Pau Alemany Art

Still life "Wine with Orange" by Claude (Charles Claude) Buck (1890-1974). Signed lower left. Artist's notes and color scheme on verso. Displayed in rustic giltwood frame. Image, 14"...

Presenting 'Naiad,' a stunning abstract portrait by Masri, celebrated for its vivacious flow and splatter techniques. This singular piece portrays a woman in profile, her form crispl...

Minimalist in scale and composition, but this original painting adds a vibrant punch of color and brings a wow factor to your space with intriguing unique texture. **It is with a h...

The gestural paintings of Hyunmee Lee are sumptuously minimal. Rich forms advance from buttery canvases like an abstract garden. Gauzy veils of paint hover like soft air against the ebony weight of matter. Light peeks through translucent shapes like sunlight illuminating soft mist. Texture swirls and echoes across the canvas as if carved by waves or eroded by the wind. The viewer, invited into a realm of contemplation and meditation, is surprised to look away and see the physical world existing in only three dimensions. But perhaps that is precisely the experience the artist would like the viewer to have. In her current exhibition, Touch, on display at the Phillips Gallery...

Alfonso Hüppi Untitled, 1962 Mixed media on canvas (paint, wood) 18 1/2 × 20 1/2 in 47 × 52 cm (without frame) Frame included

Irving Ramsey Wiles (1861-1948) Still Life with Flowers, c. 1915 Oil on canvas 14 x 12 inches (35.6 x 30.5 cm) Signed upper right: Irving R. Wiles Provenance Thomas Colville Fine Ar...

Jack Wolfe Untitled, 1965 Acrylic and collage on board Hand signed on the front Frame included: held in original vintage frame with original gallery label Unique Provenance: Parker Street 470 Gallery, Boston, Mass (with label verso) Excellent abstract expressionist mixed media work. Measurements: Image: 17" x 24" Framed: 24" x 28" x 1" From Wiki: Jack Wolfe (14 January 1924 – 18 November 2007) was a 20th-century American painter most known for his abstract art, portraiture, and political paintings. Jack Wolfe was born in Omaha, Nebraska on January 14, 1924, to Blanche and Everett L. Wolfe. Soon after his birth, his family moved to Brockton, MA. At 18, Wolfe had an interest in commercial illustration, which he pursued at the Rhode Island School of Design (RISD). However, upon matriculating at RISD in 1942, he developed an interest in fine art and painting inspired by an exhibition of modern French art. He described this change of direction, explaining that, "One day, for the first time, I saw an exhibition of modern French art. It was like being struck by lightning." He became particularly interested in the work of a number of European modernists, including Rouault, Cézanne, Braque, Modigliani, and Picasso.[1] Following his time at RISD, he pursued a Master’s in Fine Arts degree at the Museum of Fine Arts School in Boston, MA. At the Museum School, Wolfe studied under the renowned Expressionist Karl Zerbe, a German-born artist who was the Museum School's most influential and vital teacher until 1953.[2] After graduating from the Museum School, Wolfe was represented by the Margaret Brown Gallery in Boston, which also represented many other cutting edge Moderns that defied the more conservative tastes of New England collectors at the time, including György Kepes, Congur Metcalf, and Alexander Calder.[3] Career and Museum Representation Jack Wolfe's painting "Robin's Rock" 1962, 72" x 72" Jack Wolfe's artwork received early recognition from a number of organizations and was consistently featured in influential exhibitions, including the 1955 Carnegie International at the Carnegie Institute in Pittsburgh, PA, the American Federation of Art's traveling exhibition New Talent in the USA in 1956-57, the Whitney Museum’s Young America exhibition in 1957,[4] the Boston Institute of Contemporary Art's Selection exhibition in 1957,[5] and both the Whitney Museum’s 1958 Annual exhibition and its Forty Artists Under Forty show in 1962-63.[6] In 1959, his widely acclaimed Portrait of Abraham Lincoln toured Europe in a show circulated by the Institute of Contemporary Art, Boston. In addition, his painting Crucifixion was chosen by the United States Information Agency to be exhibited across Europe, including being shown at the Salzburg Biennial in Austria in 1958.[7] Crucifixion was also exhibited at the Whitney Museum and subsequently displayed in the National Cathedral in Washington, DC, in 1958.[8] In 1966-67, his work was selected for Art for Embassies by the U.S. State Department.[9] He received the first annual Margaret Brown Memorial Award for high achievement by a New England Artist from the Institute of Contemporary Art, Boston, in 1958.[10] With his future as one of the great artists of his time laid out neatly before him, Wolfe moved to New York in the early 1950s, which was then the postwar epicenter of the art world and in the midst of experiencing the first real revolution in American Art, now known as Abstract Expressionism.[11] However, almost immediately upon his arrival, he became disenfranchised with the overtly commercial nature of the art scene there, spurning fame and security in an unwillingness to bend his creative vision to the expectations of others.[12] After four short months, he left New York, returned to Massachusetts where he bought property in Stoughton, cleared the land, and built both his home and studio with his own two hands. He would go on to live and paint there, extensively exhibiting and garnering constant critical acclaim.[13] Wolfe became one of the earliest artists championed by the deCordova Museum in Lincoln, MA and the Institute of Contemporary Art in Boston. He was awarded a traveling scholarship in 1958,[6] which allowed him to set up studio in San Miguel de Allende, Mexico and then in San Francisco, California.[14] Upon his return in 1959, the deCordova museum hosted Wolfe’s third solo exhibition, featuring work made during his time in California...

An original mixed media painting on raw linen by American contemporary conceptual painter Jeffrey Vincent.

Técnica mixta sobre lienzo

Gorgeous and vibrant mid century spring garden still life of a vase of pink peonies with a pair of garden gloves in the foreground by listed artist Helen Gleiforst (American, 1903-19...

This artwork features a tangle of white and blue rectangles and basic geometrical shapes over a textured substrate. On the middle top, aquamrine/turquoise almost vertical bands fall from the top, and a dark red pile occupies the middle of the canvas. Most of Françoise Duprat...

Svetlana Shalygina's signature figurative abstract, vibrant textured brown & teal create a bold original work of art. There is a unique range of expressionistic strokes, textures and...