Manitoba Mixed Media

2004 Acrylic and tubes of paint on superimposed Plexiglas plates. Edition of 99 copies + 40 EA + 30 copies I/XXX à XXX/XXX. Signed and numbered x/99 lower right. Referenced in the A.R.M.A.N. Foundation No. 5944 Referenced in the Denyse Durand-Ruel Archives under No. 10.508. Arman is a Franco-American artist best known for his unique style of found object sculpture known as accumulations. Inspired by the philosophy and aesthetics of Dadaism, he brings together forks, instruments and teapots in display cases. A member of Nouveau Réalisme alongside Yves Klein and Jean Tinguely, among others, he responds to the emergence of Pop art through his own critique of consumption, waste and mass production, particularly in his series "Poubelles" in the early 1960s. For his famous and monumental sculpture "Long-Term Parking" (1982), the artist piles up 60 cars...

Michele Zuzalek Large modern expressive abstract painting has ocean colors in seagrass blue, turquoise blue, sand, cream, gray, and white. Titled: Chan...

Inspired by William Blake's poem "The Fairy" Exhibited in Milan (Italy) in 2005. Part of a series o 10 Exclusively on 1stdibs measures are referred to the painting. Passepartout is ...

Inspired by George Byron's poem – "So, We’ll Go No More a Roving" Exhibited in Milan (Italy) in 2005. Part of a series o 10 Exclusively on 1stdibs measures are referred to the paint...

"LH14 Hermes 18" Photography 18"D Edition of 8 by Giuliano Bekor Edition OF 8 Year created 2018 Print size 18 Inches diameter Trim Bleed Artwork finish size 18 Inches diameter Med...

Inspired by George Byrons's poem "Herod’s Lament for Mariane" Exhibited in Milan (Italy) in 2005. Part of a series o 10 Exclusively on 1stdibs measures are referred to the painting....

Large original abstract expressionism in a neutral palette. This contemporary painting has expressive marks, texture, and bold brush strokes. The title of the painting is Positive Fo...

Yves Klein, Monogold coffee table. Glass, Plexiglas, metal and gold leaf. Signed R. Klein Moquay and numbered on a label affixed to the underside of the table. This work is from an e...

Howard Kanovitz The People, 1971 3-5 Mixed Media Silkscreen on Plexiglas and aluminum base Signed: Artist's Signature etched on the work and annotated A.P., Edition of 1 (an Artists Proof, aside from the regular edition of 75) 15 × 16 × 1 1/2 inches Signatured etched on the work and annotated A.P. , aside from the limited edition of 75. This excellent 1971 3-D photo realist work "The People" is a multiple based upon a larger work the artist did of people beholding a work of art. Here, we see them only from behind, because they are busy looking at art - a clever photorealist work - art about art - catching people in the process of looking at art. Howard Kanovitz Biography Howard Kanovitz was a leader of Photo Realism: a documenter of style and fashion, depicting members of the art scene at openings, or superimposing known critics and curators onto images of board room meetings. In his particular style, he explored the intersections of painting, photography, fiction, and fact. Kanovitz studied at the Rhode Island School of Design and The Art Studenst League in Woodstock where he worked with Yasuo Kyniyoshi before moving to New York an apprenticing with Franz Kline. As a member of New York’s downtown art scene, Kanovitz painted abstract paintings, which he exhibited at Tenth Street Galleries early in his career. Following his father’s death in 1963, Kanovitz went through family photos, an experience which prompted him to interrogate the relationship between images and perception. At this time, Kanovitz abandoned abstraction in favor of a figurative style and worked arduously in this new direction. These efforts culminated in a 1966 solo exhibition at the Jewish Museum, securing his place as a leader of Photo Realism among artists such as Larry Rivers, Alex Katz, and Chuck Close. His photo based, representational paintings exhibited at the Jewish Museum show were the first to be called “photo-realist” and shocked many in the art community prompting a symposium which was held at the New York Studio School for “downtown artists” to weigh in on this perennial “hot topic”, newly addressed by one of their own. Kanovitz first began using airbrush in 1967, giving his paintings a feeling of photographic perfection. Cut out figures created using this precisionist technique were placed in the viewers space, often in front of Kanovitz’s painted canvas depicting the luminaries of the art world of the time. This type of installation was the centerpiece in the first of several Waddell Gallery shows. Kanovitz has been the subject of many solo museum shows internationally and his work is collected by institutions such as the Whitney Museum of American Art, Metropolitan Museum of Art, Tate Britain, London, and Museum Moderner Kunst, Vienna. -Courtesy Eric Firestone...

Inspired by George Byron's's poem – "Prometeus" Exhibited in Milan (Italy) in 2005. Part of a series o 10 Exclusively on 1stdibs measures are referred to the painting. Passepartout is 50x35cm Titan! To whose immortal eyes The sufferings of mortality, Seen in their sad reality, were nota s things that gods despise; What was thy pity’s recompense? A silent suffering, and intense; The rock, the vulture, and the chain, All that proud can feel of pain, The agony they do not show, The suffocating sense of woe, Which speaks but in its loneliness, And then is jealous lest the sky Should have a listener, nor will sigh Until its voice is echoless. George Byron – ( Prometheus ) These paintings on Windsor...

Inspired by William Blake's poem "The Angel" Exhibited in Milan (Italy) in 2005. Part of a series o 10 Exclusively on 1stdibs measures are referred to the painting. Passepartout is ...

Enrique Chagoya Ghostly Meditations (memories of oblivion) , 2012 acrylic and India ink on de-acidified 19th century paper (facing pages of etchings from a 19th century book) 16" x 1...