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SELF PORTRAIT IN A GERMAN MANNER - Large Monotype
SELF PORTRAIT IN A GERMAN MANNER - Large Monotype

SELF PORTRAIT IN A GERMAN MANNER - Large Monotype

By Karl Schrag

Located in Santa Monica, CA

KARL SCHRAG (German - American 1912 - 1995) SELF PORTRAIT IN THE GERMAN MANNER, 1991 Monotype, Signed titled, dated and annotated "Monotype with touches of Oil color, I /I" Plate an...

Category

1990s American Modern Karl Schrag Art

Materials

Monotype

OVERGROWN PATH
OVERGROWN PATH

OVERGROWN PATH

By Karl Schrag

Located in Portland, ME

Schrag, Karl (American, born Germany, 1912-1995).. OVERGROWN PATH. Color lithograph, not dated. Edition of 30. Signed and numbered 21/30 in pencil. 36 1/2 x 22 1/4 inches (sheet). Fr...

Category

1960s Karl Schrag Art

Materials

Lithograph

Flowering Tree -- Moonlight

Flowering Tree -- Moonlight

By Karl Schrag

Located in Fairlawn, OH

Signed, titled, and dated in pencil by the artist; The Print Club of Cleveland stamp lower left Edition: 260 The Print Club of Cleveland Publication No. 69, 1991 Printer: Am...

Category

1990s Karl Schrag Art

Materials

Lithograph

STORMDANCE - FISH AND LEAVES
STORMDANCE - FISH AND LEAVES

STORMDANCE - FISH AND LEAVES

By Karl Schrag

Located in Portland, ME

Schrag, Karl. STORMDANCE - FISH AND LEAVES. Syracuse 183. Etching and engraving, 1973. Edition of 50. The version in "reddish black," numbered 26/50, titled, signed and dated, all in...

Category

1970s Karl Schrag Art

Materials

Engraving, Etching

Original Pencil Signed Etching - Sound of the Sea
Original Pencil Signed Etching - Sound of the Sea

Original Pencil Signed Etching - Sound of the Sea

By Karl Schrag

Located in Phoenix, AZ

Original pencil signed etching and aquatint by Karl Schrag, 1958. In excellent condition - neither matted nor framed. No. 1 of the edition of 50. Image measures 19 7/8 x 27 3/4 inche...

Category

Mid-20th Century Karl Schrag Art

Materials

Paper, Etching

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French Etching - Place Stanislas

French Etching - Place Stanislas, 1959

$225

H 20 in W 16 in D 0.1 in

French Etching - Place Stanislas

Located in Houston, TX

Playful black and white etching of a child figure looking out on a quaint city square in Nancy, France, 1959. Signed and dated lower right, titled and numbered 16 of 140 lower left. ...

Category

1950s Karl Schrag Art

Materials

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Windswept Landscape Henry Moore drawing of Scottish landscape for W.H. Auden
Windswept Landscape Henry Moore drawing of Scottish landscape for W.H. Auden

Windswept Landscape Henry Moore drawing of Scottish landscape for W.H. Auden

By Henry Moore

Located in New York, NY

One of a series of 18 lithographs drawn by the artist fo¬r the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an edition of 25 printed on vellum aside from the portfolio (edition of 75) and the book. Signed by the artist lower right in pencil; numbered lower left in pencil. Printed in inky black, this print features a shadowy landscape. Brush sweeps to the left, and the sky is drawn with long horizontal lines. In the bottom half of the composition, the ground looks rocky, perhaps dotted with shrubs. Windswept Landscape displays Moore’s fascination with light and dark – what he called a “…bias towards the blackness and mysterious depths.” Moore was inspired by the prints of Rembrandt and the drawings of Seurat, and even drew on his memories of viewing the Altamira cave paintings, recalling how some of the images used the shadow of candlelight on the rough surface of the rock to model light. Shortly before starting work on this series of lithographs, Moore had fallen ill, leaving him aware of his own mortality. His mood pervaded these prints with a sense of danger and foreboding. The Auden/Moore limited edition book and portfolio were exhibited on publication at the British Museum, London, with an accompanying catalogue. Windswept Landscape is one of a group of lithographs...

Category

Late 20th Century Modern Karl Schrag Art

Materials

Lithograph

Dense Rolling Clouds, Blue Sky Landscape Triptych, Handmade Cyanotype on Paper
Dense Rolling Clouds, Blue Sky Landscape Triptych, Handmade Cyanotype on Paper

Dense Rolling Clouds, Blue Sky Landscape Triptych, Handmade Cyanotype on Paper

By Kind of Cyan

Located in Barcelona, ES

This is an exclusive handprinted limited edition cyanotype of gorgeous rolling clouds. Details: + Title: Dense Rolling Clouds + Year: 2025 + Edition Size: 100 + Stamped and Certifi...

Category

2010s Rococo Karl Schrag Art

Materials

Lithograph, Paper

The West Prospect of the Cathedral of York /// "Britannia Illustrata" Engraving
The West Prospect of the Cathedral of York /// "Britannia Illustrata" Engraving

The West Prospect of the Cathedral of York /// "Britannia Illustrata" Engraving

By Johannes Kip

Located in Saint Augustine, FL

Artist: Johannes "Jan" Kip (Dutch, 1652/3-1722) Title: "The West Prospect of the Cathedral of York" (Vol. 3, Plate 31) Portfolio: Britannia Illustrata / Le Nouveau Théâtre de la Grande Bretagne Year: 1715-1724 (Third edition) Medium: Original Engraving and Etching on cream laid paper Limited edition: Unknown Printer: Joseph Smith, London, UK Publisher: Joseph Smith, London, UK Sheet size: 19.25" x 24.19" Image size: 16.75" x 22.5" Reference: "London Illustrated 1604-1850" - Adams No. 22; Crace No. 201; Brunet IV No. 114; Lowndes No. 1277; Lewine page 263-264 Condition: With centerfold as issued. Some light toning and foxing mainly in margins, and some light edgewear. Has been professionally stored away for decades. It is otherwise a strong impression in very good condition Rare Notes: Provenance: private collection - Ross-on-Wye, UK. Engraved by Dutch artist Johannes "Jan" Kip (1652/3-1722) after a drawing by Dutch artist Leonard Knyff or Leendert Knijff (1650-1722). Comes from Kip's six volume (including Supplement and 'Atlas Anglois') "Britannia Illustrata" / Le Nouveau Théâtre de la Grande Bretagne", (1724-1728) (Third edition), which consists of 394 engravings and etchings. Printed in one color from one copper plate: black. Biography: Johannes "Jan" Kip (1652/53 in Amsterdam - 1722 in Westminster) was a Dutch draftsman, engraver and print dealer. Together with Leonard Knyff, he made a speciality of engraved views of English country houses. Kip was a pupil of Bastiaen Stopendaal (1636–1707), from 1668 to 1670, before setting up on his own; his earliest dated engravings are from 1672. In April 1680, at the age of 27, he married Elisabeth Breda in Amsterdam. After producing works for the court of William of Orange in Amsterdam, Kip followed William and Mary to London and settled in St. John Street in Farringdon, where he conducted a thriving printselling business. He also worked for various London publishers producing engravings after such artists as Francis Barlow (c. 1626–1704) and Caius Gabriel Cibber (1630–1700), largely for book illustrations. He made several engraved plates for Awnsham & John Churchill's "A Collection of Voyages & Travels" (first published 1704). He signed the African scenes in volume V of the 1732 edition as "J. Kip". His most important works were the large fold-out folio illustrations for "Britannia Illustrata", 1708; for the 65 folio plates he engraved for the antiquary Sir Robert Atkyns, "The Ancient and Present State of Glostershire", 1712 (1st edition); and for "Le Nouveau Théâtre de la Grande Bretagne ou description exacte des palais de la Reine, et des Maisons les plus considerables des des Seigneurs & des Gentilshommes de la Grande Bretagne", 1715, an extended reprint in collaboration with other artists. The linked careers of Jan Kip and Leonard Knyff made a specialty of engraved views of English country houses, represented in detail from the bird's-eye view, a pictorial convention for topography. Their major work was "Britannia Illustrata: Or Views of Several of the Queens Palaces, as Also of the Principal seats of the Nobility and Gentry of Great Britain, Curiously Engraven on 80 Copper Plates", London (1707, published in the winter of 1708–9). The volume is among the most important English topographical publications of the 18th century. Architecture is rendered with care, and the settings of parterres and radiating avenues driven through woods or planted across fields, garden paths, gates and toolsheds are illustrated in detail. The images are staffed with figures and horses, coaches pulling into forecourts, water...

Category

1720s Old Masters Karl Schrag Art

Materials

Laid Paper, Engraving, Etching, Intaglio

Malibu Pine Sea View, Blue Tones California Landscape, Handmade Cyanotype, Paper
Malibu Pine Sea View, Blue Tones California Landscape, Handmade Cyanotype, Paper

Malibu Pine Sea View, Blue Tones California Landscape, Handmade Cyanotype, Paper

By Kind of Cyan

Located in Barcelona, ES

This is an exclusive handprinted limited edition cyanotype. Stunning image of a breezy "Malibu Pine Sea View". Details: + Title: Malibu Pine Sea View + Year: 2025 + Edition Size: 50...

Category

2010s Realist Karl Schrag Art

Materials

Watercolor, Lithograph, Monotype

Odalisque at the menagerie - Original Watercolor Lithograph - 1848 ca.
Odalisque at the menagerie - Original Watercolor Lithograph - 1848 ca.

Odalisque at the menagerie - Original Watercolor Lithograph - 1848 ca.

Located in Roma, IT

Odalisque at the menagerie (Odalisco al serraglio) is an original water-colored lithograph on paper realized in 1848 ca. by Anonymous Artist of 19th Century. In very good conditions...

Category

19th Century Modern Karl Schrag Art

Materials

Paper, Lithograph

"Landscape with Two Figures" original monotype and drawing by Sylvia Spicuzza
"Landscape with Two Figures" original monotype and drawing by Sylvia Spicuzza

"Landscape with Two Figures" original monotype and drawing by Sylvia Spicuzza

By Sylvia Spicuzza

Located in Milwaukee, WI

In this monotype print on paper, Sylvia Spicuzza presents the viewer with a scene of two young men relaxing within a pastoral landscape. On the back of the print, Spicuzza has left h...

Category

1950s Modern Karl Schrag Art

Materials

Graphite, Monotype

Pavillon dans les Arbres (Pavilion in the Trees) /// Impressionist Henri Sidaner
Pavillon dans les Arbres (Pavilion in the Trees) /// Impressionist Henri Sidaner

Pavillon dans les Arbres (Pavilion in the Trees) /// Impressionist Henri Sidaner

By Henri Le Sidaner

Located in Saint Augustine, FL

Artist: Henri Le Sidaner (French, 1862-1939) Title: "Pavillon dans les Arbres (Pavilion in the Trees)" Portfolio: Henri Le Sidaner (Camille Mauclair) *Issued unsigned, though signed ...

Category

1920s Post-Impressionist Karl Schrag Art

Materials

Drypoint, Etching, Intaglio

La Balustrade (The Railing) /// Impressionist Henri Le Sidaner Landscape Garden
La Balustrade (The Railing) /// Impressionist Henri Le Sidaner Landscape Garden

La Balustrade (The Railing) /// Impressionist Henri Le Sidaner Landscape Garden

By Henri Le Sidaner

Located in Saint Augustine, FL

Artist: Henri Le Sidaner (French, 1862-1939) Title: "La Balustrade (The Railing)" Portfolio: Gazette des Beaux-Arts *Issued unsigned, though signed by Sidaner in the plate (printed s...

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1910s Post-Impressionist Karl Schrag Art

Materials

Lithograph

Untitled (Airport Paris)

Untitled (Airport Paris)

By Peter Fischli & David Weiss

Located in New York, NY

Peter Fischli / David Weiss Untitled (Airport Paris) 2008 Offset lithograph on three sheets Each sheet: 51 1/4 x 32 5/8 inches; 130 x 83 cm Edition of 100 Signed and numbered in ink ...

Category

Early 2000s Contemporary Karl Schrag Art

Materials

Lithograph

Previously Available Items
"Noon Silence By A Pond, " Karl Schrag, Bright Colorful Maine Landscape
"Noon Silence By A Pond, " Karl Schrag, Bright Colorful Maine Landscape

