Lladro Folk Art

Rhinoceros beetle in white porcelain, from the awesome insect collection. The insects that made a successful debut decorated in intense colors are no...

A nicely hand loomed Native American (likely Navajo) rug. Wonderfully designed with vivid colors and geometrical patterns. Would make for a nice additio...

Frida Kahlo is much more than a famous painter. The popular Mexican artist has become a universal cultural icon and the symbol of a free, vital and transgressive woman. In this bust,...

This spectacular sterling figure of a Navajo spirit dancer by renowned Navajo silversmith Toby Henderson is highly detailed, circa 1980s, by Toby Henderson, Dine-Navajo, American. Heavily worked and excessively concha stamped, it is the perfect way to connect with the spiritual world through Dine art! Excellent condition. Remarks: "Bring the balance of self and universe into your home." Size: 5 1/2 inches high by 2 inches wide Weight: 88.7 grams Hallmarks: TH below a partial sun, maker's mark for Tobey...

By Toby Henderson, Dine-Navajo, American, circa 1980s. This spectacular sterling figure of a Navajo spirit dancer by renowned Navajo silversmith Toby Henderson is highly detailed. Heavily worked and excessively concha stamped, it is the perfect way to connect with the spiritual world through Dine art! Excellent condition. Remarks: "Bring the balance of self and universe into your home." Size: 5 5/8 inches high by 2 inches wide Weight: 91.5 grams Hallmarks: TH below a partial sun, maker's mark for Tobey Henderson...

This piece of porcelain is a bold, new version of the main character in The Guest collection, created by the celebrated designer Jaime Hayon. The Guest is a collection designed by Jaime Hayon for Lladró which invites ground-breaking artists from around the world to personalize this particular character. The series includes collaborations from Paul Smith, Devilrobots, Gary Baseman...

Beautiful black forest Folk Art wood carved mask. This is a wonderful example of black forest carving. This can be used as a Wall decoration or as...

An innovative porcelain and metal creation inspired by one of the fascinating creatures in nature. Part of the Awesome Insects Collection. This origi...

A wonderful soapstone large, heavy carving of a tusked walrus by the indigenous inuit people who inhabit parts of the Arctic regions of Greenland, Canada, and Alaska. Signed on th...

This large version of The Guest is the contribution by the renowned designer Supakitch to the project which invites leading artists from around the world to personalize this special ...

Glossy porcelain figurine designed by Jaime Hayon with a modern design and a red heart. Like all the pieces in Jaime Hayon's The Fantasy Collection, this creation arises from the fus...

A fantastic and somewhat playful mask by the Yup'ik (Yupik) aboriginal, indigenous people of South-Western & South Central Alaska. The Yup'ik people, who are related to the Inuit peoples, have a long history of ceremonial mask making. Yup'ik masks were originally and specifically designed by Shamans and made to be worn by these spiritual leaders in Winter tribal dances and sacred ceremonies. Traditionally, the masks were destroyed or discarded after use in these ceremonies. Very few of these masks survived. After Christian contact in the late 19th century, masked dancing was suppressed and the tradition all but died out. As more outsiders settled in Alaska at the turn of the century, masks were made by the Yup'ik people to sell or trade for necessary goods. It is likely that this mask was created some years later for this purpose. In the 20th century, Yup'ik mask had a profound influence on many renowned surrealist artists including, Max Ernst, Joan Miro, Leonora Carrington, Victor Brauner, and most notably Andre Breton who was an avid collector of Yup'ik masks. This fantastic anthropomorphic mask is carved of lighter wood, hand painted and decorated with pigment, and held together with natural fiber. The mask seems to represent some sort of smiling, benevolent spirit or character with its four eyes, bird beak, and cat-like ears. The mask is from a French collection. We were told that this mask, as well as others in the collection we have listed, was acquired originally in the 1950s-1960s in Alaska and the Yukon territory in Canada but as we have no way to verify or authenticate this. Please note we are listing the masks as decorative and not as actual tribal artifacts...