Kenneth W Hough Art

Brazilian artist, Clara Fialho, is based in New York. Her abstract work with bright and exuberant colors is inspired by her Latin heritage. She received her BFA from the prestigious...

Abstract Watercolor N.8 by Dmitry Samygin Minimalist and geometric paintings. Technique: Watercolor Color: Teal blue Size: H. 35.5 x 27.5 x 0.1 cm Dmitry Samygin is a Furniture a...

Brazilian artist, Clara Fialho, is based in New York. Her abstract work with bright and exuberant colors is inspired by her Latin heritage. She received her BFA from the prestigious...

An original Art Deco illustration hand-painted with ink and gouache on paper. The drawing features two elegant women with large windows and drapery in the background. This image was ...

Antique Victorian Watercolour of Whitby Harbour by 19th Century British Artist William Langley (1852–1922) dating back to Circa 1891 Art measures 19 x 10.5 inches Frame measures 2...

Selena Beaudry’s work is created by marking and cutting up drawings. This has led the artist to rediscovering her visual language. Her work consists of...

John Selburg was born and raised in Peoria, Illinois. He holds a BFA in Drawing, Sculpture, and Graphic Design from Bradley University (2006), and an MFA from the University of Misso...

Two delightful watercolours, with wonderful details by the highly collectable Charles Robertson. They depict two different aspects of Victorian life, the first captures two boys fis...

This framed 27" x 37" watercolor painting by Irish artist, Peter Healy is from the 'In Flux' Pandemic Collection. The painting comes vibrantly alive as the...

Ronald Maddox. English ( b.1930 - d.2018 ). Landscape Pattern, Glen Lyon, Scotland, 1980. Watercolor. Signed Lower Right. Image size 13.6 inches x 23.6 inches ( 34.5cm x 60cm ). Frame size 20.3 inches x 30.3 inches ( 51.5cm x 77cm ). Available for sale; this original painting is by the former long-standing President of the Royal Institute of Painters in Water Colours, Ronald Maddox, and dates from 1980. The watercolor is presented and supplied in a sympathetic and contrasting contemporary frame to suit the subject coloration (which is shown in these photographs) and behind non-reflective Tru Vue UltraVue® UV70 glass. This vintage piece is in superb condition. It wants for nothing and is supplied ready to hang and display. The watercolor is signed lower right. Provenance: The painting was exhibited at the Royal Institute of Painters in Water Colours at The Mall Galleries at 17 Carlton Terrace, SW.1, London in 1980. The exhibition label from the previous backboard of the painting has been retained and affixed to the rear of the new backboard. Ronald Maddox was an accomplished and successful British artist, designer and illustrator. He was born in Purley, Surrey and studied at St. Albans School of Art from 1945 to 1948. He then served with the Air Ministry Design Service, during which time he attended Regent Street Polytechnic in London from 1949-51, before completing his studies at the London College of Printing. His tutors included Henry Trevick, Raymond Sheppard, and Christopher Saunders. From 1953 to 1962 Maddox worked as an art director for advertising agencies in London. He then worked as a freelance artist illustrator and graphic designer. Between 1972 and 1989 Maddox worked extensively for the Post Office and the Royal Mail, and the Isle of Man postal authority. He designed stamps, stamp book covers, first day presentation packs, posters and charts. His stamps typically feature British architecture, rural life and the countryside. He also produced posters for British Rail and painted pictures that were used as carriage panel prints, and illustrated several books. Maddox’s talents were well recognised and respected in the professional art and design communities. He was elected a member of the Society of Industrial Artists & Designers in 1956 and of the Royal Institute in 1959, in 1989 becoming its president. He was a Fellow of the Chartered Society of Designers and a Fellow of the Society of Architectural Illustrators. Maddox received many awards for his work as an artist and designer, including the Winsor & Newton /RI 150th Anniversary Award in 1981 and the Members’ Award in 1991. He was a Hunting Group Finalist several times and won the Design Council Award in 1973 and the Rowland Hilder Award for the Most Outstanding Landscape in 1990. Maddox excelled at architectural work, reproducing the textures and patterns of buildings, but he is perhaps best known for his topographical art...

Abstract geometric painting with a cool toned palette of green, blue, and grey with accents of black and white against a sea foam green colored acrylic wash background "Blue and Grey Green Plan" made by Hudson Valley artists, Donise English, in 2022 Graphite, colored pencil, and acrylic painting on vellum 24 x 18 inches unframed, 31 x 25 x 1.5 with an 8-ply white mat, non-glare plexi, and simple black moulding Signed, verso Excellent condition and ready to hang This abstract geometric painting on vellum was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a blue green toned background of acrylic wash. A grid of box-like patterns in sky blue, green, grey, and black with white line work are stacked to create an irregular shape or an "imagined city grid", says the artist. The painting on vellum is complemented by a simple black frame with an 8-ply white mat, non-glare plexi, and wire backing. It's in excellent condition and ready to hang. About the artist: Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. A central checkerboard formation floats over a ground of pastel color or washes of grey or cream. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. The artist recently retired from her decades career teaching at Marist College and is now devoted full time to her art making. Artist Statement: My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Artist CV: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS NYFA Fellowship in Painting 2018 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 MEMBERSHIP Royal British Society of Sculptors SELECTED JURIED/INVITATIONAL EXHIBITIONS 2020 “edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY 2019 “Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY “Mixed Media”, SITE Gallery, Brooklyn, NY 2018 “JuxtaPositions”, The Painting Center, New York, NY “Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY 2017 “Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY “Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD “Under, Over, After Over”, Vassar College, Poughkeepsie, NY 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College, White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School, Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”,Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”,Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition,Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”,Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

MARCEL JANCO 1895-1984 Bucarest 1895-1984 Ein Hod (Rumanian/Israeli) Title: Reclining Nude Technique: Original signed Watercolour and Ink on paper s...