Larry Ellis Art

George Platt Lynes 1948 Photograph #1 of Balanchine Ballet ‘Orpheus’. George Platt Lynes rare original vintage 1948 gelatin silver photograph (dated by the NY City Public Library) of nude dancers Francisco Moncion and Nicholas Magallanes in George Balanchine's iconic mid-20th Century ballet 'Orpheus'. Stamped on verso in dark blue ink at upper center, "GEORGE PLATT LYNES/145 EAST 52 STREET NEW YORK”. Photo shoot took place in NYC. Costumes and Set by ISAMU NAGUCHI. Photo is 7 5/8 x 9 1/4 inches, soft satin finish in excellent condition. This photograph is from Francisco Moncion's original collection given to him by George Platt Lyons. It is one of 14 different poses in the 'Orpheus' series. 8 different photographs are remaining for sale and are available on request. All are original Platt Lyons gelatin silver prints original to Moncion's collection and are stamped by the photographer. Photographs from this celebrated series are in the permanent collections of the Metropolitan Museum of Art (NYC), Museum of Modern Art (MOMA, NYC), the NYC Public Library, and many university art archives. George Platt Lynes (1907–1955), was a gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s through the early 1950s. From age eighteen, Lynes entered the cosmopolitan world of the American expatriate community in Paris when he became acquainted with the salon of Gertrude Stein and Alice B. Toklas. He began photographing authors like Stein, Jean Cocteau, André Gide, and Colette and soon established himself as one of the premier fashion photographers in the Condé Nast stable, documenting the ballet companies of George Balanchine/Lincoln Kirstein, and pursuing a private obsession with seductive images of young male nudes rarely published in his lifetime. Orpheus represents a major 20th Century artistic collaboration between composer Igor Stravinsky, choreographer George Ballanchine, and artist/designer Isamu Naguchi. Orpheus is a thirty-minute neoclassical ballet composed by Igor Stravinsky in collaboration with choreographer George Balanchine in Hollywood, California in 1947. The work was commissioned by Ballet Society, later renamed New York City Ballet, which Balanchine founded with Lincoln Kirstein. Sets and costumes were created by Isamu Noguchi. Noguchi’s lyre harp from the production became the symbol of the New York City Ballet. Francisco Moncion (July 6, 1918 – April 1, 1995) was a charter member of the New York City Ballet. Over the course of his forty year career, choreographers George Balanchine, and Jerome Robbins in the New York City Ballet created 22 major roles for Moncion including the Dark Angel...

No Edition Signed in black ink on print margin by Jesse Alexander Gelatin silver print Paper size: 14 x 11 in. Image size: 9 1/2 x 9 1/2 in. "Soon-to-be World Champion Phil Hill is in his first Grand Prix drive for Ferrari. The car is a single seater Formula Two machine, and he is seen rushing downhill through the infamous "Fuchsröhre" section of the Ring. The image is unusual for several reasons: it was taken with a Rolleiflex camera...

"Winch" British Linocut Grosvenor School Machine Age 1930 Woman Artist Print "The Winch" 1930. 7 3/4 x 11 (sight) inches. Linocut in colors on tissue...

An original silver gelatin black and white photograph by Press Agency Keystone View Company. New York City skyscrapers view, taken on July 7th, 1931, with the Empire State Building ...

American Girl in Italy by Ruth Orkin is a black and white gelatin silver print depicting a distressed woman walking down a street, past a group of men looking at her. 11 x 14 in. Ge...

Poster produced for David Hockney’s 1981 exhibition at The Ashmolean Museum, Oxford, which displayed the sets and costumes he designed for the Glyndebourne Festival Opera’s 1975 prod...

Cindy Sherman - UNTITLED #92 Date of creation: 2024 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm (each skate) Condition: In mint conditions and never d...

"Marilyn Monroe, 1962" Photography 16 x 24 in Edition 57/75 by Lawrence Schiller Silver Gelatin print Edition 57/75 Signed and numbered by the artist Printed later On Wednesday, May 23, 1962, Marilyn Monroe stepped onto the set of Something’s Got to Give to film what would become one of the most iconic and talked-about moments of her career: the now-legendary nude swimming pool scene. This extraordinary day—captured in a series of rare photographs by renowned photographer Lawrence Schiller—has since become a cornerstone of Hollywood history. Key moments that make this session truly historic: A Bold Cinematic First: Monroe spent nearly four hours in the pool on the 20th Century Fox lot, filming a sequence in which her character, Ellen Arden, appears to swim nude...

No Edition Signed, titled, and dated in pencil on verso by Don Donaghy Gelatin silver print, 13 1/4 x 9 in. American street photographer Don Donaghy (1936 - 2008 b. Philadelphia, Pe...

"Late Afternoon" Nude Photography 25" x 35" in Edition 1/15 by Larsen Sotelo Not framed. Ships in a tube Signed and numbered by the artist. Comes with COA issued by the artist. Ava...

Signed, dated and print date in pencil on print verso. Ralph Steiner was an American photographer and filmmaker born 1899 in Cleveland Ohio. He studied photography at the highly ren...

"Lovesick" Black & White Photography 45" x 30" in Edition 1/7 by Larsen Sotelo Not framed. Ships in a tube Signed and numbered by the artist. Comes with COA issued by the artis...