Louis Eugène Lambert Art

Jan Frans Soolmaker (Flanders 1635‑1685) Shepherd with Sheep, Cows and a Goat in a Landscape oil on relined canvas canvas size 56 x 53 cm frame i...

This painting depicts a pastoral scene that is attributed to the artist Jan Frans Soolmaker, an artist known for his Italianate landscapes and scenes that often feature equestrian and Arcadian elements. The painting is not signed but is attributed to Soolmaker, relating it to a known signed work by the artist that was sold at Sotheby’s London in 1999. The scene is suffused with the warm glow of a setting or rising sun, casting a soft light that is characteristic of Soolmaker’s landscapes. It shows a shepherd guiding a group of cattle across a shallow stream, with the animals taking center stage in the composition. The animals are rendered with careful attention to their forms and the play of light on their bodies, which is a hallmark of Soolmaker's work. The landscape is composed of a rocky terrain with trees and shrubbery, creating a sense of depth and natural beauty that invites the viewer to explore the scene further. The background suggests a vast, open landscape with distant mountains, which adds to the Italianate feel of the painting. The sky is dramatic, with clouds catching the light of the sun, contributing to the overall serene yet dynamic atmosphere of the work. The provenance of the painting is notable, having been in the possession of significant historical figures such as Swedish Prince Fredrik Adolf, and later The collection of Pär Ulmgren, The collection of Gösta Stenman, and Engineer and politician Gustaf Henry Hansson. Potential buyers have the option of choosing between a newly made gold frame or an older brown frame, which allows for personalization in how the work is presented. Soolmaker’s work is often compared to that of Dutch painter Nicolaes Berchem, whose style he emulated. Soolmaker's landscapes reflect a similar sensitivity to light and composition, making his works sought after for their beauty and historical significance. Despite the smaller body of work left by Soolmaker, due to his short career, his paintings are valued for their craftsmanship and the legacy of the artist’s brief but impactful contribution to the Dutch Italianate landscape genre. Information: Jan Frans Soolmaker (Flanders 1635‑1685) Shepherd with Sheep...

John Nost Sartorius (London 1759-1828) A bay horse in a wooded landscape Signed 'J.N.Sartorius' lower right Oil on canvas Canvas Size - 12 x 14 in Framed Size - 19 x 21 in John Nost...

Thomas Stringer (1722-1790) A groom with a saddled bay hunter and dogs, in an extensive landscape Dated 1754 lower left Oil on canvas Unframed size 25 x 36 in Framed size 31 x 42 in ...

Fantastic early portrait of a young man and his pug dog. This painting is most likely British, but it could also be from continental Europe. It dates from the late 18th to the early ...

English School, c. 1800 Still life of hanging birds Oil on panel Panel size - 8 x 6 in Framed size - 12 1/2 x 10 1/2 in This trompe-l'œil still life is a striking example of illusio...

Johann Georg de Hamilton (1672-1737) A saddled officer's Arabian horse with a hound and gun, in a landscape Oil on canvas Canvas size - 21 x 23 in Framed size - 27 x 29 in Provenanc...

English 19th century portrait of a White / Grey hunter in a stable. Charles Towne was born in Wigan in 1763. He was trained as a coach painter, and by ...

A 19th century oil painting on canvas of a Grey Horse in a Stable. Signed and dated 1890, housed in a gilt frame. The size of the painting being 17" x 21" (43.2 x 53.3cm) whilst overall size is 67 x 56 The painting is in very good condition having had some restoration in the past and a recent clean Albert Clark (1843-1928) British. Albert Clark (October 1843–December 1928), was an English painter. Born in October 1843, Clark was the second Son to acclaimed animal painter, James Clark and his wife, Elizabeth who died when Albert was a child. Living with his father in a small town in Middlesex, South East England, Albert began to learn from James and started creating notable paintings of animals – namely horses – under the 19th century naïve style. At the age of 17, Albert Clark had defined himself as a ‘naïve animal...

John Ferneley Snr (1782-1860 Melton Mowbray) Sir Richard Sutton's foxhounds signed J. Ferneley lower right Oil on canvas Canvas Size 16 1/8 x 20 1/2 in Framed Size 21 x 25 in Proven...

study of a seated clumber spaniel, oil on canvas, signed and dated 1929 lower left. Housed in a new gilt frame. Paintings of these beautiful dogs are...

A fine antique oil painting, on canvas, of horses pulling a tandem at speed. signed and titled lower left, Vine Colchester 1834 This fine painting shows two horses pulling an open carriage /gig with gentleman in extensive landscape/park The size of the painting is approx 50 x 80 cms, whilst overall the size framed is 100cm x 71 cm This is a fine painting in very good condition housed in a gilt frame ready to hang Provenance: The E. W. Towler Collection, formerly of Glympton Park, Woodstock, Oxfordshire see details below The artist John Vine was born with a disability that did not appear to interfere with his ability to draw and paint, largely self-taught as an animal painter, as his reputation grew he exhibited at the Society of British Artists in Grosvenor Square. Based at Colchester he painted many different subjects including farms, houses, children and animals. Eric W. Towler was a remarkable man. He was born in 1900 and left school at the age of 12 to work in a Yorkshire pit and through a lifetime of hard work, self-improvement, luck and a refusal to limit his horizons achieved many of his aspirations. As a Yorkshireman through and through, he believed in ‘spending the brass in his pocket’ and over time he was successful enough to acquire enough ‘brass’ to enable his purchase of Glympton Park and furnish it as a traditional country house with all the trappings – in his case collections of...