Lilly McElroy Art

Plate 8 from the 10-subject album "Avec moi-même" ("With Myself") On Arches wove paper. A beautiful plate, a small edition of 75, a demanding technique: etching and aquatint, and an...

Ron Gorchov Untitled, inscribed to Robert Vogele, 1978 Watercolor and etching on paper with 2 deckled edges. Hand signed in pencil and inscribed on lower front. Inscription reads as ...

Conflict (1941) Gouache on paper 20" x 12" 27 ½" x 19 ¼" x 1 ½" framed Signed "V. Wicht" lower right. An important work from the artist's "Force" series, which were executed in hom...

Aquatint Monoprint on Paper Signed, titled and dated '78 on the front in graphite Published by Crown Point Press with master printer Stephen Thomas Bears publisher's blind stamp lowe...

Etching on paper, signed Gaetano Carboni A painter and engraver, Gaetano Carboni was born in 1928 in Ascoli Piceno and, between 1940 and 1950, implemented his first figurative experi...

Grey tonal painting of a Falcon perched on a branch. The work is framed in a silver frame with a white matte. The artist signed the work in the bottom right corner. Artist Biograph...

Etching and aquatint on paper, edited in 1975. Limited edition of 100 copies, numbered as 93/100 in lower left corner. Signed in pencil by artist in lower right corner. Plate size 3...

Esta obra se trata de un grabado original del famoso artista Manuel Facal (A Coruña, 1943), perteneciente al grupo Atlantica, el grupo de artistas mas fam...

Acrylic paint & Indian ink on archival paper. Shipped in a tube. Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of S...

André MASSON (1896-1987) The enigma, 1975 ink drawing Dimensions: 47.8 x 35cm Signed lower right Provenance: Louise Leiris Gallery, Paris Paper in perfect condition. FREE period ...

As a teen, Paul Jenkins worked with ceramicist James Weldon which led to a fascination with glazes; Jenkins cultivated and eventually achieved a similar effect in his paintings by mixing oil and enamel on canvas in the 50s. In 1937, Jenkins attended classes at the Kansas City Art Institute where he painted his first series of watercolors he called interior landscapes inspired by caves in the Ozarks. After serving in the US Naval Air Corps for 2 years, Jenkins moved to New York to study with Yasuo Kuniyoshi and Morris Kantor at the Art Students League from 1948 to 1952. During those years, Jenkins met Mark Rothko, Jackson Pollock and Barnett Newman. In 1953 left for Paris where he discovered and was struck by the color density and luminosity in abstract oil works termed ébauches by Gustave Moreau and pastels by Odilon Redon. He began to experiment with poured paints in various thicknesses on canvas and paper and found this technique achieved luminosity of color which in its own way was comparable to that of Moreau and Redon. The next year, Jenkins added Winsor Newton pigments and chrysochrome, a viscous enamel paint, into his poured paintings, further enriching their color density and incandescence. The next major development in technique came in 1959 when he began using an ivory knife to guide the flow of paint. That same year, he also began to title his paintings Phenomena followed by a key word or phrase. A film on Jenkins' technique titled The Ivory Knife: Paul Jenkins at Work was shown at the Museum of Modern Art and received the Golden Eagle Award at the Venice Film Festival in 1966. In 1954 Jenkins had his first solo exhibition in Paris where he met Martha Jackson, whose New York gallery included Jenkins in a group show the following year. In 1956, Martha Jackson Gallery held a solo exhibition of Jenkins’ work at which Divining Rod...

Esta obra se trata de un grabado original del famoso artista Manuel Facal (A Coruña, 1943), perteneciente al grupo Atlantica, el grupo de artistas más fam...