Lionel Gilbert Art

Abstract Yellow and Green (Yellow, Green and Black Tablescape Oil Painting) by New York School Painter and WPA artist, Lionel Gilbert Signed, lower left This horizontal painting was...

Dark Zone (Modern Abstract, Cubist Style Oil Painting on canvas) by New York School Painter and WPA artist, Lionel Gilbert Mid century modern, abstracted still life painting, c. 1968...

Impressive early American modernist abstract still life oil painting by Lionel Gilbert (1912 - 2005) . Oil on canvas. Framed. Signed. Exhibition label verso. Image size, 36 by 40...

Flowers & Fruit (Abstract Still Life Oil on Canvas) by New York School painter Lionel Gilbert, c. 1970s Abstract still life painting on canvas of flower...

Red Abstract (Cubist Style Oil Painting on Linen in Red, Dark Blue, Black) abstract still life painting on linen with original frame 38 x 32 inches, oil on canvas This vertical painting was created by Lionel Gilbert...

Mid-century modern abstract still life painting in pastel pink, green, and dark brown tones painted by New York City artist c. 1965. 24 x 36 inches, oil on linen 25.5 x 37.7 x 2 inches framed Custom black stained wood Larson Juhl 'floater' frame This horizontal painting was painted by Lionel Gilbert c.1965. The mid-century modern, abstracted still life is created with a cubist influence where three-dimensional objects are depicted in multiple perspectives. Fruits on a table or traditional cubist imagery is created with a playful palette of pink, rose, orange red, dark brown, and light green. Gestural brushstrokes loosen geometric shapes and perspectives. The oil painting is signed in the lower left corner. About the work: Lionel Gilbert moved back and forth between abstraction and figuration, at once describing specific objects and presenting flat, unrecognizable forms. The artist, born in 1912, was a prolific painter from the nineteen-thirties until his death. For years, Gilbert worked as a mural artist and an illustrator, creating images that not only represented reality, but documented history. In the sixties, Gilbert’s direction shifted: no longer using the paint to tell stories, Gilbert began to explore what the paint itself—its materiality, color—can reveal, independent of its descriptive capacity. Gilbert's work calls to mind Matisse, Braque, and Leger in their cubist sensibility and handling of space. The Lionel Gilbert estate is represented exclusively by Carrie Haddad Gallery based in Hudson, NY. About the Artist: Gilbert fell in love with art at an early age and began his training at the age of 12 at the Newark School of Fine and Industrial Art in 1924. Upon graduating, Gilbert moved to France to study at L’Academie de la Grande Chaumier for five years. The young artist returned to the US in 1938 and like many artists living during the Great Depression, Gilbert sought employment with the nation’s W.P.A program, creating large murals in many public buildings in the US. During WWII, he was sent to England as an official U.S. Air Force artist to portray various aspects of Air Force life. After the war, Gilbert became a full time artist and instructor. He went on to show his work in various galleries in New York City through the 1980’s and taught at the 92nd Street Y Art Center. Rather than placing focus on the act of painting itself, as many Abstract Expressionists did, Gilbert chose to involve himself with the abstraction of his subject matter. This led him to replace rapid brushstrokes for blocks of color that were oftentimes organized around semi-automatist forms, which is reminiscent of the work that preoccupied Hans Hoffman in the 1950’s. Lionel Gilbert (Born in Newark, NJ) 1924 Began studying at the Newark School of Fine & Industrial Art in their Saturday program for children. 1933 Graduated from the Newark School of Fine & Industrial Art, Newark, NJ. 1933-37 Studied in Paris at L’Academie de La Grande Chaumiere and privately with Salcia Bahnc...

Mid-century modern abstract painting on linen by New York City artist c. 1965 33 x 39 inches, oil on linen original wood stripping with metal coating This square formatted painting was painted by Lionel Gilbert in 1965. The mid-century modern, abstracted still life is created with a cubist influence where three-dimensional objects are depicted in multiple perspectives. A subdued palette of blue and grey with gestural brushstrokes is used to created the abstracted imagery. About the work: Lionel Gilbert moved back and forth between abstraction and figuration, at once describing specific objects and presenting flat, unrecognizable forms. The artist, born in 1912, was a prolific painter from the nineteen-thirties until his death. For years, Gilbert worked as a mural artist and an illustrator, creating images that not only represented reality, but documented history. In the sixties, Gilbert’s direction shifted: no longer using the paint to tell stories, Gilbert began to explore what the paint itself—its materiality, color—can reveal, independent of its descriptive capacity. Gilbert's work calls to mind Matisse, Braque, and Leger in their cubist sensibility and handling of space. The Lionel Gilbert estate is represented exclusively by Carrie Haddad Gallery based in Hudson, NY. About the Artist: Gilbert fell in love with art at an early age and began his training at the age of 12 at the Newark School of Fine and Industrial Art in 1924. Upon graduating, Gilbert moved to France to study at L’Academie de la Grande Chaumier for five years. The young artist returned to the US in 1938 and like many artists living during the Great Depression, Gilbert sought employment with the nation’s W.P.A program, creating large murals in many public buildings in the US. During WWII, he was sent to England as an official U.S. Air Force artist to portray various aspects of Air Force life. After the war, Gilbert became a full time artist and instructor. He went on to show his work in various galleries in New York City through the 1980’s and taught at the 92nd Street Y Art Center. Rather than placing focus on the act of painting itself, as many Abstract Expressionists did, Gilbert chose to involve himself with the abstraction of his subject matter. This led him to replace rapid brushstrokes for blocks of color that were oftentimes organized around semi-automatist forms, which is reminiscent of the work that preoccupied Hans Hoffman in the 1950’s. Lionel Gilbert (Born in Newark, NJ) 1924 Began studying at the Newark School of Fine & Industrial Art in their Saturday program for children. 1933 Graduated from the Newark School of Fine & Industrial Art, Newark, NJ. 1933-37 Studied in Paris at L’Academie de La Grande Chaumiere and privately with Salcia...

Mid-century modern abstracted still life painting on canvas with neutral earth tones and pops of yellow and orange. Painted by New York City artist, Lionel Gilbert, c. 1965. 32 x 39 inches, oil on canvas in custom black wood Larson Juhl 'floater' frame. This square formatted painting was painted by Lionel Gilbert c.1965. The mid-century modern, abstracted still life is created with a cubist influence where three-dimensional objects are depicted in multiple perspectives. A warm, bright palette of yellow and orange is contrasted with details of brown and grey. Solid forms are painted with loose, gestural brushstrokes. The painting is signed in the lower right corner. About the work: Lionel Gilbert moved back and forth between abstraction and figuration, at once describing specific objects and presenting flat, unrecognizable forms. The artist, born in 1912, was a prolific painter from the nineteen-thirties until his death. For years, Gilbert worked as a mural artist and an illustrator, creating images that not only represented reality, but documented history. In the sixties, Gilbert’s direction shifted: no longer using the paint to tell stories, Gilbert began to explore what the paint itself—its materiality, color—can reveal, independent of its descriptive capacity. Gilbert's work calls to mind Matisse, Braque, and Leger in their cubist sensibility and handling of space. The Lionel Gilbert estate is represented exclusively by the seller in Hudson, NY. About the Artist: Gilbert fell in love with art at an early age and began his training at the age of 12 at the Newark School of Fine and Industrial Art in 1924. Upon graduating, Gilbert moved to France to study at L’Academie de la Grande Chaumier for five years. The young artist returned to the US in 1938 and like many artists living during the Great Depression, Gilbert sought employment with the nation’s W.P.A program, creating large murals in many public buildings in the US. During WWII, he was sent to England as an official U.S. Air Force artist to portray various aspects of Air Force life. After the war, Gilbert became a full time artist and instructor. He went on to show his work in various galleries in New York City through the 1980’s and taught at the 92nd Street Y Art Center. Rather than placing focus on the act of painting itself, as many Abstract Expressionists did, Gilbert chose to involve himself with the abstraction of his subject matter. This led him to replace rapid brushstrokes for blocks of color that were oftentimes organized around semi-automatist forms, which is reminiscent of the work that preoccupied Hans Hoffman in the 1950’s. Lionel Gilbert (Born in Newark, NJ) 1924 Began studying at the Newark School of Fine & Industrial Art in their Saturday program for children. 1933 Graduated from the Newark School of Fine & Industrial Art, Newark, NJ. 1933-37 Studied in Paris at L’Academie de La Grande Chaumiere and privately with Salcia Bahnc...

50 x 60 inches oil canvas original wood stripping on all sides This square formatted painting was painted by Lionel Gilbert in 1974. The mid-century mo...

Yellow & Brown Still Life (Mid Century Modern Cubist Oil Painting on Linen) by New York School Painter, Lionel Gilbert Mid century modern, abstracted still life painting by New York City artist c. 1969. oil on linen 40 x 36 inches original wood stripping with metal capping This vertical painting was painted by Lionel Gilbert in 1969. The mid-century modern, abstracted still life is created with a cubist influence where three-dimensional objects are depicted in multiple perspectives. A earth toned palette of yellow and dark brown with gestural brushstrokes is used to created the abstracted imagery. Original provenance label from Alonzo Gallery (now closed) on 26 East Street in New York City. Gilbert became affiliated with the Alonzo gallery in the 1960s through the 80s exhibiting his abstract work. About the work: Lionel Gilbert moved back and forth between abstraction and figuration, at once describing specific objects and presenting flat, unrecognizable forms. The artist, born in 1912, was a prolific painter from the nineteen-thirties until his death. For years, Gilbert worked as a mural artist and an illustrator, creating images that not only represented reality, but documented history. In the sixties, Gilbert’s direction shifted: no longer using the paint to tell stories, Gilbert began to explore what the paint itself—its materiality, color—can reveal, independent of its descriptive capacity. Gilbert's work calls to mind Matisse, Braque, and Leger in their cubist sensibility and handling of space. About the Artist: Gilbert fell in love with art at an early age and began his training at the age of 12 at the Newark School of Fine and Industrial Art in 1924. Upon graduating, Gilbert moved to France to study at L’Academie de la Grande Chaumier for five years. The young artist returned to the US in 1938 and like many artists living during the Great Depression, Gilbert sought employment with the nation’s W.P.A program, creating large murals in many public buildings in the US. During WWII, he was sent to England as an official U.S. Air Force artist to portray various aspects of Air Force life. After the war, Gilbert became a full time artist and instructor. He went on to show his work in various galleries in New York City through the 1980’s and taught at the 92nd Street Y Art Center. Rather than placing focus on the act of painting itself, as many Abstract Expressionists did, Gilbert chose to involve himself with the abstraction of his subject matter. This led him to replace rapid brushstrokes for blocks of color that were oftentimes organized around semi-automatist forms, which is reminiscent of the work that preoccupied Hans Hoffman in the 1950’s. Lionel Gilbert (Born in Newark, NJ) 1924 Began studying at the Newark School of Fine & Industrial Art in their Saturday program for children. 1933 Graduated from the Newark School of Fine & Industrial Art, Newark, NJ. 1933-37 Studied in Paris at L’Academie de La Grande Chaumiere and privately with Salcia Bahnc...

33 x 39 inches, oil on linen canvas Painting is framed in the original wood stripping with metal coating *Pieces of the metal coating are missing on the corners* This square formatted painting was painted by Lionel Gilbert...