Marguerite Wildenhain Serveware, Ceramics, Silver and Glass

Beautiful brass mounted vintage ceramic bowl. Very good condition and color. Traditional design. Also to be used as wall decoration. Important Shipping Information: All of our rugs ...

A beautiful art pottery bowl with pale exterior and bright blue interior. Rich creamy outside glaze with exterior Sgraffito decoration. Created by Bauhaus trained German potter and sculptor Frans Wildenhein (1905-1980). Husband of well known potter Marguerite Wildenhain. Most likely created while Frans was at Pond Farm...

French contemporary sculpted ceramic bowl, cream glaze. Signed: Vissiere.

Masterfully created whimsical horse bowl in the manner of 1960s Italian ceramics like Gambone with a gold and terracotta design. Signed.

Cast bowl, 1882 Ltd. with John Pawson. Cast bowl is conceived as a quiet landscape in ceramic. Glazed in the palest of hues, the play of light and shadow generates endless small shifts of tone across its contours. The piece draws on a particular set of architectural...

Tim Keenan ceramic bowl, 2021.

Small Studio Ceramic Bowl

Tim Keenan ceramic bowl, 2021.

Tim Keenan ceramic bowl, 2021.

Tim Keenan ceramic bowl, 2021.

Tim Keenan ceramic bowl, 2021.

An elegant, hand-painted bowl by Waylande Gregory. Stylized leaf pattern in green and silver leaf.

Ceramic Portuguese lattice bowl with gilt lion paws.

Scandinavian ceramic bowl, model ASH. Brown and yellow glazure. Signed.

Rare Bauhaus ceramic "Zuckerdose" by Uffrecht & Co., Neuhaldensleben — circa 1931, museum-documented model A striking piece of German Bauhaus-era ceramic design. This lidded sugar box (Zuckerdose) was produced by J. Uffrecht & Co., Neuhaldensleben, one of the notable stoneware manufactories of the Haldensleben ceramics district in Saxony-Anhalt. The identical model and hand-painted decor is held in the collection of the Aichi Prefectural Ceramics Museum (Japan), acquired in 1931 (Showa 6) by the Aichi Prefectural Product Exhibition Center — evidence of the international export reach of German industrial ceramic design during this period. The Piece The box sits on a deep petrol-blue glazed base with rounded, architectonic edges — a form language indebted to the Bauhaus vocabulary of clean geometry over ornament. The lid inverts the palette: a crackled ivory-white ground animated by a rhythmic hand-painted pattern of cobalt-blue dashes, dark graphic strokes, and citrus-yellow dots, centered on a sculptural blue tab handle. The interplay of a restrained, monochrome body against a playful, semi-abstract lid decor is characteristic of the experimental glaze and decor work coming out of German stoneware ateliers in the early 1930s, as manufacturers translated Bauhaus and Art Deco ideas into everyday tableware. Dimensions : Height: 5 cm / 2 in - Length: 14.5 cm / 5.7 in - