L. Gregoire Decorative Objects

A very fine French antique patinated bronze figural group titled Pro Patria by Edouard Drouot (French, 1859-1945) late 19th century. Depicting a figure of winged Victory with a ...

This magnificent 19th-century French garniture set epitomizes the opulence and craftsmanship of the Napoleon III era, crafted in the distinguished style of Sèvres porcelain. Comprising a central mantel clock and a pair of matching candelabras, this ensemble exudes timeless elegance and artistry. The clock showcases a lavish gilt brass case adorned with hand-painted porcelain plaques in a striking celestial blue, reminiscent of the iconic Sèvres designs. These plaques feature romantic cherubic scenes, musical motifs, and floral garlands, masterfully executed with exceptional detail. The porcelain clock face, framed by ornate gilding, is delicately painted with floral garlands and Roman numerals, signed “Marseille,” attesting to its French origin and superior craftsmanship. The accompanying candelabras mirror...

A wonderful garniture in marble and ormolu, the central clock face engraved in ormolu and surrounded by enameled numerals. The clock is adorned by two amorous ormolu figures of an an...

A fine 19th Century French Clock Garniture, the Clock with bronze solider surmounted on a domed top with urn finials on four rouge marble pillars, over pierced decorated base on a sh...

This excuisite 3-piece 19th century French ormolu mounted porcelain clock set comprising a central clock and a pair of flanking candelabra. The clock in urn shape form over a gilt br...

A rare and very fine 19th century French Louis XVI style ormolu mounted white marble 3-piece Rotary (Annular) clock set comprising a clock and a pair of 3 arms candelabra. The urn s...

Beautiful 18th century Rococo manner gilt bronze mantel clock with elegant Sèvres style bleu / navy colored porcelain. The porcelain is very delicately hand painted with a landscape on one side of the vases and figures on a staircase on the other. Gorgeous gold details on a deep blue and jeweled background. The clock has a painting on the top with 2 ladies...

An exceptional Continental 19th century Grand Tour Period patinated Bronze, Black Belgian, and Rosso Alicante marble statue of Perseus and Medusa. This handsome statue of Perseus hav...

Great craftsmanship French gilt bronze and silvered brass three piece clock garniture from the mid 19th century. The set include a French ebauche clock 8-day brass time and strike mo...

A fine over-lifesize patinated bronze Greco roman revival style standing half-figure of Andromeda, probably French, probably late 19th century or early 20th century. The heavily fine...

Garnish with clock and candelabra in porcelain and gilt bronze. France, 19th century. Mechanism in perfect working order. Fireplace garnish composed of a clock and two five-light candelabras, all three pieces made by combining gilt bronze, with relief elements and round bulges and cold-chiseled details, and porcelain decorated with low-temperature enamels, including gold enamel. The porcelain pieces follow models from the Sèvres National Manufacture of the 18th century, with large pictorial cartouches on a cobalt blue background adorned with golden plant motifs. The set follows a historicist design that combines baroque and neoclassical elements with enamelled scenes of Rococo inspiration, representing landscapes and scenes with mythological themes alluding to the arts and the goddess Venus. The clockwork is stamped “Chles. MT”, with serial number 17420. The main glazed porcelain plates are signed DP Boncher. The clock follows an architectural structure, with an oval base with a prominent front in plan, raised on four molded feet in the shape of a top, on which a large ornamental vase is placed. This plinth has a distinct pinto and, above it, a main body as a façade, with a circular pediment that houses the clock face. This includes black enamelled Roman numerals on white medallions with a gold border, arranged around the central representation of a putti reclining among clouds, holding a floral garland and accompanied by musical instruments. Among the medallions that house the numbers, a small jeweled decoration that evokes pearls and embedded rubies, which is echoed in the secondary areas of the body of the piece and also the vase, always combined with delicate golden filigrees. On both sides of the sphere are two female portraits of ladies from the 18th century, in oval frames. Below, a classically inspired scene with a muse holding musical instruments, probably Euterpe or Erató, accompanied by a putti reading a sheet of music. On the sides of the clock body, two large curved rectangular plates house highly pictorial enameled landscapes, worked with the same miniaturist precision as the rest of the enameled cartouches. These are landscapes of romantic heritage, again inspired by the 18th century, with ideal settings for a twilight atmosphere, featuring classical ruins. The vase that tops the body of the clock has a hemispherical tank, shoulders ending in an edge, an openwork truncated conical neck, which opens smoothly towards the shoulders, and a domed lid, also openwork. The handles are figurative, in bronze, with two female sisters crowned with flowers, of clear Greco-Latin inspiration, worked in a round shape. In the tank, the vase houses two enameled porcelain cartouches, the front one with two putti and a dove - a symbolic allusion to Venus - and the back one with musical instruments. The design of the clock is completed by two thick bronze S-shaped plant braces, under the vase, and counter moldings and plant motifs cast in relief and cold chiseled, combining matte and polished finishes. The candelabras follow a similar design, with large vases of neoclassical design on pedestals, in this case cylindrical, raised on four low feet of turned design. The bases house porcelain cartouches with scenes of putti related to the arts; In one of them we see two putti practicing painting, and in the other two others in a scene related to classical lyric poetry, with one putto writing while the other, holding a lyre, raises a laurel wreath above his head. The cartouches that occupy the front of the candelabra vases...

French Grand Tour bronze group of Nessus abducting Deianira after Giambologna on marble base. After the model by Giambologna Circa 1880 French Footnote: The first documented example of this famous bronze group was made by Giovanni Bologna...