Keith Bruce Finch Furniture

A 1930s futurist watercolor painting of a motorbike race by Italian futurist artist Aris Bacci. Mounted in original geometric cream mottled frame, with stun...

Archival pigment print on Moab Entrada 290gsm Measures: 23.75 x 18.75 in 60.3 x 47.6 cm Edition of 100 This work is signed and numbered by the artist, (2016) Images in Debris depicts time lapse photographs of the sky, taken by the artist, at sunrise and sunset. The images, captured digitally, are then printed via a 4-color screen printing process. Each color separation is screen printed and then smeared while the ink is still wet, foregrounding a handmade process that involves tactility, registration, wetness, and specificity of touch. The images of the sun at dusk and dawn are at once universal and highly specific, recording a period of time on a particular day and in a particular place. By objectively recording the images and then breaking them apart and putting them back together, Sze explores the fragility of time passing and our desire for intimacy and touch in the face of both overwhelming natural forces and the ubiquitous images that surround us daily. Sarah Sze...

Photograph Color photograph made with archival pigments on fine art rag paper with matte finish Size varies based on edition This work comes with a "Certificate of Authenticity". Luke Butler...

Print Archival pigment print Measures: 20.00 x 16.00 in 50.8 x 40.6 cm Edition of 100 This work is signed on a label on the verso. David Byrne, legendary frontman of American band The Talking Heads and author of How Music Works, was born in Dumbarton, Scotland in 1952. Byrne is a multi-intrumentalist most known for his high-energy performances and distinctive, wide-ranging voice. He formed The Talking Heads with fellow RISD student, Chris Frantz, and Frantz's girlfriend, Tina Weymouth, in 1975 while living in New York City. In 1990 he founded the world music record label Luaka Bop, which released music from artists including Os Mutantes, Tom Ze, and Zap Mama. Byrne's solo career has been broad and multi-disciplinary. Since the 1990s, Byrne has exhibited his visual artwork at numerous galleries including Pace/MacGill Gallery in New York City. In 2006 he released Arboretum, a collection of his philosophical drawings, published by McSweeney's. Byrne's drawings are what he calls "mental maps of imaginary territory." Says Byrne, "if you can draw a relationship, it can exist... the world keeps opening up, unfolding, and just when we expect it to be closed—to be a sealed sensible box—it shows us something completely surprising." In 2010, Byrne exhibited his piece "Guitar Pedals...

Brilliantly stylized, reminiscent of the work of George Bellows and other masters of the 1920s and 1930s, this watercolor presents a placid view of a riverside park...

Print Archival pigment print on Moab Entrada Measures: 20.00 x 20.00 in 50.8 x 50.8 cm Edition of 50 This work comes with a signed Certificate of Authenticity. Frances Goodman...

Photograph Inkjet print Measures: 14.59 x 24.00 in 37.1 x 61.0 cm Edition of 50 This work comes with a Certificate of Authenticity. This Artspace edition print supports the Stanlee and Gereald Rubin Center for the Visual Arts' 10th anniversary featuring artists who engage in disruptive, alternative, and collective interactions with space and space technology. This print by Tomás Saraceno...

"1 H Sustaining," is an orange, white and gray archival Fine Art print in a limited edition of 75 by Renée Rey. Each signed Archival Pigment numbered work is printed on hot press rag...

Print Digital archival print on Moab Entrada 335 gsm Measures: 16.00 x 13.00 in 40.6 x 33.0 cm Edition of 50 This work comes with a signed Certificate of Authenticity. In partnership with Maison de...

Print: Full color digital archival print on Epson Hot Press Natural 330g/m2 Size: 610 x 508 mm (24 x 20 in) Edition of 100 This work will come with a signed and numbered archival label adhered to the back of the print, (2019) Produced with the support of Kering, a global luxury group committed to the empowerment of women, this charitable limited-edition print is part of a portfolio celebrating Phaidon's Great Women Artists, the most extensive illustrated book on women artists ever published. One of the most celebrated painters of her generation, Dana Schutz...

Photograph Measures: Digital print 13.00 x 19.00 in 33.0 x 48.3 cm Edition of 30 In 2012, Janaina Tschäpe filmed two large balloons as they buoy...

Print Full bleed six-color silkscreen printed on Letra Ecru 300 gsm Measures: 34.00 x 24.50 in 86.4 x 62.2 cm Edition of 50 This work is signed and numbered by the artist on recto. The imagery for this edition is derived in part from what Michael Bauer calls his “telephone drawings”—quick, loose sketches made while talking on the phone or otherwise distracted. Bauer saves these doodles, no matter how rough or silly, and uses them as raw materials to be copied, scanned, altered, and combined. Bauer often works in series, making groups of paintings that metaphorically “talk back” to one another while simultaneously standing on their own as individual works. As he says, “Every painting that I do relies on the last twenty I did.” In a neat literalization of his process, this print includes the words “baba” and “creme,” recurring terms Bauer uses as verbal readymades for their phonetic qualities and mutable meanings. The amorphic, animalistic forms of German painter Michael Bauer are built upon color washes, meandering lines, and bulbous protrusions. Utilizing a variety of rendering techniques and materials, including pointillism, text and high-chroma colors, Bauer transforms his free-form compositions into dynamic and ornamented abstractions. He borrows from the colorful tradition of Modernist composition, juxtaposing collaged cutouts with a bevy of 20th century painting methodologies—including Cubist, Pop, and Surrealist techniques—to make the swirling paintings...