Bela Kadar Paintings

"Horseman" by Washington DC artist Jeanne Cosimano. Painting in gouache on paper and dated 2021. Artist is known for her dynamic compositions and skillful ...

Cubist still life, acrylic and oil on board, by French artist Créqule. Signed bottom right. The painting is presented in a gilt wood frame, under glass. A bold exploration of form a...

"Coral Ripples" is a painting by Spanish artist Natalia Roman. This series of abstract geometric paintings by Natalia Roman draws its inspiration from the sleek grids and curves of B...

This piece titled "Highway 101" is an original artwork by Chris Austin and is made of gouache on wood. It measures 13"h x 17"w framed and is signed en verso by the artist. Chris Aus...

Cubist still life, acrylic and oil on board, by French artist Créqule. Signed bottom right. The painting is presented in a gilt wood frame, with mount, under glass. This composition...

Hiroshi Honda Hatatatedai Signed upper right Ink on paper laid on canvas 35 x 92 inches Hiroshi Honda was an American painter who was born in Hilo, Hawaii, to Japanese parents who ...

This contemporary surrealist painting depicts a blue bird perched atop a silver and blue round teapot. The reflection of a room in a round steel teapot offers a highly curved, disto...

Isabelle Graham Allison (Reese) (1927-2005). Calla Mayor, Venice ca. 1950s. Oil on canvas measuring 12 x 28 inches; 13 x 29 inches framed. Signed lower right. The artist lived and ...

Louis Icart (1880-1950) Canvas Size: 18 x 22" (46 x 55cm) Outside Frame Size: 26 x 30" (65 x 76cm) Signed and titled on the reverse. When Louis Icart returned to Paris after his s...

Oil on painting unsigned circa 1950 Striking mid-20th-century modernist painting depicting two highly stylized birds emerging from a complex arrangement of fragmented forms and intersecting planes. The two birds form the central focus of the composition, their bodies constructed through angular shapes, sweeping curves and overlapping areas of color. Rather than being represented naturalistically, they are integrated into the surrounding pictorial space, creating a fascinating interplay between figuration and abstraction. The composition is animated by strong diagonals and dark linear accents, while a sophisticated palette of earthy browns, greys, ochres and muted greens is enlivened by touches of red, turquoise and yellow. Visible brushwork and layered passages of paint give the surface a rich and expressive texture. The work reveals a strong Cubist and post-Cubist influence, particularly in its fragmentation of forms and reconstruction of space into overlapping planes. At the same time, its expressive handling of paint and stylized treatment of the birds place it within the broader vocabulary of mid-20th-century European Modernism. An intriguing and highly decorative modernist work in which the two birds gradually emerge from the surrounding network of shapes and colors. two birds painting...

Cheval 364 Acrylic on Canvas 50 x 50 cm Cheval 364 by Grégoire Mathias is a stunning composition from his celebrated series inspired by the Lascaux Horses, a timeless homage to the...

Couple à Aegina (A Couple in Aegina) Acrylic on Canvas 61 x 50 cm Couple à Aegina presents two intertwined figures assembled within a structured architectural setting inspired by the Greek island of Aegina. Rather than depicting a fixed scene, the composition builds from fragments — bodies, objects, spatial planes — held together through vertical alignment and interlocking geometry, so that figure and environment become genuinely inseparable. A central elongated form anchors the work, while surrounding elements — suggestive of musical instruments, interior structures, and architectural detail — intersect and layer. The figures remain partially legible, continuously shifting between presence and abstraction as they absorb and release the forms around them. The palette is restrained and deliberate: deep blacks and muted blues form the dominant ground, punctuated by sage greens and lighter neutral passages. Small circular accents and linear elements move across the surface, creating an internal rhythm that draws the eye without dictating a fixed entry point. This is not a scene captured at a single moment. Working through what he calls a "reverse jigsaw logic" — beginning with a figurative view of reality, then fragmenting and recomposing it — Mathias brings multiple perceptions into one field: variations in viewpoint, shifts in spatial relation, different moments of observation layered together. Like his figurative works more broadly, the human presence here is never isolated; it is always integrated with place, absorbed into the architecture and light of Aegina itself. Living with the Work: Before acquiring this piece, consider: at 61 x 50 cm, this is an intimate format — best suited to a space where you will naturally spend time close to it, rather than a large wall viewed from across a room. Does the space you have in mind allow for that? Does your interior already carry deep blacks, blues or greens, or would this palette introduce a contrast you'd find interesting to live with? Are you drawn to the human figure as a subject, or does the way the figures here dissolve into their architectural surroundings — becoming part of the place rather than standing apart from it — feel like the more compelling idea? Collector's Insight Rooted in the direct lineage of Jean Metzinger — whose disciple Claude Augereau was Mathias's professor at the École Nationale Supérieure des Beaux-Arts in Paris — this work extends the structural logic of European Cubism into a genuinely original proposition. Where Cubism fragmented space, Diachronic Cubism fragments time itself, embedding successive moments of perception within a single composition. The result sits comfortably within the tradition of Gris and Gromaire while belonging to no one but Mathias. About the Artist Grégoire Mathias, graduate of the École Nationale Supérieure des Beaux-Arts de Paris, is the pioneer of Diachronic Cubism — an evolution of the cubist tradition that captures not only multiple points in space but multiple moments in time within a single work. His paintings have been exhibited in Paris, New York, Los Angeles, Bordeaux, and Dublin. Since 2020, he has been the official artist of the WFUNA (World Federation of United Nations Associations), designing posters for United Nations Day in Geneva — the first French artist commissioned to do so since Picasso, Chagall, and Miró. Keywords Diachronic cubism, Greek island painting...

Details: Title: Savannah Spring Medium: Acrylic on canvas Size: 146x114 cm (57.5x44.8 inches) Year: 2026 * Certificate of authenticity provided. * Painting is shipped carefully ro...

Joseph Kardonne (1911-1985). Tarleton Landscape 1967. 9 x 12 inches. Watercolor on paper, sheet measures inches. Signed, dated and titled lower right. Excellent condition. Born in...

Cheval 368 Acrylic on Canvas 50 x 61 cm Cheval 368 presents an abstracted cubist horse, rendered through simplified, angular forms that emphasise strength, balance, and movement r...