L. Gregoire Furniture

A very fine French antique patinated bronze figural group titled Pro Patria by Edouard Drouot (French, 1859-1945) late 19th century. Depicting a figure of winged Victory with a ...

Fine quality figural patinated bronze group of angel and cherub forms on oval base. Signed 'Moreau' Artist: Mathurin Moreau (1822-1912) Origin:...

A magnificent, large, and original, French three piece mantel set from the late 19th century. The Napoleon III Second Empire period, Neoclassical style antique clock having an urn form finial with sculptural gilded bronze mounts, over architectural case made of the most beautiful variegated specimen marble, with various shades of salmon pink and white, black and silver veining, pierced flower blossom ormolu mounted columns flank the hand enameled fancy dial with Provincial figural scene, signed Guinchard & Martin, Castres, glass door with beaded gilt brass bezel, housing the high-quality eight day time and strike movement stamped AD Mougin...

A luxurious French Louis XVI style gilt bronze ormolu and alabaster (onyx-marble) three piece mantle clock and garniture set, possibly attributed to Raingo Freres. The fine quality antique originating in France in the late 19th century, exquisite Parisian work, exceptionally executed in opulent, elegant, and sophisticated King Louis XVI style, timeless neoclassical taste, comprising: classical architectural case mantel clock, having pointed bronze doré finial, flanked by scrolled foliates and lyre motifs, fancy enamel dial with Arabic numerals, inscribed F. Lapointe, Paris, eight-day time-and-strike movement signed Samuel Marti 1900 (Paris, 1870-1890), original Apollo mask sun-burst pendulum hanging below clock drum, flanked by matched pair of two arm candlestick garnitures, each with matching scrolled foliates and lyre finial, tapering column support with two candle nozzles, rising on stepped molded base, terminating in patinated brass disc feet. Markings: Pendulum stamped "R" "1721" ormolu on clock & garnitures stamped "1321"; possibly attributed to R. Freres / Raingo Freres. Dial signed by French enameller "F. Lapointe, Paris" Movement stamped by the firm of well-known French clockmaker Samuel Marti et Cie, Paris, second half of 19th century. Dimensions: (approx) As pictured: 18.5" High, 36" Wide, 5.5" Deep; 27.5 lbs total. Clock: 18.5" High, 13" Wide, 5.5" Deep; Candelabra garnitures: (each) 12" High, 8" Wide, 4.25" Deep; Condition: Presents splendidly. Great original unrestored antique condition. Currently not operating as it's lacking a suspension spring. Retaining bell, pendulum, and key. Losses to decorative elements. Wear consistent with age and use. To ensure the clock arrives as beautiful as it leaves here, and due to the rather delicate nature of antique clocks...

A wonderful garniture in marble and ormolu, the central clock face engraved in ormolu and surrounded by enameled numerals. The clock is adorned by two amorous ormolu figures of an an...

A fine and rare Bisquit porcelain and gilt bronze Louis XV figural clock f depicting a famous scene in Greek Mythology of Perseus freeing Andromeda. The clock case is made of Bisquit (unglazed) porcelain. The figural group is presented on a rocky outcrop with waves lapping at their feet. She is shown lying over the clock dial with one leg and one arm chained to a rock behind her. Perseus leans agains the other side of the dial reaching to untie Andromeda from the rock behind her. Medusa's severed head is shown at his feet. The base is decorated with a gilt bronze frieze across the front showing cupids playing with stars and sun rays. The rounded sides of the clock are also decorated with gilded panels. The case sits on six toupie feet. The 6.5" white enamel dial is signed Ageron at the top and Paris at the bottom. The dial has Roman numerals with enamelled stars between the numerals; the hands are pierced and gilded. There is also a subsidiary steel hand pointing to the days of the month. The silk string suspension system has been replaced with a steel suspension system. The clock rings the hours and halfs on a bell. The movement for this magnificent clock was made by François Ageron (d. after 1783), who was one of the leading 18th century Parisian clockmakers. Ageron’s establishment was famous and known for his horological genius he created both clocks and watches, many of which had complicated movements. He was born at Arbigny and was received as a Parisian maître-horloger in 1741, at which date he was established at Place du Pont Saint-Michel. By 1747 he had moved to Quai des Augustins, five years later he was at rue Saint-Louis au Palais and then in 1763 at place Dauphine. Like other great clockmakers of the period he used cases by the finest bronziers notably Philippe and Jacques Caffiéri, Jean-Joseph de Saint-Germain, Robert and Jean-Baptiste Osmond, Jacques Dumont...

An Incredible and Large Gilt and Patinated Bronze Group of Gloria Victis, a Winged Figure of Victory with a Fallen Warrior. This incredible bronze piece was cast after a model by Maarius-Jean-Antonin Mercié, This model is signed 'F. BARBEDIENNE FONDEUR PARIS' demonstrating that it was cast by Ferdinand Barbedienne's foundry, the best bronzier of the 19th century. The base is further signed 'A. Mercie' and stamped 'Réduction Mécanique' with an inscription of '659'. The figure is mounted on a Belgian noir marble base with various stepped edges. Gloria Victis is one the most well-known and important bronze casts of the 19th Century. The quality of this particular model is absolutely incredible and all the marking indicate that this particular piece is one of the finest produced by the Foundry. A student of Jouffroy and de Falguière at the Ecole des Beaux-Arts, Marius-Jean-Antonin Mercié (1845-1916) won the Grand Prix de Rome at 23 years old with his work Thésée vainqueur du Minotaure. In 1872, he sent the plaster model of his work David vainqueur to the Salon, for which he won the first class medal. At the same time, he received La croix de la Légion d'honneur at the Villa Medici. His return to Paris, in 1874, issued in a long and brilliant career with numerous commissions, notably the monuments for Louis-Philippe and Queen Marie-Amélie for the Royal Chapel at Dreux (1886). By the age of 30 Mercié was already very well-known and his Gloria Victis received resounding success when it was exhibited at the Salon, in 1874 (in plaster) and in 1875 (in bronze). This work exalted the heroism and the patriotic sentiments aroused by the disasters of 1870. His predilection for patriotic subjects is shown in many of his works such as Quand même...

A beautifully patinated group of five single casting bronze fruit.  

This vintage mid-19th century French 3-piece garniture clock set is wonderfully designed in the Louis XVI style. The over size set includes an exceptional gilt bronze clock accented with attached detailed patinated sculpted putti figures on both sides. The clock rests on a platform embellished with elaborate florals and scrolls that complement its white enamel face with Roman numerals and featuring the maker, Raingo Freres, Paris. The clock has a French bell movement. A pair of sculpted gilt bronze candelabra with similar patinated bronze putti figures accompany this beautiful clock. Each of these figures holds an elaborate seven branch lily bouquet...

A fine patinated bronze figural group sculpture entitled "Au But" (The Finishing Line). Artist: Alfred Boucher (French, 1850-1934) Date: Late 19th century ...

An Italian grand tour patinated bronze group sculpture of Laocoon and his sons, After the antique by Agesander of Rhodes, C. 1870 Very nice qua...

" Important Bronze Sculpture by Louis Grégoire, 19th Century. " Bronze sculpture with two figures, representing two young women conversing, bronze with golden patina, signed Louis G...