Koinor Sofas

This item is part of the private collection of Casey Godrie and is situated in his private house. Ask him for competitive shipping quotes. His incredible Dune Villa, Amsterdam Beach...

For sale is a stunning vintage Italian sofa from the 1970s, embodying the sleek and minimalist design of the era. This exquisite piece features a low profile, clean lines, and genero...

Modular corner sofa, leather, Italy, 1970s A spacious L-shaped modular Italian corner sofa, upholstered in firm cognac leather. The cushions are generously padded with a rounded, pl...

Comfy burgundy leather sofa, with brass studs. Classic form, original condition, clean, ready to use. Cushions do sit flat, they were just not p...

In 1973, Claudio Salocchi designed Free System: a system of padded furniture deriving from the concept of “operated flooring”, or tatami, where the padded units could be placed freely side by side. With its completely modular and sectional elements and from the perspective of an optimal use of space, we can view Free System as the embodiment of the modern house utopia. A programme of padded furniture that goes beyond the sofa model, Free System presents a series of elements (tatami, pouf and seat with different and interchangeable backrests) that make up a modular system that can be arranged in a variety of combinations. Available elements _ seat module with curved backrest: L100 D100 H74, seat H39 cm; _ seat module with inclined backrest: L100 D100 H74, seat H39 cm; _ pouf module...

Pair of sofas made of polished chrome-plated steel frame and leather cushion. Designed by Le Corbusier, Pierre Jeanneret and Charlotte Perriand, and edited by Cassina in 1978. ...

Sofa, aluminum, leather, Italy 1970s Comfortable sofa made in the 1970s. This sofa strongly represent the essence of furniture design of the 1970s, going beyond the strict conventio...

1970s Selig lucite frame and leather strap sofa couch. Three long nickel bars run through the length of the sofa holding the black leather straps an...

Elegant English Victorian parlour settee crafted from mahogany Serpentine shaped frame with carved floral and foliate decoration Just been reupholstered so with new material - clean ...

This is a 1970's, made-to-order, suede upholstered, Croissant Sofa for Honore Paris. Design is attributed to the famous Raphael Raffel (1912-2000). Raffel, who trained at the École d...

Sofa, leather, mahogany, Denmark, 1960s Wonderful Danish two seat sofa. The brown leather shows a light patina and is in good condition, showin...

Three-seater sofa model 5011 in original leather and eight-legged ash base. Produced by Rud. Rasmussen Cabinetmakers, Denmark. Minor marks on the frame, patina to the leather. Shown at the Copenhagen Cabinetmakers’ Guild exhibition in 1935. Kaare Klint is widely recognized as the father of Danish modern design. It is hard to overstate his influence. He developed an entirely new analytical approach to furniture design that his students at the Danish Academy of Art would emulate for years to come, yet was also inspired by historic designs from various cultures, modernizing and re-interpreting classic pieces for new generations. Literature: Gorm Harkær, Klintiana: “Kaare Klint”, vol.2, pg 94. Shipping services: Ask for our competitive shipping quote. Kaare Klint (1888-1954) is regarded as the founding father of Danish Modernim. As an architect, furniture designer and leading professor at the Department of Furniture Design at the Royal Danish Academy of Fine Arts, Copenhagen, Klint established the principles of modern Danish furniture by combining a profound appreciation of traditional construction techniques with a modernist emphasis on function and a rejection of ornaments. Klint’s design was always based on relentless research; he never compromised. Every piece had to fulfill its purpose, be completely clear in its construction with dimensions and proportions corresponding to the human body and display materials and craftsmanship of the highest quality. Logic, often using a mathematical system of measures, and a constructive way of thinking were the foundation of Klint’s philosophy of furniture design. Like many of his contemporaries, counting Le Corbusier and Walter Gropius, he advocated standardization and functional requirements and dismissed the use of all ornamentation. But Klint realized his vision in wood and leather, using traditional craftsmen and working methods and often finding inspiration in historical models. In this way, he charted the course for an alternative Nordic Functionalism that idealized the workshop and the collaboration between furniture architects and cabinetmakers as opposed to the factory. Kaare Klint’s first major work was a collaboration with his mentor, the architect Carl Petersen. In 1914 they were commissioned to design furniture and fixtures for Faaborg Art Museum. One of the highlights to emerge from this commission was the Faaborg chair, a light and elegant chair with clear references to classical furniture. The construction and proportions of an 18th century English Chippendale...