Malgorzata Rozmarynowska Art

Title: The Billiard Player Artist: Anonymous Technique: Oil on canvas Dimensions: 39.4 x 31.9 in Period: c. 2000 Condition: Good Art Movement: Contemporary Figurativism, Neofiguratio...

A charming depiction of an interior scene with piano. A cozy impressionistic scene with warmth and feeling. Whimsical details through out and beautiful brushwork. This piece captures...

For many people, a visit to a coffee shop is an essential part of the daily routine, whether they’re picking up a cup on their way to work or setting up shop with their laptop for the day. This interior cafe scene invites the viewer in with the idea of a comfortable place to sit and contemplate the days tasks with its warm green, red and soft blue tones. The mismatched chairs...

Artist Sandra Batoni was born in Florence, Italy in 1953. Intrigued by art, she began painting at the age of fourteen. In 1973 she began to attend the ...

Jesus Villar (1930-2015) - Women - Oil on canvas Oil measurements 68x98 cm. Frame measurements 85x117 cm. The painter Jesús Villar was born in 1930, he has lived and painted in both...

Antoni Vives Fierro (1940) - London - Oil on canvas Oil measures 81x100 cm. Frameless. He was born in Barcelona in 1940. He is a versatile painter specialized in urban landscape and...

Antoni Vives Fierro (1940) - London - Oil and collage on canvas Oil measures 54x81 cm. Frame 57x84 cm.. He was born in Barcelona in 1940. He is a versatile painter specialized in ur...

[From Ben Duke] The following is from Wikipedia, but I learned of this spot after getting into August Strindberg novels. "Zum Schwarzen Ferkel," translated as "The Black Piglet," was a historic tavern located at the corner of Unter den Linden and Neue Wilhelmstraße in Berlin. Notable for its cultural and historical significance, the tavern was a central meeting point for Nordic writers and artists in the 1890s. It was frequented by figures such as August Strindberg, Edvard Munch, and the Polish writer Stanisław Przybyszewski, among others. The tavern's original name was Gustav Türkes Weinhandlung und Probierstube, owned by Gustav Türke, and it was also known as "The Cloister." The name "Zum Schwarzen Ferkel" was coined by Strindberg, who thought an Armenian wine-sack hanging over the entrance resembled a black piglet. This quirky name was enthusiastically accepted by both the owner and the patrons. August Strindberg, a Swedish playwright and novelist, played a significant role in the tavern's history. After moving to Berlin in 1892, he became a regular at the tavern and a leading figure among the Nordic and German artistic community that gathered there. The tavern was not only a place for socializing but also a hub of intellectual and artistic exchange, with members engaging in vibrant discussions and forming significant relationships, both personal and professional. Edvard Munch, the Norwegian painter, also became a regular after his arrival in Berlin in 1892. The tavern saw its share of drama, including romantic entanglements and artistic disputes. One notable figure was Dagny Juel, a Norwegian music student who became involved with several members of the circle and was later tragically murdered in Tbilisi in 1901. The tavern's influence extended into the literary and artistic works of its patrons. For example, Adolf Paul wrote about his experiences and the people he met at the Ferkel in his book "Strindberg-Erinnerungen und -Briefe," published in 1914. Strindberg's novel "Klostret" ("The Cloister"), published posthumously in 1966, also drew from his experiences at the tavern. Unfortunately, the original building that housed Zum Schwarzen Ferkel was destroyed during the Second World War. Today, its legacy lives on through the stories and works of the artists and writers who once gathered there. Wikkipedia. Ben Duke Zum Schwarzen Ferkel oil on canvas 36h x 36w in 91.44h x 91.44w cm BSD039 Ben Duke b. 1977 Louisville, KY Education 2006 M.F.A., Maryland Institute College of Art, Baltimore, MD 2002 B.F.A., University of Utah, Salt Lake City...

Serenity, warmth, and harmony are at the heart of Dreamer, a captivating oil on canvas painting that invites reflection and a sense of peace. The work portrays a figure with closed e...

Marion Maas (American, b. 1930) In The Attic, c. 1970s Oil on canvas Framed: 30 1/2 x 24 1/2 x 1 1/2 in. Signed lower left Titled verso on stretcher bar 19...

Doorless Bar, 2019 Oil on canvas 31 1/2 H x 47 1/4 W in. 80 H x 120 W cm The artwork was part of the solo show ONIRIX. ONIRIX is a project about how we remember and interpret our ...

Serenity, warmth, and harmony are at the heart of Dreamer, a captivating oil on canvas painting that invites reflection and a sense of peace. The work portrays a figure with closed e...