Margaret Peggy Reventlow Art

OIL ON FIBERBOARD. by artist GRIGORIY IVANOV. Grigoriy Ivanov is the founder of a new trend in the art named "Svetism" (Power of Light). The main idea of "Svetism" is the perception ...

With a contemporary perspective on still-life painting and inspired by paintings created by old masters, German artist Katharina Husslein paints in a representational manner to captu...

René Romero Schuler is an American painter and sculptor who creates powerful images that speak to the complexities of the human condition and the spirit that connects all human being...

ROJO #1 is dominated by the richness of the red in the oil paint on the canvas. The perfectly geometric gold leaf circle, a recurring visual element in Yuri's works, contrasts nicely...

George Dannatt (1915-2009) Miniature White Painting (on red background) 1972/1992 Oil on paper, then mixed media Image: 3 1/8 x 7 ¼” 8.00 x 18.4 cm Frame: 9 x 13” ...

Lou Fink The Patriot Oil on canvas, 1970 (mixed media with iron lock) Provenance: Collection of The Southampton Hospital Association, Southampton, New York. This abstract expressionist painting entitled "the Patriot" is done in patriotic shades of red, white and blue in a color field pattern reminiscent of Mark Rothko. It has an assemblage, collage, lock installed at its center, with great color and texture. This piece has a sculpture quality to it. Louis R. Fink (1925 - 1980) American modernist artist. He lived in Staten Island, New York. Lou Fink is known for abstract painting, collage and assemblage Education Art Students League (studied with Harry Sternberg, Louis Bosa, and John C. McPherson) Solo Exhibitions: 1955 Wagner College Studio-Gallery, Staten Island 1960-1980 Environment Gallery, N.Y., seven one-man shows 1981 Elaine Benson Gallery, Bridgehampton, N.Y., Memorial Exhibition Group Exhibitions: 1949 Art Students League (works by disabled GI Bill students) 1952-54 Art Institute of Chicago, International Exhibition of Contemporary Drawing (traveling exhibition) 1955 Pennsylvania Academy of the Fine Arts, Annual Exhibition 1956 National Academy of Design, 131st Annual Exhibition 1956 Museum of Modern Art, "Recent Drawings— U.S.A." (along with Andy Warhol, Josef Albers, Louis Schanker, Larry Rivers, John Levee, Varujan Boghosian, Morris Graves and Herbert Bayer.) 1957 Staten Island Museum, Annual Spring exhibition 1959 Columbia (South Carolina) Museum, Audubon Artists exhibition 1969 Environment Gallery Louis Fink, Frank Manuela, Richard Banks, Phillip Lloyd Powell 1980 Gallery Kyoto, Japan, 1987 Elaine Benson Gallery, Bridgehampton, “Remembering” Lou Fink made Christmas card designs for Tiffany...

Spooning Daubs 3 16.0 x 20.0 x 1.5 Oil on canvas Hand signed by artist Please note this piece is available as a commission. The artist will create a one of a kind original based on ...

A beautiful large mid 20th century oil on canvas abstract winter landscape by Swedish artist Gunnar Nordstrom. Excellent quality and condition composition with strong and vibrant i...

Frederick Conway (1900-1973) was a painter, educator, and lecturer. From 1929 to 1970, Conway was a member of the faculty of the Washington University...

American artist Walter Quirt painted this modernist non objective geometric abstract oil color field during the WPA era in the 1930s. Abstraction, 12 x 16 inches. Oil on canvas. Sig...

Provenance: Barry Friedman Gallery, Modernism Fine Arts, New York. Estate Stamped. Thilo Maatsch (1900-1983) Thilo Maatsch has an epiphany at age 16 when, having been taken to Berlin’s prestigious Avant Garde art gallery Der Sturm, he’s mesmerized by the work of Franz Marc, and determines to be an artist. Eleven years later, he’ll one day recall with pride, his work exhibits there. Born and raised in 1900 Braunschweig, Germany, Maatsch by age 18 forms "Gesellschaft der Freunde junger Kunst" (Society of Friends of New Art) with Rudolf Jahns and Johannes Molzahn. Its members include soon-to-be-famous Lyonel Feininger, Paul Klee and Wassily Kandinsky, who promotes Maatsch and becomes something of a father figure. Introductions to collector Otto Ralfs in Braunschweig and the esteemed painter Heinrich Vogeler in Worpswede over the next two years influence his expanding body of work. By 1922 Maatsch has a growing family to support, and as his art fails to provide this he begins training to be a teacher, a vocation he’ll fall back on repeatedly throughout his life. His first assignment is that of primary school teaching in Holzminden. 1924 sees Ralfs purchasing a Maatsch work and hanging it alongside the now well-known names of Mondrian, Kandinsky and Klee. The following year Ralfs launches an entire exhibition of the Society of Friends of New Art. Because of his day job, Maatsch is unable to realize his wish to study at the Bauhaus, the avant garde epicenter in Weimar and later, Dessau. But thanks to Kandinsky, Klee and Laszlo Moholy-Nagy, he’s allowed to occupy their studios and study with them during school holidays. His befriending of Kurt Schwitters during this time explains why Maatsch is often included in the so-called Schwitters Group. In 1925 he joins the Novembergruppe (November Group) and exhibits annually in the renowned Große Berliner Kunstausstellung (Great Berlin Art Exhibition...

Untitle -Oil on canvas cm.170x122 - Massimo Caiafa Italy 2009. Abstract painting on canvas inspired by Maestro Mimmo Paladino.Lacquered wooden frame.