Paul Emile Lecomte Paintings

Landscape. 1990. Oil on cardboard, 24x32,5 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seas...

A vintage watercolor capturing a daily scene in the Spanish colonial town of Taxco, Mexico by Theodore Ernest Langguth (German-American, 1861-1952). Titled, dated and signed lower ma...

Wonderful little mixed media painting by New York City artist Gilbert M. Walker. Faintly initialed lower right and inscribed on reverse. Gilbert M. Walker (born 1927) was an America...

Title: Scottish Highland Cattle Bulls Country Landscape Watercolour 1936 Artist: L W Rowe, 20th century Medium: watercolour on paper, unframed Size: 7 x 9.75 height x width in inches Signature: signed lower left, L W Rowe Date: dated lower right, 21-10-36 Stamped verso: no stamp visible from the images provided Provenance: private collection Condition: fair to good vintage condition. The sheet shows age toning, foxing, surface marks, handling wear and visible edge wear. There are losses, tears and old adhesive / mount marks to the reverse, particularly around the edges and corners. The painted image remains attractive, clear and highly decorative. Description: A charming signed watercolour by L W Rowe, dated 21-10-36, depicting two Highland cattle standing in a rural landscape. The cattle are shown in profile beneath bare trees, with soft fields, a pale path and distant countryside beyond. Their long horns, shaggy coats and strong silhouettes make them immediately recognisable as Highland cattle, giving the work excellent decorative and collectable appeal. The painting is especially attractive for its earthy palette and gentle pastoral atmosphere. The artist uses warm browns, ochres and deep umber tones to describe the animals’ coats, contrasting them with soft greens, muted greys and pale blue washes in the surrounding landscape. The darker Highland bull to the right gives the composition weight, while the warmer russet animal to the left introduces richness and texture. The handling is loose but observant, with the cattle carefully placed within a quiet countryside setting. The trees and background are painted with light, atmospheric washes, allowing the animals to remain the clear focus of the work. The date of 1936 gives the piece additional period interest, while the signed lower-left inscription helps distinguish it from a purely anonymous animal study. Highland cattle remain a highly popular subject in British and Scottish art, particularly for collectors drawn to rural landscapes, country house interiors, animal paintings, farming scenes and traditional countryside subjects. This watercolour would work especially well in a country home, kitchen, hallway, study, boot room or gallery wall of animal and landscape works. The sheet has visible age-related wear, including toning, foxing, edge losses, tears and old adhesive marks to the reverse, all consistent with a vintage work on paper. Despite this, the painted image remains appealing and decorative. Unframed and ready for sympathetic mounting, this is a characterful 1930s Highland cattle watercolour...

Landscape. 2007. Oil on cardboard, 22x30,5 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seas...

Edward Dufner (1872 - 1957) Monhegan Island, Maine Watercolor on paper Sight 16 x 20 inches Signed lower right With a long-time career as an art teacher and painter of both 'light' and 'dark', Edward Dufner was one of the first students of the Buffalo Fine Arts Academy to earn an Albright Scholarship to study painting in New York. In Buffalo, he had exchanged odd job work for drawing lessons from architect Charles Sumner. He also earned money as an illustrator of a German-language newspaper, and in 1890 took lessons from George Bridgman at the Buffalo Fine Arts Academy. In 1893, using his scholarship, Dufner moved to Manhattan and enrolled at the Art Students League where he studied with Henry Siddons Mowbray, figure painter and muralist. He also did illustration work for Life, Harper's and Scribner's magazines. Five years later, in 1898, Dufner went to Paris where he studied at the Academy Julian with Jean-Paul Laurens and privately with James McNeill Whistler. Verification of this relationship, which has been debated by art scholars, comes from researcher Nancy Turk who located at the Smithsonian Institution two 1927 interviews given by Dufner. Turk wrote that Dufner "talks in detail about Whistler, about how he prepared his canvasas and about numerous pieces he painted. . . A great read, the interview puts to bed" the ongoing confusion about whether or not he studied with Whistler. During his time in France, Dufner summered in the south at Le Pouleu with artists Richard Emil Miller...

Title: French Village Rooftops Chateau Church Red Ink Architectural Drawing Artist: Bernard Labbe, French mid 20th century Medium: Red ink on paper, unframed Size: 11.75 x 8.25 inche...

Title: Shere Surrey Village Cottages Trees Country Lane Watercolour Painting Artist: British School, 20th century Medium: watercolour on card, unframed Size: 7 x 10 height x width in inches Signature: unsigned from the images provided Inscription: inscribed verso “Shere Surrey” Stamped verso: no stamp visible from the images provided Provenance: private collection Condition: good overall vintage condition. The sheet shows light age toning, minor handling marks and some surface wear. There is slight edge wear and minor corner wear visible. The painted surface remains bright, attractive and highly decorative. Description: A charming 20th century British School watercolour depicting a peaceful village lane in Shere, Surrey, as inscribed to the reverse. The composition shows a quiet country road leading past trees, garden fencing and traditional village houses, with cottages partially hidden among the foliage. The scene has a gentle English village atmosphere, combining architectural charm with soft natural greenery. The painting is particularly appealing for its calm, observational quality. The artist uses transparent washes of green, brown, ochre and soft blue to capture the trees, hedgerows, sky and village buildings. The central trees create a natural canopy across the composition, while the pale road draws the eye into the scene and towards the cottages beyond. Small details such as the gate, fences, windows and varied rooflines add character without making the work feel overworked. Shere is a highly attractive Surrey village subject, making this watercolour especially appealing for collectors looking for named English locations, Surrey landscapes, village scenes, country lane paintings...

Title: English Harvest Field Village Church Country Landscape Watercolour Painting Artist: L W Rowe, 20th century Medium: Watercolour on paper, unframed Size: 11.75 x 8 inches Signat...

Mid 19th century watercolour of a rural scene. The painting is not signed but is of very fine quality. Presented in a fine custom gilt frame with a silk and gilt card mount under gla...

Mediterranean Café Scene with Figures French Modernist Gouache Painting By Laure Noetzlin-Azam (French, 1929–2024) Pupil of André Lhote. Gouache on artist's paper, unframed. 13 × 19....

Autumn Landscape. 1976. Oil on cardboard, 22x31 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different...