Luizo Denis Paintings

Francesca Volò Smiller, called Vincenzina (Milan, 1657 - 1700) attributed Floral composition overflowing from an embossed vase (LINK) Oil on canvas 79 x 61 cm. Framed 89 x 70 cm. T...

This artwork showcases a vivid bouquet of flowers in a textured, ceramic vase. The composition bursts with a variety of floral species, each detailed with rich and vibrant hues. Soft...

Wonderfully vibrant large scale still life of white and bluish marguerites on a bold blue background by Marilyn Rabinovich (American, b. 1932), circa 1960. Signed lower right corner....

Andrea Scacciati (Florence 1642-1710) Composition of flowers within embossed vase (1 of 3) oil on canvas 130 x 90 cm In antique frame 145 x 105 cm. Work with expertise by Prof. Emi...

Still Life of Flowers Artist/ School: Suzanne Dinkés (French, 1895 - 1984) Medium: oil on canvas, unframed Size : 10.75 x 9 inches Provenance: private collection, France Condition: T...

Signed oil on canvas riverscape by French post impressionist painter Paul Madeline. This beautiful work depicts a view of a meandering river. There are two trees on the bank to the r...

Signed and dated oil on canvas coastal landscape by French post impressionist painter Paul Madeline. This beautiful work depicts a view of Cap Sizun, a headland forming the western e...

Friedrich Richard Hartmann 1866-1925 Flower still life Signed lower left Painting 80 x 60 cm Frame: 94 x 74 cm Original hand-carved Impressionist frame. Viewing and collection by...

Ellen Ladell British, (1853-1912) Still Life of Fruit & Exotic Birds Oil on canvas laid on board, signed Image size: 17.5 inches x 13.5 inches Size including frame: 24.75 inches x 20.75 inches Provenance: Sotheby’s The British Sale, 2003, lot 256 A beautifully painted still life of fruit with a glass dome and taxidermy birds by Ellen Ladell. Grapes, plums and a peach are shown grouped on a floral patterned green cloth at the front of a marble topped table. Behind the fruit is a large glass display dome with an arrangement of exotic taxidermy birds. The reflection in the glass gives the viewer a glimpse of a tall window with a house beyond, adding another dimension to the painting. Ellen Ladell was born Ellen Maria Levett in Ipswich in 1853 to George and Maria Levett. Her father was a foundry smith and the family lived at 30 Borough Road in Ipswich. She initially worked as a Milliner around 1871 but sought artistic training during her spare time. It is at this point she met and became a pupil of the still life painter Edward Ladell (1821-1886), who at that time was a widower. Ellen married Edward in Great Yarmouth on 21 October, 1878. The couple initially moved to Torquay where they had their son Kenwyn in 1880, but then decided to settle in Exeter, living at 99 Sidwell Street and setting up a studio at 20 Queen Street. Edward’s influence can been seen in her work as their styles and subject matter share some similarities. However, a number of Ellen’s paintings also included taxidermy under glass...

David De Noter: 1818-1892. Well listed Belgian painter with auction results as high as $142,000. Most famous for his still lifes. This fantastic little gem of a curious cat skipping...

Lilac, garden, flowers, violet,Ukraine Very important work Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 2015) 1937: he was born in Dneprodzerzinsk, Ucraina. 1949...

A brilliant early 20th century impressionist floral still-life by William Clapp (American, 1879-1954). Beautiful and bold, this 1920's pink floral still-life pops against a bright blue background. The artist uses expressive and loose brushstrokes in a fun and energetic palette, bringing a dynamic and lively energy to this one-of-a-kind piece. Signed lower right, "W. Clapp". Oil on old Canada packing crate board and presented in a rustic wood frame. Board size: 20"H x 24"L. Framed size: 24"H x 28"W. This an early work by the artist which is distinctive in his bold Impressionist style before he merged into his signature pointillist style. Born in Montreal, Canada of American parents on Oct. 29, 1879. At age six Clapp moved to California with his family, settling in Oakland where he spent his childhood. In 1900 he returned to Montreal for four years of study with Wm Brymner followed by further study in Paris at Académies Julian, Colarossi, and Grande Chaumière. He then returned to Montreal where he was elected an associate member of the Royal Canadian Art Academy. He lived and worked in Cuba before returning to Oakland in 1917. He then served as director and curator of the Oakland Art Gallery from 1918-49. In this position, and as a member of a group of painters called the Society of Six...