Kyohei Inukai Paintings

An original cubist pointillist nude signed illegibly and dates 1962. The artist uses sporadic texture and vibrant color to create a captivating scene.

Antique American exhibited cubist nude portrait oil painting. Oil and casein on board. Framed. Signed. Exhibition label verso.

Nude Abstract by Therese Hummel (French, 1911-1999) oil on canvas, unframed canvas : 10.75 x 14 inches Provenance: private collection of this artists work, Paris Condition: sound and...

Artist/ School: by Henri Van Der Beck (French 1886-1956), signed Medium: oil on canvas, unframed Painting: 18 x 15 inches Provenance: private collection, France Condition: The p...

Terpsichore III Acrylic on Canvas 35 x 27 cm Terpsichore III by Grégoire Mathias is a vibrant and dynamic portrayal of Terpsichore, the muse of dance, rendered in the artist's signa...

Edwin Mieczkowski (American, 1929-2017) Curved Dimensions, 1965 Acrylic on board Signed, dated and titled verso 30 x 29.75 inches Edwin Mieczkowski, born in Pittsburgh, was a leader of geometric and perceptual abstraction during the latter part of the 20th century. Mieczkowski's work first came to prominence in "The Responsive Eye" exhibition, the nation's first major exhibition of perceptual art, held at the Museum of Modern Art in New York in 1965. Mieczkowski was also featured in the 1964 article in Timemagazine that first used the term "Op Art" to describe paintings that manipulated visual cues in order to reorder and excite viewers' perceptual responses. With a complex aesthetic that over time has transcended mere tricks of optical art, Mieczkowski has spent nearly four decades producing geometrically paintings, drawings and sculptures, a genre of modern art that is known broadly as perceptual abstraction. His output of static and dynamic forms create a body of work, still largely intact, that uses visually disorienting, meticulously arranged lines, dazzling kaleidoscopic colors, and alluring juxtapositions of hue and tone, to playfully and seductively present new challenges for the viewer's eyes. The desired result is an optical effect of perpetual motion, harmonics and rhythm. . . . Along with Frank Hewitt and Ernst Benkert, Mieczkowski was a co-founder in 1959 of the Anonima* group that worked together in Cleveland and New York and declared itself free from the pressures of the art market and the pursuit of personal fame. Members of Anonima often left their works unsigned and vowed to shun the usual art market venues such as commercial galleries, biennials and competitions. Instead, they engaged in a rigorous, self-imposed program of painting exercises to explore the effects of geometry and color on visual perception. Although Mieczkowski's work hung side-by-side in the MOMA "Responsive Eye" exhibition with such colleagues as Josef Albers, Victor Vasarely, Richard Anuszkiewicz, Morris Louis, Kenneth Noland, Carlos Cruz...

'Nude Woman at Home', oil on fine paper (1969), by Raymond Debiève. In a clear nod to Picasso's influence both stylistically and in terms of subject matter (Picasso painted many work...

Richard Anuszkiewicz Metallic Water, 1964 Painting with Liquitex on canvas. (1964 Art Institute of Chicago Exhibition and J.L. Hudson Gallery) Signed boldly and dated 1964 on the ver...

Pieces Falling into Place - Geometric Op-Art in Acrylic on Canvas (Triptych) This geometric triptych by Ralph Berko (American, b. 1950) features vividly colored prisms suspended ove...

Les Dormeuses (The Sleepers) Acrylic on Canvas 46 x 61 cm Les Dormeuses by Grégoire Mathias captures the serene stillness of rest through the fragmented yet harmonious lens of Diach...

Original oil painting on machine made colored paper. Hand signed and dated on front by Ottorino Mancioli. Artwork size: 25.5 x 27.1 inches. Frame size: 37 x 39 inches. The pain...

Richard Anuszkiewicz: 1930-2020. Very important and well listed American artist. He has auction results as high as $250,000. He was the leader of what would be called OP Art short fo...