panel byobu screen featuring a deep blue waterscape with pheasants and ducks. Made in the Kano sch...

Six-panel Kano School tiger screen by Yosenin Korenobu (1753-1808). Sumi-e ink on paper, late 18th century. Dimensions: H 169cm x W 382cm.

Silver-covered folding screen Material: Paper on wooden frame One piece: W600×H1745mm×D20mm, Unfolded size: W3630mm Folded size: W615×H1745×D105mm, 12kg Estimate packing size: (sandw...

A super nice Meiji period 19th c Japanese Chamber Screen. Also usuable as wall mounted screen. Stunning piece!

Antique Byobu Four Panel Screen. Japan, late 19th to early 20th century. Taisho period.

Japanese Kano School Edo period two-panel screen depicting flowering prunus and bamboo on a rock formation, with colorful birds next to a body of water. ...

Large Japanese Meiji period six-panel screen depicting a winter landscape with a Chinese sage visiting friends in a country villa. Ink and vivid color pigments on mulberry paper mounted to a gilt background. Painted in the 19th century Kano school...

Japanese Two-Panel Screen Kanō school, depicting a scene from the Tale of Genji , with various noble ladies and gentlemen in a landscape of cherry Blossoms - ink, colors and gold ...

A six-panel folding screen with a narrative painting showing from a bird’s-eye view a spring landscape with cherry blossoms and cryptomeria trees by a river with a bridge. Groups of ...

Cherry Blossoms Kano Sanrakuki (1898-1981) Showa period, circa 1930 2-panel Japanese Screen Color, gofun and gold leaf on paper Against a backdrop of gold-leafed ground, the lichen covered trunk and branches of the life-sized cherry blossom tree reach out and beyond the confines of the pictorial surface. The overall composition has a feeling of flatness which draws emphasis to the surface and the three-dimensionality of the cherry blossoms. Painstakingly built-up layers of thickly applied shell-white gofun detail the voluminous blossoms and cover large areas of this tour-de-force of Japanese Nihonga painting. By simplifying the background, minimizing the number of colors and depicting the blossoms with such heavy relief, the artist has emphasized the stunning presence of the cherry tree. The type of tree depicted is the Yae-Zakura; a double-layered type of cherry blossom famed for its beauty and strength. When we think of Japanese cherry blossoms, the first thing that comes to mind is Somei Yoshino variety, which has a single flower with five almost white petals. This type is fragile and easily blown away by strong wind or rain. Most of the double-flowered cherry blossoms begin to bloom when the Somei-Yoshino falls, and the flowering period lasts longer than that of the Somei-Yoshino. Kano Sanrakuki originally studied painting at the Kyoto City Arts and Crafts School under the tutelage of Yamamoto Shunkyo...