Manitoba Mixed Media

This unique piece from Natasha Lelenco’s Currencies series is painted in acrylic on a 26 cm diameter circular pine wood panel, carefully treated for longevity. The artwork presents a...

This artwork by Natasha Lelenco, part of her Currency Exchange series, features a striking orange coin portrait of a Cuban woman, symbolizing themes of foreignness, identity, and mig...

In "Currency #236", Natasha Lelenco presents a striking portrait against a vivid red background, where the profile of the figure is rendered in deep blue hues, creating a powerful co...

This contemporary artwork features a profile of a Black man on a vivid green background, merging elements of pop art, graffiti, and classical portraiture. The inscription in Italian,...

This sculptural painting by Natasha Lelenco, created on a wooden circle with a thickness of two centimeters and a diameter of 26 centimeters, is one of the recent works from the Curr...

The Currencies series by Natasha Lelenco is designed for versatile display, working either as a standalone contemporary artwork or as part of a modular art installation, allowing co...

This sculptural painting is part of Natasha Lelenco's Currency Exchange series, showcasing a profile portrait on a wooden tondo. The piece features intense fluorescent pink tones, fr...

The Currencies series by Natasha Lelenco is designed for versatile display, working either as a standalone contemporary artwork or as part of a modular art installation, allowing co...

"Currency #230" from Natasha Lelenco’s Currencies series is an acrylic work on a 26 cm diameter wooden panel. This piece features a surreali...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

This unique piece is part of Natasha Lelenco’s Exchange Currency Series, crafted in 2024. Featuring a vibrant orange profile portrait on a treated wooden tondo, the artwork is accomp...