Francis Plummer Paintings

Hebe with Zeus is an antique Austrian figurative oil painting on canvas by Eduard Büchler (1861–1958), dated 1887 and signed lower right. This 19th-century mythological nude brings a...

A Modern realist “trompe l’oeil” egg tempera painting by American female artist Catherine Catanzaro Koenig depicting a person curled up titled “Prayer Rug #1″. Catherine C. Koenig was born Caterina Catanzaro in 1921 and grew up on the West side of Buffalo, NY. She graduated from Lafayette High School Buffalo in 1939. She exhibited a talent for drawing and painting early on and attended Albright Art School, where she graduated with an Associate's Degree in 1942. Her professional career as an artist began in the 1940s when she started to exhibit her work. From 1946-1956, she taught drawing and painting at the Art Institute of Buffalo. She married Buffalo artist...

Figurative fauvist watercolor with three nude figures by Doris Ann Warner (American, 1925-2010). From the estate of Doris Warner. Signed "Warner" lower right. Unframed. Image, 15"H x...

Shadow of Light - Nude Figurative Study with a Bottle of California Wine Abstract expressionist watercolor and charcoal painting depicting a nude woman lounging by acclaimed bluegra...

A professor of painting at Southern Methodist University since 1984, Barnaby Fitzgerald spent his childhood in Italy where he earned a printmaking degree in Urbino. He received a BFA...

Painted in the 19th century, this exquisite miniature portrait wonderfully exemplifies realism in traditional oil painting. The small artwork is painted in the conventional portraiture style of the Old Masters, and achieves soft realism with fine brushwork and a subdued, neutral palette. The half length portrait depicts a fine Victorian woman dressed in all black with a delicate lace collar and bonnet. She wears a ruby broach...

This oil painting on canvas, created by an artist from the 17th Century Flemish School, depicts one of the most significant scenes from Greco-Roman mythology: Aeneas saving his famil...

Cattle By Pond At Dusk, Mid-19th Century Tonalist Landscape by William Keith Gorgeous mid-19th century landscape painting by William Keith (American, 1838-1911), circa 1860. This impressive Tonalist landscape, titled "In the Woods", depicts cattle beside a pond in the forest at dusk. Keith uses loose, blended brush strokes and a muted earthy palette to create an atmospheric mood that Tonalism is known for. Signed "W. Keith" lower left. Museum label on verso from Santa Barbara Museum of Art. Presented in an antique giltwood frame. Image size: 9"H x 13"W. With frame measures: 16"H x 20"W x 3"D. Provenance: Mrs. Eugene Patterson; Santa Barbara Museum of Art. Authenticity guaranteed and certificate include. Condition: Very good. Cleaning and restoration required signature to be re-touched, original images pre-restoration available. About the Artist: Brought to New York City in 1850, William Keith was apprenticed to a wood engraver in 1856 working for "Harper's" magazine. In 1858 (or 1859) he visited California for "Harper's" and then after a trip to Great Britain, settled in California as an engraver in 1862. He began exhibiting paintings in 1864 in San Francisco where he opened his studio, after having been taught painting by his wife. The Northern Pacific Railroad...

‘Diana Nemorensis’ by Max Nonnenbruch (1857-1922). The painting – which depicts the Roman Goddess Diana of the Woods beside Lake Nemi – is signed by the artist and presented in a f...

A deep ochre warmth spreads across this generously scaled oil on canvas, measuring H 31.9 in x W 39.4 in x D 0.8 in, pulling the eye across an undulating rural landscape that breathe...

This museum quality old master oil on canvas formal portrait painting depicting the family of the Count Zanardi is signed by the artist- the female painter Lucia Casalini Torelli- and published in a book dedicated to Casalini Torelli’s workshop and academy. This palatial masterpiece artwork comes directly from the ancient Villa Maraini Guerrieri - Palidano di Gonzaga (Mantua), an historic Italian heritage building owned by the descendants of the family portrayed for more than two centuries, until 1998. The big scale of this oil on canvas masterpiece painting states the relevance of Lucia Casalini Torelli as a painter. The present artwork is a formal family portrait painting that aim to introduce the characters depicted according to their social role in the society. The noble family is all gathered under a loggia overlooking a park, the landscape in the background is partially covered by a beautiful red cloth on the right side. The father stands up and holds the hand of his eldest son, proudly introducing his future heir. The son wears a light-blue dress and red boots, he is depicted in a serious pose holding a black tricorn hat under his arm and a rapier sword on his belt. The mother wears an elegant gold and dark green brocade dress, she is sitting with her youngest daughter on her knees while her second son is by her side. The little daughter wears a lovely long red and dress with white lace and holds an apple on her hand. The son stands next to his mother and is dressed in a brown priestly clothes. This palatial old masters piece was probably painted in 1740 due to the similarities with Cardinal Doria’ s portrait, now on display at the Doria Palace Museum, the official residence of the Prince of Genoa. The painting features original canvas (“prima tela”) and antique original patina, it is in excellent overall condition considering the age, use and its large scale. A formal detailed condition report and the results of the inspection with the UV lamp accompanied by photos is available on request. As well as for its exceptional quality and quite perfect state of conservation, this painting is particularly important and even more valuable both for the artist who painted it and for its absolutely exclusive provenance. Lucia painted the most prominent and powerful noble families of her time, the location of these paintings is unknown to the art market as it is extremely likely that the portraits are still kept in private collections. Furthermore, Lucia was one of the most appreciated artists of her time, so important that she was admitted as a member of the academy at a time when women were forbidden to attend these studies. In 1706, Felice Torelli...

A wonderful painting of a beautiful woman in the style of the Pre-Raphaelites. It is signed Arnhold. It is in very condition and in the original frame. Picture Size: 21 x 21" (51 ...