Lucien Adrion Paintings

Title: Sitges Artist: Rafael Durancamps i Folguera (1891–1979) Technique: Oil on canvas Dimensions: 38 x 61 cm (14.96 x 24.01 in) Support: Canvas stretched over wooden stretcher Framing: Unframed Signature: Signed lower left: Durancamps Period: 1960s (estimated based on style, technique, and materials) Work Description The painting Sitges depicts an evocative scene of the iconic Catalan coastal town. At the center stands the unmistakable silhouette of the Church of Sant Bartomeu i Santa Tecla, surrounded by cascading white houses that descend toward the shore. A solitary fisherman in the foreground casts his rod from the sand, adding a human and melancholic dimension to the landscape. The composition reflects Rafael Durancamps’s mastery in atmospheric construction: the balance between sky, architecture, and figure is achieved through loose yet controlled brushstrokes, and a sober palette dominated by earthy tones, ochres, blues, and greys. The scene conveys stillness, everyday life, and a sense of belonging to the landscape—recurring qualities in the artist’s work. Artist Biography: Rafael Durancamps i Folguera (1891–1979) Born in Sabadell, Rafael Durancamps was one of the leading Catalan figurative painters of the 20th century. Initially trained under Joan Vila Cinca and a friend of Joaquim Mir, he chose a personal path that distanced him from avant-garde movements. In 1926, he moved to Paris, where he founded La Fenêtre Ouverte gallery, bringing together artists such as Salvador Dalí, André Derain, Joan Miró, and Pablo Picasso. After permanently returning to Barcelona in 1939, he exhibited regularly at Sala Parés and established a distinctive style rooted in lyrical light, intimate observation of everyday life, and a refined technique—particularly in still lifes, landscapes, and solitary figures. His work is held in major collections, including the Museu Nacional d’Art de Catalunya (MNAC), the Montserrat Museum, the Sabadell Art Museum, and the BBVA Collection. Comparable Artists Rafael Durancamps can be linked stylistically or spiritually to several major names in modern figurative art: Joaquim Mir – for his lyrical treatment of the Catalan landscape and vibrant light Santiago Rusiñol – for his poetic approach to architecture and the Mediterranean environment Maurice Utrillo – in his sober and nostalgic depictions of towns and vernacular architecture Edward Hopper – for the silent presence of solitary figures in open spaces Darío de Regoyos...

"Salinas Valley Farm" - Fauvist Landscape in Oil on Artist's Board Bright and saturated landscape by Will H. Light (American, 1926-2004). The viewer stands at the edge of a farm, lo...

This painting was owned by Comte Robert de Montesquiou (1855–1921), Paris Literature: Jane Roberts, Jacques-Émile Blanche (2012), pg. 47 (color illus.), p. 191. Included as no. R...

Warm air seems to move through this scene as the eye wanders along a gentle swale dotted with granite boulders, low stone walls and scrubby autumn color. A ribbon of meadow pulls us ...

➡️ Mountain scene Landscape⬅️ ⏩It is signed J Rohr⏪ ⭐Medium:⭐ Oil on woodpanel ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐61x77.5cm / 24x 30.5inch with fram...

An exceptional post-impressionist view of Florence, Italy by Carl Schmitz-Pleis (1877-1943). In the spring of 1910 Schmitz-Pleis and fellow friend/artist Walter Hugo Ophey travelled...

A beautiful coastal painting by Massachusetts artist Joseph H. Greenwood, known for his evocative New England landscapes. This work captures the quiet charm of the Dartmouth coast ne...

“Impressionist Landscape, c. 1915-1920” by Francis Stillwell Dixon (American, 1879-1967). One of Dixon’s finest canvases, depicting a tranquil forest scene bathed in soft, dappled l...

This small painting by Oscar Törnå captures the poetic serenity of a Swedish winter evening in the late 19th century. Set along a frozen stream near a village, the composition presen...

Known for his evocative, snow-covered landscapes, Koeniger brings this subject to life with his bold, confident brushwork and keen eye for natural light. The composition centers arou...

Additional information: Title: Coastal scene - Nightfall on the North Sea Medium: oil on canvas Signature: signed lower right Provenance: Private collection Brussels Canvas dimensio...

Gustave Vidal. French ( b.1895 - d.1966 ). Pêcheurs Sur Les Rochers. Bord De Mer En Côte d'Azur. Oil On Panel. Signed Lower Right. Image size 12.4 inches x 15.6 inches ( 31.5cm x 39.5cm ). Frame size 22.2 inches x 26 inches ( 56.5cm x 66cm ). Available for sale, this original oil painting is by the French artist Gustave Vidal and dates from around 1935. The painting is presented and supplied in its original frame. The original cotton slip has been replaced with a sympathetic contemporary slip that is in keeping with the fresh coastal aesthetic of the painting (which is shown in these photographs). This antique painting is in a good condition. It wants for nothing and is supplied ready to hang and display. The painting is signed lower right. Gustave Vidal was a 20th century French artist, and one of the best Provencal landscapers of his generation. He worked in the Provencal and Basque regions as well as Corsica and the centre of France. He was born in Avignon in 1895, in the Provence region of France, and died in the same town in 1966. Vidal trained at the École des Beaux-Arts in Avignon. It is often reported that he studied under Pierre Grivolas, (1823-1906) who was a prominent teacher there who had encouraged plein air painting to capture light and colour directly from nature. However, Grivolas died when Vidal was only 9 or 10, so it is very unlikely that there was a direct teacher/student relationship between them in a formal apprenticeship or atelier setting. Pierre Grivolas had been a director of the École des Beaux-Arts in Avignon until his death in 1906, and found what became known as the Nouvelle école d’Avignon, promoting outdoor practice and modern landscape painting. Grivolas influenced a generation of Provençal painters directly, and his teachings persisted after his death. Vidal therefore studied in the establishment that continued his ethos and would have been influenced by Grivolas’ directorship. Vidal won numerous awards at the Beaux-Arts in Avignon and became a sociétaire (member) of the Salon des Artistes Français in Paris, an important exhibition venue for French artists of the period. He actually wrote the articles of association for this establishment. As well as exhibiting in Avignon and Paris Vidal also exhibited in Berlin and Brussels. Vidal was primarily a landscape and marine painter. His work is associated with Provencal scenes — including rural landscapes, village streets, harbours, seascapes, and views of the French Riviera and interior France. His technique combined impasto application with both palette knife and brush, reflecting influences from Impressionism and post-Impressionist colourism encountered during his career, especially in Paris. This gives his canvases a textured, lively surface and strong sense of light and atmosphere. His works typically show rich colour and balanced composition, with evocative French light. Nowadays Vidal’s paintings appear regularly in antique galleries, auctions, and online sales in Europe and beyond, though he’s not commonly featured in major public museums or standard art history encyclopaedias. Auction results indicate steady interest among collectors of regional French painting, with prices varying according to size and subject. Although not among the most famous French painters of his generation, Gustave Vidal holds a solid place within early-to-mid-20th-century Provence painting, continuing the regional tradition of light, colour, and landscape that followed Impressionism, and appealing to contemporary collectors of Provençal and southern French art...