Lucy Slivinski

Regardless of their size, small or large, the luminous sculptures by Ettore Sottsass bring to mind the idea and image of the Florentine lily. Revealed ...

Looking upwards it seems like there are strawberry fields on the ceiling! Ophelia, which has been the company’s symbol for years, has evolved into different models of itself. In the ...

A drapery, some feathers, some precious gems: this is what comes to mind with Burlesque, a family of chandeliers with a strong personality. The protagonists here are the pearls with ...

A crystal web envelopes the structure in a sensual embrace. A richly suggestive and aware world where the crystals model the surface.

A lamp family characterized by a vintage touch and a project meant to explore unknown grounds. A collection that, drawing its inspiration from 1950s and 1960s Italian rationalism...

In this collection there is something that reminds of the Far East, its grace, its elegance. Maybe, it could be the big circular lampshades, created in precious fabrics or the bendin...

A smooth cascade of crystal chains wraps Eva and its metallic structure, over which expert artisan hands weave textures, patiently sticking every ring, pearl by pearl: It’s the atten...

The combination between austere metallic details and precious fabrics suggests an apparently serious atmosphere, whose romantic and passionate accents emerge and turn into the real p...

A series of metallic bending ramifications that unravel in space, starting from a branching point. A vibrating structure that sustains a carousel of delicate lampshades. A lamp which...

Firmament series, where multifaceted jewel drop-like pieces refract and reflect the light from the source to create a sophisticated and luxurious aura....

Angie is sophisticated. It's strong. It's strong-willed. Angie knows what it wants. Born out of a reinterpretation of a previous collection, it chose to recount itself, aesthetically...

Angie is sophisticated. It's strong. It's strong-willed. Angie knows what it wants. Born out of a reinterpretation of a previous collection, it chose to recount itself, aesthetically...