Kent Williams Art

Senza Titolo 4 Oil Paint on Copper Portrait In Stock Giovanni Tommasi Ferroni (1967, Rome) descended from an artistic Tuscan family. His grandfather, ...

Anatomy Lesson, Segment 10 (modern figurative oil painting of two nude men from upper thigh to chest) by Robert Goldstrom 2024 oil on linen 12 x 12 inches signed and in excellent con...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of art, illustrating the creation of beauty, meaning, and emotional impact from industrial...

Academic style figurative portrait painting of a handsome young men "After the Game", By Mark Beard as Bruce Sargeant (pseudonym in homage to the fashion photographer, Bruce Weber, a...

Dimension with frame: 35 x 29,7 x 3,3 cm. A finely executed miniature devotional painting depicting the Madonna tenderly embracing the Christ Child. Executed in oil on copper and dating from the late 18th to early 19th century, the composition displays the intimate scale and luminous surface characteristic of copper paintings. The Virgin is shown wearing a deep blue mantle highlighted with delicate gilded details and crowned by a circle of stars, while the Christ Child rests affectionately in her arms. The work reflects the enduring influence of Baroque religious imagery and evokes the devotional paintings produced throughout the Spanish world during the colonial period, while remaining firmly rooted in the broader Continental European tradition. Its small scale, refined execution, and warm devotional character make it an appealing collector's piece. The painting is presented in an impressive carved and ebonized wooden frame that beautifully complements the richness of the composition. A charming example of late 18th-century religious art, combining devotional intimacy, Baroque sensibility, and the luminous qualities unique to oil on copper. madonna and child, virgin mary, christ child, oil on copper, copper painting, religious painting, devotional painting, catholic art, christian art, sacred art, baroque religious art, baroque devotional painting, continental european school, spanish colonial taste, spanish colonial influence, antique religious artwork, ecclesiastical art, crowned madonna, star crown madonna, virgin and child, christian iconography, late 18th century painting, circa 1800, antique oil on copper, miniature painting, devotional icon, old master style, european religious art, framed religious painting...

Academic style figurative portrait painting of a handsome young men "Two Men, Adjusting His Tie", By Mark Beard as Bruce Sargeant (pseudonym in homage to the fashion photographer, Br...

This charming German miniature painting, created of oil on copper, depicts a young woman wearing a large and lavish hat. With dark, braided hair and blue eyes, the sitter's cheerful ...

Lisa Fricker's "Sara's Morning" is an original, handmade oil painting that depicts a close up nude portrait of a woman in front of a earth toned , geometrical abstracted background. ...

Anatomy Lesson, Segment 13 (modern figurative oil painting of two nude men from waist to knees) by Robert Goldstrom 2024 oil on linen 12 x 12 inches signed and in excellent condition...

Striking organic shapes in bright red provide dramatic contrast in this cream felt tapestry by fabric artist Chung-Im Kim. Kim meticulously hand stitches together small pieces of ind...

Felix Campean's artwork presents a scene of a human body emerging with astonishing anatomical precision, capturing every detail of musculature and skin with hyper-realistic fidelity....

Portrait of an Elizabethan Gentleman in a Black Doublet c.1595 Manner of Hieronimo Custodis (died c.1593) Oil on copper Unsigned This exquisite oil on copper portrait, painted around 430 years ago, is a splendid survival from the Elizabethan era - the golden age in England’s history, when Queen Elizabeth I was on the throne. It is a time that is sandwiched between two golden ages of English renaissance culture, the reigns of Henry VIII and Charles I. This period produced a style of painting quite unlike that anywhere else in Europe and one that deserves serious assessment. Just a couple of years after our portrait was painted, English painting developed on another course, driven mainly by the artists Marcus Gheeraerts the Younger and Isaac Oliver; they depicted a new mood that was pervading Elizabethan and Jacobean society, which was that of romantic melancholy. Elizabethan painting...