Hazen Market, Hazen, Nevada, Alternate US Highway 50
By Lloyd Brown
Located in Dallas, TX
This is acrylic on four shaped ragboard panels in artist-made frames.
2010s Photorealist Lloyd Brown Art
Acrylic, Rag Paper
Hazen Market, Hazen, Nevada, Alternate US Highway 50
By Lloyd Brown
Located in Dallas, TX
This is acrylic on four shaped ragboard panels in artist-made frames.
Acrylic, Rag Paper
Shady Hollow Motel, Green River, Utah, US Highway 50
By Lloyd Brown
Located in Dallas, TX
This is acrylic on three shaped ragboard panels in artist-made frames.
Acrylic, Rag Paper
Early Morning, Downtown Holly, Colorado, US Highway 50
By Lloyd Brown
Located in Dallas, TX
This is acrylic on five panels in three interlocking frames
Acrylic
Kit Carson, Colorado
By Lloyd Brown
Located in Dallas, TX
n Lloyd Brown’s examination of America, we see small town intersections, train crossings, and rural stretches of road, in paintings made after he traveled across the United States on...
Wood, Acrylic, Cardboard, Rag Paper
First Presbyterian Church, Hillsboro, Ohio; US Highway 50
By Lloyd Brown
Located in Dallas, TX
This is acrylic on a shaped ragboard panel in an artist-made frame.
Acrylic
Eastbound Freight Train, Colorado; US Highway 50
By Lloyd Brown
Located in Dallas, TX
This is acrylic on panel in an artist-made frame. The overall dimensions, including the frame, are 8 1/2 x 12 3/8 x 1 3/4 inches.
Acrylic, Panel
$9,000
Steve Calls Home on the Loneliest Phone in America, US Highway 50, Nevada
By Lloyd Brown
Located in Dallas, TX
This is acrylic, paint can stir stick, consumer packaging, fabric, wood, graphite, charcoal, sandpaper and sand.
Fabric, Wood, Charcoal, Acrylic, Graphite
$2,800
H 18 in W 24 in D 1 in
Darling, Oil, Acrylic, Sailboat, Textured, Water, Beach House, Blue, Sailing
By Jason Wright
Located in Riverdale, NY
Darling by artist Jason Wright is a textured oil and acrylic painting on wood panel. It is 18x24, framed. This sailboat image is richly layered and created with a palette knife. J...
Oil, Acrylic, Wood Panel
$296
H 8.27 in W 11.62 in
Landscape - XXI century Acrylic painting, Abstaction & Figurative
By Monika Rossa
Located in Warsaw, PL
acrylic on plastic board MONIKA ROSSA studied painting at the University of Arizona, in the Ecole des Beaux Arts in Paris and at the Escuela de Diseno in Barcelona. She practices d...
Acrylic, Board
$35,922Sale Price|25% Off
H 29 in W 52 in D 2 in
Fifth Avenue Manhattan New York City Panoramic Painting by Contemporary Artist
By Angela Wakefield
Located in Preston, GB
Fifth Avenue Manhattan New York City Panoramic Painting by Contemporary Artist, Angela Wakefield. This is a major work from her New York Series. Art measures 48 x 24 inches Frame me...
Acrylic, Wood Panel, Panel, Varnish, Gesso, Board, Paint, Wood
Anew
Located in Burlingame, CA
Elizabeth Geisler is best known for her dazzling contemporary water reflection paintings that bridge realism with abstraction. Up close, the paintings appear ambiguous and loose, yet...
Acrylic, Panel
Los Angeles Study 2
By Kristin Moore
Located in New Orleans, LA
Kristin Moore says of her work… My work explores architectural landscapes through an atmospheric and cinematic lens. Through painting, I create interpretive renderings of recognizab...
Acrylic, Wood Panel
$495Sale Price|70% Off
H 33 in W 39 in D 1.5 in
Autumne au Village, Lake, Mountain and Tall Trees in Landscape 1970s
Located in Hillsborough, NC
This crisp wintry contemporary landscape scene is signed 'Berdard' with the artist name and title 'Autumne Au Village' verso. Painted with acrylic on canvas in the mid 20th century,...
