Ken Ferguson Decorative Objects

Graceful bud vase in shape of an ewer is hand thrown and hand decorated with traditional abstract design in black on mottled coral pink glaze background. The placement of the design is sensitively proportioned to the shape of the vase, creating an optical effect that guides the eye. The vase is signed on the bottom by the artist, Dorothy Stewart.

Art pottery vase by listed California artist Ramona Rowley.

Antique Arts & Crafts art pottery Hudson Perfector vase by Weller Pottery features a pink and white floral design on graduated sea foam green to blue ground, artist and maker signed ...

Studio pottery signed lidded jar. circa 1970.

Vintage ceramic bud vase in shape of ewer was hand made by Ken Edwards in traditions of Tonala pottery. It is decorated with bird and abstrac...

Striking studio pottery ceramic bud vase is decorated with crystalline glaze in bright, but harmonious tones. Deep burnt orange crystals on creamy light orange colored background we...

Sculptural ceramic vase features multicolored metallic Raku finish with predominant grey, brown, and green tones. Complex, graphic glaze complements minimal shape of the vase, guidin...

Roger Guerin Bouffioulx Belgian art pottery tobacco jar with lid, circa 1927 A real treasure for the ceramics' collector.           ...

Vessel is instantly recognizable as the work of Wishon-Harrell artist Frank Wilett. The circular appliqué pieces are instantly a giveaway. The lid is an unusual shape that mimics the...

Vintage hand-thrown vase features complex Crater glaze in off-white and espresso brown colors. Minimal color palette and streamlined shape of the piece allow the textured glaze with variations from semi-matte to high gloss to take the spotlight; slightly asymmetrical rim adds hand-crafted, Organic Modern mood to the vase design. The vase is personally signed by Douglas Ferguson on the bottom with his name and "Pigeon Forge Pottery Tenn". The Crater glaze has become one of the most recognizable glazes made by the Pigeon Forge Pottery. Often commonly referred to as "Volcanic" or "Lava" glaze, the Crater glaze was developed and made in several colors. We are offering a vase and 4 more bowls in different shapes by Douglas Ferguson, done in variations of Crater glazes, in separate listings. Douglas Ferguson (1912-1999) was an established Tennessee pottery artist; he received a degree in Art Design Studies from Mars Hill College and worked in the Ceramic Research Laboratory for the Tennessee Valley Authority in Norris, TN, from 1935 to 1947, where he experimented with local clays. In 1946 he started Pigeon Forge Pottery in an old tobacco barn with his wife Ruth and Ernest Wilson, his colleague at the Ceramic Research Laboratory. He formulated many of his own glazes, including crystalline and Crater glaze. In 1957 he created the Clingman Dome tea set, named by Ferguson for the highest peak in the Great Smoky Mountains, which the state of Tennessee presented to Queen Elizabeth. Ferguson became a member of the Southern Highland Craft Guild in 1948 and remained active until 1998, receiving Life Membership in 1991. He earned two awards from the Tennessee Arts and Crafts Festival in Nashville, received the Rotary Certificate of Distinguished Service, and was featured in books on Appalachian...

A contemporary studio ceramic vase made by Japanese potter Ken Matsuzaki (1950-). The vase showcases distinguished "moon flask" form with shoulder loops. The moon flask form was widely recorded first in Tang Dynasty China, most likely arrived from the Mideast countries via the silk road. It was originally used as drink vessel for the nomads and the loops were used to tie it to the horse-centered owner. The exotic form persisted in Chinese ceramic production through Ming to Qing dynasty. The form is unusual in Ken Matsuzaki's work. The artist covered the vase with a thick dripping Oribe green glaze partially revealing the unglazed part of the body, which is decorated with scrolling pattern in left by ash glaze. The work is rooted in both Yohen Shino glaze technique and Oribe tradition, but interestingly it also paid homage to Sancai pottery in Tang Dynasty when green glaze was prominently used to drip and splash onto the pottery. Viewing the vase, one can see in this harmonious piece, the innovative reinterpretation of ancient aesthetics that cross the cultures, geology and time. The base is marked with the artist's signature. The vase comes with an inscribed tomobako storage box with the artist's bio and wrapping cloth with seal. The vase measures 8.6"h x 7"w x 2"d. Ken Matsuzaki’s haptic ceramics bring a contemporary approach to traditional Japanese ceramicware, most notably 16th-century Oribe pottery...

This stunning studio art pottery vase by Michael Cho is a masterfully handcrafted ceramic piece that showcases an elegant blend of textured matte and glossy glazed finishes. The exte...