Lisa Levasseur Art

Antonio Puri's "Tantra in Blue" sculptural painting is one of 100 intimately-scaled minimalist round mandala circles built from tiny glass seed beads adhered to canvas in a range of ...

b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.

"Fauve Flamingos" is an acrylic on canvas painting depicting birds in a bright, whimsical Fauvist landscape reminiscent of the post-impressionist Henri Matisse. It is signed on the back. Edges are neatly finished and painted, so there is no need for additional framing. Every purchase comes with a free, hardcover copy of the beautiful illustrated new book, "Joseph McAleer: Sixty Years." "Joe McAleer's paintings engage us as participants in a complex perceptual game. Comprised of contrasting patterns of color, texture, and form, which fill the canvas from edge to edge, his restless abstractions elude a fleeting encounter. Rather, they absorb our attention with rhythmic structures and visual anomalies designed to stimulate and perplex our senses. McAleer's kaleidoscopic abstractions have their basis in the humble Modernist's grid,......" - Joe Houston, Author "Optic Nerve, Perceptual Art of the 1960s"; Curator, Hallmark Art Collection. McAleer is an artist and lifelong educator based in NJ. He earned his undergraduate and graduate degrees from Rowan University, and has exhibited his work up and down the east coast, including major solo exhibitions at Bridgette Mayer Gallery and Locks Gallery...

Contact me with zip code for best shipping rates and timely delivery. "Birth of the Blues" is a large acrylic painting with a photograph portraits and a number of found objects integ...

Liz Barber pursued painting while obtaining her degree from the Massachusetts College of Art and Moore College of Art. She currently resides in Marietta, Georgia. Barber’s paintings ...

Jay Walker's Luminescent Polygons, painted on archival artist's paper with deckled edges, are infused with an internal light or glow, in much the same way that gems glow. Walker crea...

b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.

Benjamin Weaver creates spatial tension through his use of contrasting colors arranged in a geometric framework. Imagery and color work both with and against each other to create mov...

Jay Walker is best known for his large-scale, site-specific installations and collector's pieces created with laser-cut vinyl, colored acrylic sheets, artist-made stencils, tape, and...

"Galaxy" is an acrylic on canvas painting with textured brushwork depicting stars and space in the universe. It is signed on the back. Edges are neatly finished and painted black, so there is no need for additional framing. Every purchase comes with a free, hardcover copy of the beautiful illustrated new book, "Joseph McAleer: Sixty Years." "Joe McAleer's paintings engage us as participants in a complex perceptual game. Comprised of contrasting patterns of color, texture, and form, which fill the canvas from edge to edge, his restless abstractions elude a fleeting encounter. Rather, they absorb our attention with rhythmic structures and visual anomalies designed to stimulate and perplex our senses. McAleer's kaleidoscopic abstractions have their basis in the humble Modernist's grid,......" - Joe Houston, Author "Optic Nerve, Perceptual Art of the 1960s"; Curator, Hallmark Art Collection. McAleer is an artist and lifelong educator based in NJ. He earned his undergraduate and graduate degrees from Rowan University, and has exhibited his work up and down the east coast, including major solo exhibitions at Bridgette Mayer Gallery and Locks Gallery...

Benjamin Weaver creates spatial tension through his use of contrasting colors arranged in a geometric framework. Imagery and color work both with and a...

Liz Barber pursued painting while obtaining her degree from the Massachusetts College of Art and Moore College of Art. She currently resides in Marietta, Georgia. Barber’s paintings ...