Canvas, Acrylic
$1,150
H 24 in W 30 in D 0.75 in
Jumpers and the Magic Bus - Contemporary California Figurative Landscape
By Russell Brutsche
Located in Soquel, CA
Retro counterculture meets retro mainstream culture in this vibrant painting by Santa Cruz, California artist Russell Brutsche (American, 20th Century). The "Magic Bus" - a counterculture icon - is hooked up to jumper cables by the side of the road. Wrapped canvas sides are also painted - a continuation of the scene. Unframed. Image, 24"H x 30"W. “I’ve been painting since early childhood. I attended San Jose State University, studying under Eric Oback, Robert Freimark (student of Henri Matisse) and Sam Richardson...
Canvas, Acrylic
Marcia’s Meadow (Vermont)
By Ian Hornak
Located in Fairfield, CT
Artist: Ian Hornak (1944-2002) Title: Marcia’s Meadow (Vermont) Year: 1983 Medium: Acrylic on Canvas Size: 50 x 72 inches Condition: Excellent Inscription: Signed recto; signed, date...
Canvas, Acrylic
$296
H 8.27 in W 11.62 in
Landscape - XXI century Acrylic painting, Abstaction & Figurative
By Monika Rossa
Located in Warsaw, PL
acrylic on plastic board MONIKA ROSSA studied painting at the University of Arizona, in the Ecole des Beaux Arts in Paris and at the Escuela de Diseno in Barcelona. She practices d...
Acrylic, Board
Pastoral Landscape, Ian Hornak - Painting
By Ian Hornak
Located in Fairfield, CT
Artist: Ian Hornak (1944-2002) Title: Pastoral Landscape Year: 1970 Medium: Acrylic on canvas Size: 50 x 72 inches Condition: Good Inscription: Unsigned, estate stamped, verso. Prove...
Canvas, Acrylic
$15,000
H 48 in W 72 in
Shimmer Abstraction, Photorealist Acrylic Painting on Aluminum by David Kessler
Located in Long Island City, NY
Shimmer Abstraction David T. Kessler, American (1950) Date: 2005 Acrylic on Brushed Aluminum mounted to board, signed, titled and dated on verso Size: 48 x 72 in. (121.92 x 182.88 cm)
Metal
$4,000
H 32.5 in W 41 in
1980s Vintage American Street Scene Painting, Landscape with Taxi Cabs
By Val Lewton
Located in Surfside, FL
Val Edwin Lewton (May 23, 1937 – April 24, 2015) was a painter and museum exhibition designer. As an artist, he created Realist acrylic paintings and watercolors of urban and suburban scenes, predominantly in the Washington, D.C., area, where he lived and exhibited. Val Lewton was born May 23, 1937, in Santa Monica, California. His father, also named Val Lewton, produced a string of successful and influential B movies for RKO Pictures, including Cat People (1942) and I Walked with a Zombie (1943). His mother, Ruth Knapp, was a painter and teacher of autistic children. He graduated in 1959 from Whitman College in Walla Walla, Washington, and earned a master's degree in fine arts from Claremont University in 1962. After moving to Washington, D.C., he served on the staff of the Smithsonian American Art Museum for 32 years, simultaneously maintaining a career as a painter in his own right. Lewton died in 2015s oon afterwards, exhibitions of his paintings were planned for the Katzen Arts Center (June 17 – August 13, 2017) and Addison/Ripley Fine Art (June 3 – July 8, 2017). Chiefly known for his landscapes, Lewton generally depicted cities and suburbs with a detached, impersonal sensibility. Writing about his watercolors in Arts magazine in 1980, Harry Rand observed, “Either by implication or statement, personalities are absent from Lewton’s work; there is hardly a sense of the lives that move through those spaces he describes.” The critic compared the artist to Fairfield Porter, Edward Hopper, and Charles Sheeler. Lewton painted from a young age. On a family trip to the Museum of Modern Art in New York City, he discovered the work of Henri Matisse, an encounter that permanently influenced his artistic vision. In the early 1960s, Lewton lived in southern California and taught art classes at the University of California Riverside. During this period, he was inspired by the paintings of Roger Kuntz...
