Leon Pointu Vases

Jean Besnard Art Deco ceramic, signed and dated 1932, in excellent condition.

Londi Bitossi vase, ceramic, Moorish stripes, brown, chartreuse and orange, signed. Small low vase from Aldo Londi's Moorish Stripes series with chartreuse and orange glaze over coar...

A stunning French Art Deco ceramic vase signed by Louis Auguste Dage. The light gray surface has a fine structure, the body displays various hand pa...

Beautiful stoneware vase by the well known potter Edith Sonne.

Art Nouveau Ceramic Planter or Vase circa 1910 Spectacular jardinière or centerpiece with relief flowers and leaves on the two sides

French white craquelure vase by Charlotte Chauchet (1878-1964) for Atelier Primavera au Printemps Signed Primavera, France, Numbered.

A distinctive studio ceramic vase has a tall narrow shape, brown, with an outer glossy glaze and speckled white detailing. The cylindrical form contains an unglazed area at the neck ...

A fantastic early work (circa early 1950s) by Master Greek-American potter Peter Voulkos. Signed on base with incised signature by Voulkos. Voulkos is widely considered to be the most important and impactful ceramists of the modern era. He won the Rodin Museum prize at the first Paris Biennale in 1959 and was the winner of a Guggenheim fellowship in 1984. Voulkos received the College Art Association’s Distinguished Artist Award for Lifetime Achievement in 1997. He was made an honorary member of the American Academy and Institute of Arts and Letters in 2001. He also received six honorary. Doctorate degrees as well as three National Endowment for the Arts awards. His work can be found in many prominent collections and museums including: Aichi Prefectural Ceramic Museum, Nagoya, Japan Albany Mall, Albany, New York American Museum of Ceramic Art...

California design studio stoneware weed pot / vase, circa 1970s. The pot is in very good vintage condition and measures 7.7"D x 6.5"H. The piece is signed on the underside. #3805

A stunning French Art Deco stoneware vase by the renowned René Beauclair (1877-1960), produced at ODETTA, Faïencerie de la Grande Maison HB Quimper, France, ca.1920. The vase features the distinctive Shape #512 and is decorated with the rare and sought-after Decor #1321bis, which is a particularly limited design, making this piece all the more unique. With its elegant, geometric form and meticulously executed decoration, this vase exemplifies the sophistication of the Art Deco movement. Measuring 8.3" (21 cm) in height and 8.1" (20.5 cm) in diameter, this vase is in excellent condition, reflecting the exceptional craftsmanship of its maker. A remarkable and rare example of French Art Deco ceramic art, it would make an impressive addition to any collection. From 1903, Jules Verlingue, at the head of the Faïencerie de la Madeleine, in Boulogne-sur-Mer, produced stoneware. In December 1913, a fire destroyed part of the Faïencerie de la Madeleine. The factory being poorly insured, its owner was forced to sell to Boulogne banker Henri Delcourt. Jules Verlingue will remain director of his former establishment. The funds from the sale will be used by him, in association with Louis Delcourt, doctor of law and brother of Henri, to acquire, in 1914, the earthenware factory of his friend Guy de La Hubaudière, in Quimper. When the Faïencerie HB restarted in 1917, everything was refurbished and equipped. In 1923, under the impetus of Jeanne Malivel and René-Yves Creston, the “Ar Seiz Breur” (Seven Brothers) movement was born. This group of Breton creators aims to revive Celtic art. suffocated by classic taste, modernizing it and adapting it to everyday life. This period is extremely rich, encouraged of course by the antistical Art Nouveau and Art Deco movements. The HB Jules Verlingue and Bolloré factory is not lagging behind, thanks to the collaboration of the sculptor René Quillivic...

One of a set of beautiful ceramics from Ciboure Pottery, this piece is inspired by antiquity—evident in its form, its spare coloring, and its depiction of classical figures. Produced...

An encounter with Massier’s luster-glazed ceramics is an embarkation on an acid-colored trip, the sort of exploration which inspires deep reflection and requires transparency. Clemen...