Louis Ritman Art

18th century Spanish school still life flowers oil on canvas painting. Dimensions with frame: 44.5 x 54 x .2.5.

An exceptionally fine quality example of an elaborately framed English Still Life of fruits Oil Painting on canvas, in the style of Oliver Clare or Eloise Harriet Stannard, second qu...

John Knox Dillon (American, 1903-1974), Portrait of a Semi-Nude Male Figure, Oil on Canvas, 1958, signed lower right, signed, dated, and inscribed "Brackman" to verso, giltwood frame...

A Mid-20th Century charming oil painting depicting a seated nude woman in a whimsical interior scene, Ducaire was known for her charming intimate figurative scenes portraying female ...

An Italian Rococo period framed still-life oil on canvas painting from the late 18th century, depicting a colorful bouquet. Created in Italy during the third quarter of the 18th cent...

Large Nude, Female Nude, Large Nude Portrait, Original Oil Painting, Vintage Oil Painting, Large 1960's female reclining nude by renown French artist, Georges Pierre Guinegault (18...

Offered is this floral beauty captured in oil paint in warm colors. Transform your space into an oasis of natural beauty and sophistication with this breathtaking oil painting of a g...

Les Baigneuses by Paulémile Pissarro (1884-1972) Oil on canvas 54 x 73 cm (21 ¹/₄ x 28 ³/₄ inches) Signed lower left, Paulémile. Pissarro. Titled and dated on the reverse Executed in...

Signed nude oil on original canvas circa 1910 by French post impressionist painter Georges D'espagnat. The work depict a nude woman seated on a stall turned away from the artist. Paintings hang on the wall and there's a vase filled with pink and red flowers on the wooden mantlepiece beside her. Signature: Signed upper left Dimensions: Framed: 30"x26" Unframed: 22"x18" Provenance: Private French collection. Exhibition stamp verso From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier...

A pink-white, antique French still life oil on canvas painting depicting a working table with a yellow teapot vase with flowers, painted by Eugène Henri ...

Alexander Khanin (Orenburg 1955) signed oil on canvas, framed framed: 23 x 27.5 inches canvas: 21 x 25.5 inches Inscribed verso dated 1988 Provenance: private collection, Paris Cond...

A sill life of glass vase with pink peonies and green apples in a bowl, all on a table with greenery. Signed lower right. In a fine gilt frame.