Giancarlo Impiglia

Figurative, art deco acrylic painted Cigar Box Impiglia

The perfect gift for the cigar lover: a hand-painted cigar box by world-renowned Giancarlo Impiglia. Born in Rome, Impiglia moved to New York in the 70s, where he established a sig...

The perfect gift for the cigar lover: a hand-painted cigar box by world-renowned Giancarlo Impiglia. Born in Rome, Impiglia moved to New York in the 70s, where he established a sig...

The perfect gift for the cigar lover: a hand-painted cigar box by world-renowned Giancarlo Impiglia. Born in Rome, Impiglia moved to New York in the 70s, where he established a sig...

A unique Impiglia harnessing all the beauty and charm he is known for. An artist whose value has only increased over the years, this acrylic on collage mounted on panel with a hand-m...

A unique Impiglia harnessing all the beauty and charm he is known for. An artist whose value has only increased over the years, this acrylic on silk brocade mounted on panel with a h...

A "hanging sculpture" made of honeycomb aluminum hand-cut by Impiglia, an artist whose value has only increased over the years. Born in Rome, Giancarlo Impiglia moved to New York in the ‘70s, where he established a signature style on the shoulders of Futurism and Cubism, his technical skill underpinning his eclecticism and allowing him to indulge in an appetite for complexity. His work has been exhibited in numerous galleries around the world and is part of prominent collections including that of The Victoria and Albert Museum and the Absolut Art...

Claudio Dicochea de Margarita y Oscar, las cuatas Rosa y Maria, y el motor del futuro (of Margarita and Oscar, the twins Rose and Mary, and the engine of survival), 2020 acrylic, graphite and transfer on wood 12" x 12" Born in San Luis Río Colorado, Mexico and raised on the Mexican/US border in southern Arizona, Claudio Dicochea works at the intersection of colonialism, art history and contemporary popular culture. Using the model of the 18th century genre of Casta paintings...

Peter Peereboom (1952) graduated from the Royal Academy of Arts in The Hague. He has various solo shows on his name including Centre Pompidou Paris in ...

Chihuahua, sun and text motif on found wooden scalloped edge plate.

This work consists of an acrylic painting on canvas laid in a handmade frame of plaster and pine. The imagery of the painting, as implied by the title and crucifix near the center of...

This three-dimensional work incorporates an acrylic painting on canvas laid in a handmade red frame, adorned with scorched wooden planks, a stylized plaster heart, and an ice pick. The painting is a monochromatic depiction of icebergs protruding from the surface of water. While the imagery of the painting speaks to the visible outcome of artistic production, the frame and its adornments implore the viewer to consider the requisite materials necessary for creative actualization. Bert L. Long Jr., was self-taught artist, was born in 1940 in Texas, grew up the Houston’s historic Fifth Ward and received his formal education from UCLA. Following a career as a successful master chef, Long decided to devote himself entirely to art in the late 1970’s. He began to explore folk art and assemblage to create a unique body of work, attracting the attention of Jim Harithas, then Director of the Contemporary Arts Museum Houston, and artists John Alexander, Salvatore Scarpitta and James Surls. His life spanned an era of radical change in the American social climate, the influence of which can be seen clearly in his work. Long’s paintings and sculptures incorporate a high level of skill and sophisticated knowledge of art history, along with complex philosophical and social issues.  Long describes the philosophy behind his work as "a quest to help people diagnose their inner self," believing his art to be "the vehicle to help facilitate the process." “As artists we have the obligation to provide the world with art which communicates as truth. I believe that art has the power to heal our souls of their afflictions. I try to create art which helps to diagnose the prevalent conditions within our societies, hopefully providing an insightfulness which will help us all become brothers and sisters united in equality and compassion”                                       - Bert L. Long, Jr. The late Peter Marzio, former Director of the Museum of Fine Arts, Houston, said of Bert Long during the major retrospective of Long’s work at the museum: “Bert Long does not avert his gaze from that which is painful, but as [his artworks] testify, he also brings a spirit of joy and redemption to his art. We can all learn from this great artist.” Over Long’s 33-year career as a painter, sculptor, and photographer, he had several solo exhibitions at respected museums and was awarded many significant awards including the National Endowment for the Arts Grant in 1987 and the prestigious international Prix de Rome fellowship in 1990. Other notable awards of Long’s include the Texas Accountants and Lawyers for the Arts Artist of the Year Award in 2009, the Adolph and Esther Gottlieb Foundation Emergency Assistance Grant in 1997, the Houston Art League Texas Artist of the Year in 1990, the NEA Visual Artists Fellowship Grant, 1987 and the Bemis Foundation Residency in 1998. His work can be seen in over 100 private and public collections worldwide, including the Metropolitan Museum of Art, New York, the Dallas Museum of Art, the Houston Museum of Fine Art, the Blanton Museum of Art, Austin, the El Paso Museum of Art, and the Instituto de Bachillerato in Spain. With a recent solo exhibition at the Houston Museum of African American Culture and an exhibition overseas which is pending featuring his work, plus interest from several national museums, Bert L. Long Jr. continues to be recognized as an important African American artist throughout Texas, nationally and internationally. Bert L. Long, Jr. "Passion" 2012 Acrylic Paint, Wood Elements...

"Loud Mouth" is a surrealist multi-media sculptural painting made with acrylic, paper, fabric, beads on a canvas and wood. The figures' mouth, made from wood, extends past the painting bringing the painting to life. The lashes on the figure are extended with thread which has been sewn into the canvas. INSPIRATION BEHIND THE WORK - "'Loud Mouth' was brought to life via a string of impulses similar to the ones that may lead to someone being pegged as a "loudmouth." A "loudmouth" is defined by the Oxford Dictionary as "a person who tends to talk too much in an offensive or tactless way." In my experience, however, "loudmouth" is usually used to describe someone who fits into only the first part of that definition (talks "too much"), and as a result — regardless of what they're saying — is perceived as too loud. Surely, of course, there are also those that fall into the offensive or tactless zone, but this painting isn't about them. This painting is about those who are so busy being their wonderful selves, they don't have the time or care to consider how others perceive them. It is a celebration of being genuine and sticking out past expected boundaries because you are confident in the worth of your spill-over." - Artist Megan Dune...