KIMBERLY

Elegant vintage Moroccan green caftan, poly jersey embroidered with black and gold threads design all-over. You could wear this maxi dress kaftan closed ...

A museum level runway piece from Emilio Pucci S/S 1967, as seen on the original catwalk. This flowing maxi dress embodies Pucci at the absolute height of his creative power. Cut fro...

Tom Ford for Yves Saint Laurent Rive Gauche Silk Dress French size 36 - US 4 ( please check measurements ) F/W 2003 Collection 100% Silk, Finished with Ruffles, Back Zip Closure, Fab...

Piece Description: This exquisite Jean Paul Gaultier long dress from the 2002 Soleil Portraits collection is a striking statement piece that showcases the designer's iconic blend of ...

A beautiful yellow silk gown dress from Christian Dior. It is sleeveless and has a crew neckline with tucks around it's circumference opening to the ...

ALEXANDER McQUEEN S/S 1996 “The Hunger” Green Asymmetric Strapless Ruffle Dress Brand / Manufacturer: Alexander McQueen Collection: S/S 1996 Style: Strapless dress Color(s): Shades of green Lined: No Marked Fabric Content: Bodice; 76% cotton, 22% polyester, 2% elastane Trim; 100% seta silk Additional Details / Inclusions: Alexander McQueen S/S 1996 green strapless dress...

Azzedine Alaïa’s collaboration with French discount retail chain Tati in 1991 marked one of the first high/low collaborations in fashion history (preceding the likes of H&M x Versace, Target x Rodarte and GAP x Yeezy by decades) and was inspired by artist Julian Schnabel’s use of the brand’s iconic Vichy houndstooth print as a backdrop for a series of paintings. In return for the right to use the print for his S/S 1991 collection, Alaïa created a t-shirt, bag & espadrilles available exclusively for purchase at Tati. The Vichy printed pieces that were worn by supermodels Helena Christensen, Yasmin Le Bon & Elle Macpherson on Alaïa’s 1991...

When Yves Saint Laurent visited Morocco for the first time in 1966 it changed his life forever. Struck by its beauty he immediately acquired a house in Marrakech and stayed there at least two times a year to design his collections. Yves Saint Laurent once said: ‘Marrakech opened my eyes to color.’ The colors of the stained glass windows and beamed ceilings of the Bahia Palace in Marrakech are a perfect example what inspired him when designing this particular dress for his Rive Gauche collection that came out in 1982. The exciting mix of vivid colors Yves Saint Laurent used designing this dress have a pattern of vertical stripes in lively red, purple indigo, apple green and Dijon yellow alternated with thin black and white stripes. Adding a pussy bow and bishop sleeves gives the entire look an elegant feel. The high quality silk is in a very good vintage condition and has been professionally cleaned and pressed. The state of this unique Yves Saint Laurent Rive Gauche dress is very good, only a small piece of the original mother-of-pearl button left hand button has chipped off (see the last photograph), but can be easily replaced. As you wish we can replace this with a new button without charging extra costs. The dress that was also featured in Vogue magazine in a 1982 Yves...

A stunning brilliant yellow green silk bodycon dress from Thierry Mugler. It has short sleeves and is semi fitted through to the asymmetric hemline...

Tiffeau & Busch LTD. New York, 1966 chartreuse yellow & black hand print silk organza & silk twill maxi dress. Jacques Tiffeau was known for his elegant designs crafted from start to finish by a designer who actually knew the process & could preform the art all by himself, a rare feat in these fast fashion times, when some designers don't even know how to sew. Tiffeau had vision and lived in the time when he was able to express his talent in new and meaningful ways, encouraging 1960s woman...

Presenting an iconic emerald green Yves Saint Laurent Rive Gauche silk dress designed by Tom Ford. From the Fall/Winter 2003 collection, a more sheer version of this dress debuted on the season's runway as Look 1, modeled by Julia Stegner, and in the season's ad campaign on Julia Stenger, photographed by Craig McDean...

Early 2000’s Pleats Please Issey Miyake flower series dress developed with frequent artist collaborator Mimi Yokoo, produced during the brand’s early, pre–mass market era, now consid...