Marcus Vinicius De Paula Furniture

Floorlamp in the style of Pierre Guariche, France 1970's

The Tamburo lamp, designed by Afra & Tobia Scarpa for Flos in 1973, is a timeless expression of Italian design innovation. Compact yet powerful in character, this lamp reflect...

This piece was originally designed and made as a whimsical one off, and was inspired by ancient Egypt as portrayed in 1920/30s movies (pictures lines of servants holding frons). Howe...

Floor lamp made of teak, partly solid and partly veneered. The design is based on a floor lamp designed by Josef Hoffmann and produced by the Wiener Werkstätte, model name "Kandelab...

A column of Lapis Lazuli and Bianco Lasa marble with natural brass detailing and an illuminated organic hand blown opale glass vessel.

This floor light comes from Maarten Baas’s Plain Clay collection. This collection was originally developed for the Mendini restaurant in the Groninger Museum. Unlike the clay seri...

This three-light sconce is attached to the wall thanks to a round base and three elements in bronzed brass on which the three brass shafts with the same finish are connected, allowin...

Totem floorlamp by Temde Leuchten Switzerland, 1970's. Pine layered frame on a steel lacquered foot with 3 glass light globes with air bubbles, 'Pulegoso' technique. Very fine cond...

Early Artek A810 floor lamp, manufactured by Valaistustyö, designed by Alvar Aalto in 1959. The lamp has a brass base, black leather, and a white metal shade. The lamp is in good use...

Pair of large asymmetrical floor lamps in brass, gold, métal, lacquered black, and beautiful colored glass. Completely restored and electrified. Italian design from the 1970s. Heig...

Lumina Daphine Terra LED table lamp in Brushed Nickel by Tommaso Cimini Undisputed emblem of elegance and functionality, the Daphine represents the essence of Lumina. The idea behind the creation of the Daphine lamp is as simple as it is effective: a pivoting diffuser, an articulated arm in two segments and an electromechanical transformer on a cylindrical base between two metal caps. The Daphine first “saw the light” in a small workshop in Sedriano (Milan province) in 1975 thanks to the skilful hands of Tommaso Cimini, a mechanical engineering expert, and the machines he had retooled for the purpose. The Daphine springs from Tommaso Cimini’s design philosophy, “Lots of light, not much lamp”, which is still the essence of every product bearing the name of Lumina, the company he set up in 1980. 45 years on, the Daphine’s aesthetic and functionality are unchanged, which goes to show the validity of the original idea. Tried and tested throughout its long production history, this lamp lends itself to countless uses in public and private places, from reading desks in libraries to pianos, from jewellery display counters...

This "Privatlampe des Künstlers II," designed by Austrian artist Franz West for MetaMemphis Milano in 1989, is an avant-garde lamp combining functional design with conceptual artistr...