Leslie Cabarga Art

Work is double-sided, unframed. Based in Andres, NY and West Orange, NJ, Lisa Pressman initially focused on sculpture before moving toward painting in the 1980s, shaped by Minimalis...

Leuus’s interest in art began at a young age, and he later moved to Guadalajara, where he attended the Escuela de Artes Plásticas. This formal training in the traditions of Mexican a...

To Chicago-based artist Patrick Fitzgerald, his miniature car sculptures are a means of traveling through time. Born from a fascination with the soap box derby cars of his youth, eac...

"Black & White Food to Go" (FRAMED) Abstract Painting 36 x 48" in by Yoram Katz Comes in frame Size framed: 37 x 48 inch Medium: Food To Go Used Containers and spray Paint on ...

Artist: Santiago Perez Cordoba Title: Robert Mitchum – Farewell, My Lovely Year: circa 1990 Medium: Mixed media on board Signature: Signed on the reverse Style: Figurative / Film noi...

John Haberle The Artist's Palette, circa 1890 Oil on panel with brushes & palette knife 18 x 27 inches Provenance: The artist Mrs. Vera Demmer (artist's daughter), by descent Kennedy Galleries, New York Berry-Hill Galleries, New York Private Collection, New York Keno Auctions, New York, Americana: Paintings, Furniture and Decorative Arts, January 17, 2012, Lot 27 Arader Galleries, New York Exhibited: New York, Kennedy Galleries, John Haberle: An Exhibition of Paintings, Drawings and Watercolors, June 8, July 15, 1970, no. 17, p. 11, illustrated. Fort Worth, Texas, Amon Carter Museum, John Haberle Master of Illusion, November 29, 1985- January 19, 1986, p. 28. New Britain Museum of American Art, John Haberle American Master of Illusion, December 11, 2009 - March 11, 2010, p. 72; this exhibition later traveled to Chadds Ford, Pennsylvania, Brandywine River Museum, April 17 - July 11, 2010; Portland Museum of Art, Maine September 18 - December 12, 2010. Literature: Kennedy Galleries, Inc., Exhibition catalogue, American Still Lifes 19th & 20th Century, Kennedy Quarterly, Vol. XI, No. 2, November 1971, p. 109, (84). William Gerdts, Exhibition Catalogue, Joseph Decker...

A wonderful little abstract gem by Sarkis Sarkisian entitled Still Life with Cream Pitcher. It is a vibrant and beautiful example of mid-century modern abstraction. Framed in a t...

David Hockney Rake's Progress Bedlam Cufflinks, 2020 Hand painted using special enamel paints and finished with 18ct gold plate for a luxury finish in bespoke box 1 in diameter Original David Hockney designs from the 1975 production of opera The Rake's Progress. Makes a superb gift! Inspired by an original recording conducted by Igor Stravinsky and William Hogarth's series of eight paintings and engravings of the same name, Hockney began designing the set and costumes production of The Rake's Progress. Through his designs and the use of his now iconic cross-hatched etchings, he wanted to create a 20th century response to the opera and to Hogarth's 18th century idea. These cufflinks are based upon those Hockney etchings...

Red Grooms Redgrooms, 2004 Hardback monograph with 3-D sculptural pop-up (signed and numbered in red marker on the artist's designed book plate) Signed and numbered 101/400 in red marker on the artist's designed book plate 13 × 10 × 1 1/2 inches Makes a superb gift! Lavishly illustrated with a pop-up/multiple taken out of the book with its signed & numbered label is often removed, exhibited under plexiglass, and sold separately for several thousand dollars. This fully pre-assembled pop-up with integral base at rear is a re-working of Grooms' iconic New York Taxi of 1986 - which in turn was based on his earlier giant Ruckus NY taxi sculpture...

This mandala thangka is hand painted on canvas with 24k gold. Different hues of gray,green and peach colors blend seamlessly with the shimmering of real gold. The measurement of the ...

Mario Schifano (Khoms, Libya, 1934 – Rome, Italy, 1998) Title: Untitled Medium: Mixed media on photography Dimensions: Photography measures 13 x 18 cm - dimensions with frame 32.6 x ...

Shusaku Arakawa Still Life, from To and From Rrose Selavy, for Marcel Duchamp, 1967 Limited Edition Silkscreen on velincarton (thin board) paper 10 1/2 × 13 1/4 inches Limited Edition of 60 Hand signed, titled and dated on the front Unframed The entire portfolio, including the present work, is referenced in the Marcel Duchamp catalogue raisonne: Arturo Schwarz The Complete Works of Marcel Duchamp, Abrams, P.532, 344c Eager to share Marcel Duchamp with Japanese audiences, Shuzo Takiguchi - a Japanese-born poet, critic, and artist with ties to Surrealist circles, assembled an international portfolio of graphic works by various artists with strong ties to Duchamp, to accompany the deluxe version of his monograph, "To and From Rrose Sélavy". The present work was created for this portfolio by one of Marcel Duchamp's friends, Shusaku Arakawa. It is signed, dated and titled on the front - and can be exhibited both vertically and horizontally - (see photos). The present work, along with others in the portfolio, was published in Japan and is rarely found stateside. Shusaku Arakawa (荒川 修作 Arakawa Shūsaku, July 6, 1936 – May 18, 2010) who spoke of himself as an “eternal outsider” and “abstractionist of the distant future,” first studied mathematics and medicine at the University of Tokyo, and art at the Musashino Art University. He was a member of Tokyo’s Neo-Dadaism Organizers, a precursor to The Neo-Dada movement. Arakawa’s early works were first displayed in the infamous Yomiuri Independent Exhibition, a watershed event for postwar Japanese avant-garde art. Arakawa arrived in New York in 1961 with fourteen dollars in his pocket and a telephone number for Marcel Duchamp, whom he phoned from the airport and over time formed a close friendship. He started using diagrams within his paintings as philosophical propositions. Jean-Francois Lyotard has said of Arakawa’s work that it “makes us think through the eyes,” and Hans-Georg Gadamer has described it as transforming “the usual constancies of orientation into a strange, enticing game—a game of continually thinking out.” Quoting Paul Celan...