Krosno Barware

Margot Decanter and four Dearborn wine glasses Entirely hand-formed without the use of molds, the contemporary minimal Margot Decanter is an ideal companion to any evening spent e...

This is a very good English "RUMMER" Drinking Glass, which were originally drinking glasses used in English taverns in the late 18th and early 19...

Carl Aubock polished brass hand bottle opener #4224. This whimsical 1950's hand bottle opener by Carl Aubock is a wonderful example of the marriage ...

Carl Auböck Model #4224 'Hand' brass bottle opener. Designed in the 1950s, this incredibly refined and sculptural bottle opener is executed in polished brass. Price is per item. ...

A beautiful mid-century Italian glass decanter featuring a soft pink body paired with a contrasting green stopper. The form is clean and geometric, with subtle faceting that catches ...

This is a rare and amazing amethyst overlay cut to clear stemware service for 12 made and signed by Webb ca. 1920's. The 36 piece set consists of...

Carl Auböck #4224 Bottle Opener "Hand", Austria 2022. Please get in touch with us regarding the exact measurements of the item.

Carlo Moretti Albali contemporary mouth blown Murano clear glass decanter, signed and dated. ...

Set of six hand blown glasses in clear crystal with a hand-edged skier decor. The decor is a country style scene, showing a skier boy, trees and mountains and a chalet all-over the g...

Fantastic citrus yellow 20th century Art Deco crystal glass decanter set/ liquor set of six from the early period in Bohemia around 1920. Reminding of the style of famous Ludwig Mose...

A slightly cheeky Art Deco decanter set with matching set of six glasses in handblown clear glass, in the style of Bimini. The stems designed minimalistic w...

Elegant Mid-Century Modern vintage crystal decanter with stopper by Orrefors (Swedish, founded 1898), c. 1960's. Engraved signature to base Orrefors HM 2498 - this particular style was by Edvard Hall. Includes original red Orrefors Sweden sticker with logo. "Orrefors HM 2498" etched into base. Measures 11.5" H x 3" W x 3" D. Orrefors Glassworks was founded in 1898 on the same site where ironworks operations had been run since 1726. In the same year that the glassworks was founded, a hot shop was built for making technical, medical and household glass and stemware to make use of waste wood and labour. Glass now replaced the less profitable ironworks operations. In 1913, Consul Johan Ekman from Gothenburg became the new owner of Orrefors Glassworks. He appointed Albert Ahlin as manager of the glassworks and this marked the start of a new era. In 1914, Orrefors started manufacturing crystal products, and as well as cut crystal according to purchased patterns and samples, Orrefors made art glass using the overlay technique with etched decoration. The new management quickly saw that artists were needed in the business, so Simon Gate was employed in 1916 and was joined by Edward Hald a year later. That same year, Gate and Hald made their first tentative attempts at figure engraving. They also experimented with the new innovative graal (grail) glass technique that was developed at Orrefors by the master glassblower Knut Bergqvist. The major successes were achieved a few years later at the Gothenburg Exhibition in 1923, and in particular at the Paris Exhibition in 1925. The thin engraved glass was admired by the surrounding world, and both Orrefors and the artists themselves were awarded the Grand Prix. The successes of Simon Gate and Edward Hald in Paris in 1925 constituted the start of the long Orrefors tradition of creative design closely combined with genuine and innovative craftsmanship. Since then, new designers and skilled glassmakers have continued in the spirit of Gate and Hald. Vicke Lindstrand and Edvin Öhrström with the new glass technique called Ariel in the 1930s. Sven Palmqvist with Kraka and Ravenna in the 1940s. And in the 1950s with Fuga, which, along with Nils Landberg’s slender tulip-shaped glass “Tulpan” and Ingeborg Lundin’s apple-shaped vase “Äpplet”, are now seen as symbols of the renaissance of Swedish design. The 1960s are associated with Gunnar Cyrén’s Pop glass, and in the 1970s, Eva Englund, Olle Alberius, Lars Hellsten and Jan Johansson as well as Cyrén worked at the glassworks. Since the 1980s, designers such as Anne Nilsson, Erika Lagerbielke, Helen Krantz, Matz Borgström, Per B Sundberg, Martti Rytkönen, Lena Bergström, Ingegerd Råman, Malin Lindahl and Efva Attling...