Kurt Hutton Art

Gorgeous Joan (1931) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) A woman in white two-piece bathing suit water skiing cir...

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...

Second Edition 1/10 Printed to Order Also available in 20"x30" . Photo taken in Amagansett NY *Photography: U Wash Truck, Death Valley and Mulford Lane, Amagansett 2012 have been...

Slim Aarons Jazz Scooter 1949 (printed later) Silver gelatin print estate signature stamped edition of 150 with certificate of authenticity Lucille Brown takes control of the Vespa...

From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 7 x 7 inches, image 15 x 12 inches, mount This photograph is offered by ClampArt, located in New York City. An optician by trade, Ralph Eugene Meatyard was a self-described “dedicated amateur” photographer. He pursued his own vision to produce an exquisitely enigmatic, widely admired body of work. Meatyard began taking photographs in 1950, roaming the backwoods and towns in Kentucky, experimenting with framing, multiple exposures, and blurring to produce haunting, abstracted images of natural and manmade environments. In the late 1950s, he began incorporating monstrous, oversized latex masks...

'Rogers & Hepburn Chat On Set' Katharine Hepburn and Ginger Rogers on the set of 'Stage Door,'1937. The iconic film movie star Hepburn chats with dancer, ...

From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 7 x 7.5 inches, image 15 x 12 inches, mount This photograph is offered by ClampArt, located in New York City. An optician by trade, Ralph Eugene Meatyard was a self-described “dedicated amateur” photographer. He pursued his own vision to produce an exquisitely enigmatic, widely admired body of work. Meatyard began taking photographs in 1950, roaming the backwoods and towns in Kentucky, experimenting with framing, multiple exposures, and blurring to produce haunting, abstracted images of natural and manmade environments. In the late 1950s, he began incorporating monstrous, oversized latex masks...

From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 7 x 7.5 inches, image 15 x 12 inches, mount This photograph is offered by ClampArt, located in New York City. An optician by trade, Ralph Eugene Meatyard was a self-described “dedicated amateur” photographer. He pursued his own vision to produce an exquisitely enigmatic, widely admired body of work. Meatyard began taking photographs in 1950, roaming the backwoods and towns in Kentucky, experimenting with framing, multiple exposures, and blurring to produce haunting, abstracted images of natural and manmade environments. In the late 1950s, he began incorporating monstrous, oversized latex masks...

Gelatin silver print Signed in pencil, verso 14 x 11 inches, sheet size 11 x 10.25 inches, image size This artwork is offered by ClampArt, located in New York City. Lillian Bassma...

As the Sixties swung and Britain subverted the old order, photographer Philip Townsend was there to record all the prime people of the time, beautiful and ugly alike: the debs and th...

Programmer (1964) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) 1st November 1964. A technician programming mainframe computer at control room conso...

High Wire Motorcycle (1960) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) A high-wire act with a man standing on his head on a motorcycle with man a...