Acrylic, Archival Paper
Sold
H 10.94 in W 8.69 in D 1.88 in
Imitation of Nature Number 30: An Impaled Drawing of an Autumn Leaf
By Lloyd Brown
Located in Dallas, TX
Lloyd Brown (American, Born 1957) "Imitation of Nature Number 30: An Impaled Drawing of an Autumn Leaf," 1998 mixed media 10 15/16 x 8 11/16 x 1 7/8 inches including artist-made fram...
Mixed Media
Railroad Crossing, Millard County, Utah
By Lloyd Brown
Located in Dallas, TX
In Lloyd Brown’s examination of America, we see small town intersections, train crossings, and rural stretches of road, in paintings made after he traveled across the United States o...
Canvas, Oil
Large Puddle, Offerle, Kansas, US Highway 50
By Lloyd Brown
Located in Dallas, TX
In Lloyd Brown’s examination of America, we see small town intersections, train crossings, and rural stretches of road, in paintings made after he traveled across the United States o...
Acrylic, Rag Paper
Grain Elevators, Stafford, Kansas
By Lloyd Brown
Located in Dallas, TX
This is acrylic on a shaped ragboard panel in an artist-made frame.
Acrylic, Rag Paper
Hinckley, Utah; US Highway 50
By Lloyd Brown
Located in Dallas, TX
This is acrylic on a shaped ragboard panel in an artist-made frame.
Acrylic
Sold
H 8.38 in W 23.25 in D 1.38 in
Amtrak a Passing Shadow, Granada, Colorado; U.S. Highway 50
By Lloyd Brown
Located in Dallas, TX
This is acrylic on two ragboard panels in artist-made frame hinged with fabric. Dimensions are variable, as determined by extent to which the panels are opened. ARTIST STATEMENT I...
Acrylic
Sold
H 9.88 in W 13.88 in
Green River Bible Church with Sepia Colored Sky, Green River, Utah, USHighway 50
By Lloyd Brown
Located in Dallas, TX
This is acrylic on ragboard panel in an artist-made frame.
Acrylic
Hayward's Quick Stop Knippa, TX March 1990
By Lloyd Brown
Located in Dallas, TX
"As a child, art lay in the mountains, valleys, farms, and small towns of Utah. Art was those things that one might identify as nostalgia. It was not a gas station, picnic area, motel, or place to stop and get a hamburger. What I saw and realized in Richardson was that all things are significant and nostalgia wasn't necessarily confined to the distant past. In painting, the Grand Canyon and a garbage can are equal. It is not what they are, but the note of recognition they carry that one responds to. As I sit at home in my trailer in Utah, I am aware of the blue in the sky. I listen to the songs of birds and the faint hum of a lawnmower. Occasionally, a car will drive by. There is vacuuming to do, a bed to be made, and all around me there seem to be notes of recognition. The sky reminds me of other skies. The day reminds me of other times and places. These times could be Houston or Phoenix. Some of these places could be Braum’s Ice Cream, Helene's, or a field of sunflowers. These are notes of recognition. And McDonald’s and a cloud formation may just be the carriers. For the past nine years I’ve been making dioramic scenes of Texas, Utah, Nevada, Arizona, Colorado and New Mexico. Some of the scenes depict wide open spaces. Others are more concerned with the suburbs. In all cases, I try to make the rendering true. I don’t shuffle or delete things to fit the compositional demands of art. I never look down a highway and think that what I am seeing is incomplete or that it needs my order. My art is descriptive. It is a kind of reporting. What I do could be called an imitation of man’s nature. At a place like the Palace Cafe, pick-up trucks are parked out front. Old Coca Cola signs with a weathered cafe sign rest on an awning stabilized by iron cables. The building may have been a hotel, department store or a bank. A red sports car sits across the street. In the noon day, street lamps tower. In the blue sky, power lines cross. And out in the parking lot, there is a crushed Dairy Queen...
Mixed Media