Marcel-André Bouraine Art

Wonderful Italian sculpture representing a seated maiden. The artwork rests on a square marble base Signed on the base “Gaetano Martinez Roma” According a written opinion by Prof. Al...

Antique bronze sculpture of male nude reading a letter or proclamation. Marble base, 19th century. Unsigned.

Outstanding 19th century Italian finely carved Carrara "Statuario" marble sculpture of Antinoo , after the Antique The Capitoline 'Antinous'. Antinous, a young Bithinius favorite...

This reproduction of a classical Hellenistic sculpture, a timeless piece for interior and a garden decoration. Measurement: Torso cm 100 base cm 70.

Antique Pair of Russian Wolfhounds/Borzois Dog Portrait Sculptures by Scalini (aka Scali; Italian, 20th century) circa 1930's Patinated spelter 9 x 14 inches (on bases) Though rath...

Here for your consideration is a beautiful bronze sculpture of a stretching ballerina by the well known American sculptor Peggy Mach. Signed “Peggy Mach” on bottom back of sculpture....

Antique Grand Tour Plaster Cast after Antonio Canova – Life-Size Figural Group This impressive, life-size antique plaster cast represents one of t...

Georges Lavroff, Russian (1895 - 1991) - Tigre à l'affût, Year: circa 1925, Medium: Bronze sculpture on marble base, signature inscribed at base, Size: 4.5 x 21 x 4 in. (11.43 x 5...

Seated Mercury (Hermes) — Grand Tour Life-Size Bronze Italian School (possibly Naples) Italy, Late 19th–Early 20th Century This commanding life-size Grand Tour bronze depicts Mercury (Hermes) seated in quiet repose upon a rock, rendered with classical authority and exceptional refinement. The youthful god’s finely modeled anatomy, serene, introspective expression, and distinctive winged sandals draw directly from the celebrated ancient prototype, creating a sculpture of enduring presence and balance. Fully restored and ready to place, the bronze presents beautifully for interior display or garden installation, where its patinated surface responds richly to natural light. The composition derives from the renowned Seated Mercury discovered on August 3, 1758, in the peristyle garden of the Villa dei Papiri at Herculaneum. The ancient original—now housed in the Museo Archeologico Nazionale di Napoli—became a touchstone of classical taste and a must-see for Grand Tour travelers of the 18th and 19th centuries, admired for its harmony, restraint, and technical mastery. Cast in richly toned bronze and finished with a nuanced patina, this example exemplifies the Neapolitan tradition of Grand Tour bronzes, prized for archaeological fidelity and sculptural finesse. Its impressive scale and poised silhouette make it a significant focal point in both modern and classical settings—an object that bridges antiquity and the cultivated collecting culture of the Grand Tour. Notable Related Examples: Getty Villa · Kunsthistorisches Museum · Villa San Michele...

Sculpture from the Ballet series. The series is dedicated to classical ballet and includes over 30 sculptur...

This is a mid 20th century mod abstract large bronze sculpture by Wolfgang Behl (German/American, 1918-1994). The sculptural group titled "The Family" features a mother and father with two children. Numbered 20/20. Signed. 21" H x 10 1/4" x 10 1/4 Wolfgang (Johann Wolfgang) Behl (1918 - 1994) was active/lived in Connecticut, Illinois / Germany. Known for Sculpture and as an architectural carver. A carver,designer, and teacher, Wolfgang Behl was born in Berlin, Germany where he studied at the Berlin Academy of Fine Arts. His teacher was otto Hitzberger, sculptor and architecture carver. I have seen some his work, particularly in carved wood compared to Constantin Brancusi although this one seems way more reminiscent of Alberto Giacometti. In 1939, Behl came to the United States and taught briefly in Pennsylvania at the Perkiomen School and in Rhode Island at the Rhode Island School of Design. There in 1943, he won the Joseph N. Eisendrath prize for sculpture. He also became a friend of Louis Mayer, sculptor from Milwaukee. In 1944, Behl took a job as Art Director at the Lake Forest Academy in Lake Forest, Illinois, and he also began a one-year teaching assignment at the Layton School of Art in Milwaukee. The last years of his life until his death were in Hartford, Connecticut. Source: Peter C. Merrill, "German-Immigrant Artists in Early Milwaukee" Originally from Berlin, Germany, Mr. Behl immigrated to the United States in 1939 and became a citizen in 1947. He studied with Waldemar Raemisch at the Academy of Fine Arts in Berlin, and later at the Rhode Island School of Design. He began teaching at the Hartford Art School in 1955, retiring in 1983 to devote his time to sculpting. Mr. Behl had exhibitions throughout the United States and Germany. Some of his solo exhibitions include the Arts Exclusive in Simsbury from 1976 to 1981, and the Bertha Schaefer Gallery in New York City from 1950 to 1973. He showed at the New Britain Museum of American Art, in New Britain, Connecticut in 1969. He also had several retrospectives, including one at the Greater Hartford Jewish Community Center in West Hartford until the end of this month. His works in bronze have a German Expressionist quality to them a pathos found in the works of Kathe Kollwitz and the Expressionist movement. He was known for his classically inspired, but often surrealist sculpture. Among his most-well known pieces are a series of sculptures done for the University of Connecticut Health Center. Several examples of Behl’s work are found on the campus of the University of Hartford. He was included in the show Monumentality in Modern Sculpture at the Contemporary Arts Museum Houston, Texas, 1957. Artists featured in the exhibition: Kenneth Armitage, Hans Arp, Ernst Barlach, Wolfgang Behl, Dorothy Dehner, Edgar Degas, José de Rivera, Max Ernst, Alberto Giacometti, Joseph Glasco, Julio González, Paul Granlund...

Unknown Artist - Owl, Medium: Bronze Sculpture on Marble Base, Size: 12 x 4 x 3.25 in. (30.48 x 10.16 x 8.26 cm), Frame Size: BASE SIZE: 2 x 4.75 x 4.75 inches