"Noon Silence By A Pond, " Karl Schrag, Bright Colorful Maine Landscape

By Karl Schrag

Located in New York, NY

Karl Schrag (1912 - 1995) Noon Silence By A Pond, circa 1959 Oil on canvas 46 x 42 inches Signed lower right Provenance: Kraushaar Galleries, New York Private Collection, Sag Harbor, New York (acquired from the above) Karl Schrag, a German-born American painter and printmaker whose work combined aspects of European and American modernism lived in New York and Deer Isle, Maine. In a career that spanned more than 60 years, Schrag came to specialize in a painting style characterized by loose, energetic brushwork and resonant colors that restated the concerns of van Gogh, Matisse and Kirchner in contemporary terms. Although he made many self-portraits, his stronger works were paintings and prints of gently pastoral landscapes inspired by his many summers in Maine, works whose cascading strokes and visionary demeanor often brought to mind the art of Charles Burchfield. Schrag was born in Karlsruhe, Germany, in 1912, the son of a prominent lawyer, and settled on his vocation while still a teen-ager. After his family moved to Zurich in 1930, he studied art in Geneva and then in Paris, where his teachers included Roger Bissiere. He came to New York in 1938, continuing his studies at the Art Students League. Schrag had his first solo show in New York in 1947 at the Kraushaar Gallery, which represented him for the rest of his life. Like his fellow emigres Louise Bourgeois, Chagall, Dali, Masson, Miro and others, together with such Americans as George Ortman, Jackson Pollock, and Anne Ryan, Schrag joined Stanley William Hayter's graphics workshop, Atelier 17, itself a transplant from Paris. By 1941, he was showing in the Whitney Annuals. He taught printmaking at Brooklyn College from 1953 to 1954 and at Cooper Union from 1954 to 1968. With the rise of Abstract Expressionism, the postwar period became "a night of the long knives" for figural artists. Schrag survived it better than most as he exhibited steadily, alone and in groups, for more than 40 years, in part because he was not antagonistic to the movement and, by way of Atelier 17 and bars like the Cedar Tavern, knew most of its leading lights. But as he explained in a catalogue statement, he himself did not care to join so "dominant" a direction in art, and besides, he was searching for his own "language of forms." Another reason for his success seems to have been his gift for and emphasis on printmaking. No less an authority than Riva Castleman, the Museum of Modern Art's curator of prints, is quoted as saying that Gabor Peterdi, Mauricio Lasansky and Schrag -- all three of them emigres -- "dominated" American graphics in the 1950's. Hence, it is no surprise to find that some of the finest images in this show are aquatints, one of which is the black-and-white self-portrait reproduced on this page. Another is the head of the writer Bernard Malamud, whose lemon yellow visage, ginger brown jacket and lavender tie...

Category

1960s Modern Karl Schrag Art

Materials

Canvas, Oil

Luminous Space - Low Tide
Luminous Space - Low Tide

Luminous Space - Low Tide

By Karl Schrag

Located in Fairlawn, OH

Luminous Space - Low Tide Gouache on board, c. 1961-1963 Signed lower right (see photo) Condition: Excellent, original condition Mounted on linen board. Frame by Max Granick. Fram...

Category

1960s American Modern Karl Schrag Art

Materials

Gouache

THE SOUND OF THE SEA
THE SOUND OF THE SEA

Karl SchragTHE SOUND OF THE SEA, 1958

Sold

H 26 in W 33 in D 1 in

THE SOUND OF THE SEA

By Karl Schrag

Located in Portland, ME

Schrag, Karl. THE SOUND OF THE SEA. Johnson 97. Etching and aquatint in four colors, 1958. Edition of 50. Signed, titled and numbered "No. 8 Edition 50" in pencil. Printed from two p...

Category

1950s Karl Schrag Art

Materials

Etching, Aquatint

MOONLIGHT - SANIBEL ISLAND

MOONLIGHT - SANIBEL ISLAND

By Karl Schrag

Located in Portland, ME

Schrag, Karl (American 1912-1995). MOONLIGHT - SANIBEL ISLAND. Not in the Syracuse catalogue, which ends at 1990. Lithograph with hand-coloring. Edition...

Category

Late 20th Century Karl Schrag Art

Materials

Lithograph

Play of Sunlight - Jamaica

Play of Sunlight - Jamaica

By Karl Schrag

Located in Fairlawn, OH

Signed by the artist lower right Provenance: Kraushaar Galleries, New York (label verso) Image: 31 1/8 x 25 1/4" (sight size) Frame: 35 x 29"

Category

20th Century Modern Karl Schrag Art

Materials

Oil Crayon, Pastel, Ink

TREE TOPS AND AUTUMN MOON

TREE TOPS AND AUTUMN MOON

By Karl Schrag

Located in Portland, ME

Schrag, Karl. Freundlich 179. TREE TOPS AND AUTUMN MOON. Etching and aquatint in eight colors, 1972. Edition of 50. Printed by Robert Cale and published by...

Category

1970s American Modern Karl Schrag Art

Noon Sun through Clouds

Noon Sun through Clouds

By Karl Schrag

Located in Fairlawn, OH

Signed, dated, titled, and editioned in pencil by the artist. Edition of 50

Category

1970s Karl Schrag Art

Karl Schrag art for sale on 1stDibs.

Find a wide variety of authentic Karl Schrag art available for sale on 1stDibs. You can also browse by medium to find art by Karl Schrag in lithograph, engraving, etching and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large Karl Schrag art, so small editions measuring 16 inches across are available. Customers who are interested in this artist might also find the work of Fred Nagler, Jacques Hnizdovsky, and Warrington Colescott. Karl Schrag art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $500 and tops out at $6,000, while the average work can sell for $1,500.