Ke'ra Morgan Furniture

This remarkable -- perhaps unique -- woodblock print depicts a group of five nude male workers laying railroad track, their strong, muscled figures interlaced as they strive to move ...

"Charming Florals of the Victorian Era: A Collection from 'Favourite Flowers of Garden and Greenhouse'" Step into the enchanting world of Victorian horticulture with "Charming Flora...

Fully-entitled: Army of the Potomac. The Wagon Trains of the Army of the Potomac en Route from Chickahominy to James River VA. During the Seven...

Untitled Monoprint by Beverly Pepper C. 1985. Signed and dated to lower right 'Beverly Pepper 1985' Beverly Pepper was an American sculptor known for her monumental works, site spec...

Antique View of Château de Fontainebleau, Napoleon Era Landscape Engraving, 1803 A panoramic view of Fontainebleau, capturing the grandeur of Napoleon’s residence within a refined l...

Allegorical Engraving of Égalité from the French Revolutionary Era This neoclassical engraving powerfully represents Égalité (Equality), one of the central ideals of the French Revo...

Untitled print. This print depicts a harbour scene with several figures, ships and a statue. Reads 'Haered. Ier. Wolffij excudit Aug. Vind'. Source unknown, to be determined.

Sonia Delaunay, "Untitled composition", 1969 Lithograph in colors on wove paper by Ukrainian born French artist Sonia Delaunay ( 1885-1979 ). Signed in pencil lower right edge; n...

Set of four Regency era coloured engravings by Rowlandson. Four framed coloured engravings of Regency London landmarks including the Corn Exchange,...

Antique View of Porte Dauphine, Château de Fontainebleau, Baltard, 1803 Depicting one of the ceremonial entrances to Napoleon’s residence at Fontainebleau. This finely engraved architectural view depicts the Porte Dauphine at the Château de Fontainebleau, one of France’s most historically significant royal and imperial residences. Created by the French architect and engraver Louis-Pierre Baltard and published in Paris in 1803, the print originates from the important Napoleonic-era work Paris et ses Monuments, mesurés, dessinés et gravés, a publication dedicated to documenting France’s architectural heritage with precision and artistic refinement. The composition presents a richly detailed perspective of the monumental gateway, with its triumphal arch, sculptural ornamentation, and flanking architectural elements rendered in meticulous copperplate engraving. The scene combines architectural clarity with atmospheric depth: the finely etched masonry, decorative reliefs, and wrought iron fencing contrast beautifully with the dramatic sky and receding perspective beyond the arch. Small figures animate the foreground, adding scale and a sense of daily life, while the strong use of light and shadow enhances the monumentality of the structure. Fontainebleau played a central role during the reign of Napoleon Bonaparte, who used the château as one of his principal residences. The Porte Dauphine served as one of the ceremonial entrances to the palace complex, making this view both architecturally and historically significant. As such, the engraving captures not only a physical structure but also a symbolic threshold into one of the key sites of imperial power during the First Empire. Baltard’s engravings are highly regarded for their technical precision and elegant execution. The crisp lines and tonal richness characteristic of early 19th-century copperplate engraving are clearly visible here, offering both decorative appeal and scholarly value. This piece is particularly well-suited for collectors of architectural views, French history, or Napoleonic-era material, as well as for interior designers seeking refined, classical imagery. Condition: Good antique condition with light age-related toning, scattered foxing, and minor discoloration to the margins. The impression remains strong with clear, well-defined lines. Plate mark visible. Framing tips: This print would display beautifully in a dark walnut or black frame with a wide ivory mat, emphasizing the depth of the engraving and creating a sophisticated, gallery-quality presentation suitable for a study, hallway, or formal interior. Note: This is an original antique engraving and not a reproduction. It is offered unframed. Frame shown for presentation purposes only. Technique: Copperplate engraving Maker: Louis-Pierre Baltard, Paris, 1803 Keywords: antique architectural engraving Fontainebleau, Porte Dauphine print, Baltard engraving 1803, Napoleonic era architecture, Château de Fontainebleau view, French classical architecture print...

This etching is #40/95. It was done by John Chious in the latter half of the 20th century. The name of the artwork is CITY ERA. It comes matted and framed.

Antique portrait titled 'Thomas Muntzer'. Portrait of Thomas Müntzer. Thomas Müntzer was an early Reformation-era German theologian, who became a rebel leader during the Peasants' War. He turned against Luther with several anti-Lutheran writings, and supported the Anabaptists. In the Battle of Frankenhausen, Müntzer and his followers were defeated. He was captured, tortured and decapitated. This print originates from 'Historie der kerken en ketteren van den beginne des Nieuwen Testaments tot aan het jaar onses Heeren 1688 ... In het Neederduyts vertaald' by G. Arnold. Artists and Engravers: Gottfried Arnold (1666 – 1714) was a German Lutheran...