Leon Herbo Paintings

Attributed to Godfried SCHALKEN (Made 1643 – The Hague 1706) Young fischer Oil on panel in one board H. 32.5 cm; L. 25.5 cm Around 1670/75 Related works: - Autograph version with nu...

This warm portrait looks like it could have been painted by Corot. Francis Luis Mora paints in that tradition. It's a small painting that invites the viewer to look closer. The art...

Al Saralis "Momento 3, Emily" Oil on canvas 39 x 39 inches / 100 x 100 cm British artist Al Saralis captures a moment of quiet introspection in Momento 3, Emily, part of his acclaim...

keywords; surrealism, portrait, oil painting, earth tones, figurative painting, strangeness, contemporary surrealistic, unsettling, contemporary figurative painting, dreams, symbolic...

Realistic early German portrait painting of Johann Ludwig-Mosley wearing his various military awards. The back features further documentation about the man's life and service. Curren...

J. Foley (British, 20th Century) Siamese Cat Oil on canvas Signed on the reverse This elegant portrait captures the distinctive grace and poise of the Siamese cat, renowned for its ...

Classical style allegorical painting with puti and monarchy type figures floating within the clouds. The canvas is framed in a decorative gold frame. Dimensions Without Frame: H 43.5...

JORDI ROLLÁN LAHOZ (Barcelona, 1940). "Joven pensativa". Firmado a mano en la parte superior derecha. Óleo sobre lienzo. Medidas: 55 x 46 cm.; 74 x 65cm. (marco).

Title: Virgin Mary and Child Jesus Artist: Francisco Ribera Gómez (1907-1990) Technique: Oil on canvas Dimensions: 31.9 x 25.6 inches (unframed) Date of creation: 1942 Style: Classical Academicism with Renaissance influences Description of the Artwork The painting depicts the Virgin Mary holding the Child Jesus in a tender and intimate moment. Warm colors, primarily reds, greens, and soft flesh tones, enhance the devotional nature of the scene. The use of golden halos, symbolizing sanctity, along with serene and realistic expressions, directly connects with the Renaissance pictorial tradition. The style belongs to classical academicism, characterized by a balanced composition, meticulous drawing, and a masterful use of chiaroscuro to give volume and depth to the figures. The detailed rendering of the flesh tones and draperies amplifies the spirituality and solemnity of the piece, evoking the works of great masters such as Raphael and Murillo. Artist's Biography Francisco Ribera Gómez (1907-1990) was a prominent 20th-century Spanish painter known for his depictions of religious scenes, female portraits, and costumbrist works. Trained at the Royal Academy of Fine Arts of San Fernando, Ribera Gómez received numerous accolades and was regarded as one of the great exponents of Spanish academicism. His work combines a rigorous technical foundation with luminous sensitivity and an idealized sense of beauty. Influences and Comparisons Francisco Ribera Gómez's work can be compared to other academic and religious artists who share a similar aesthetic: Bartolomé Esteban Murillo: In the emotional and approachable treatment of religious themes. William-Adolphe Bouguereau: For the idealization of human figures and technical mastery. Raphael (Raffaello Sanzio): For harmonious composition and the depiction of the Virgin Mary. Within the Spanish tradition, his style recalls Eduardo Rosales...

Work on wood Carved wooden frame 41 x 36.5 x 7 cm

Realistic early German portrait painting of Georg Friedrich wearing his military uniform. The back features further documentation about the man's life and service. Currently hung in ...

Marguerite Stuber Pearson Nude, circa 1940 Signed lower right Oil on artist board 20 x 16 inches Marguerite Stuber Pearson was an American painter best known for her elegant portra...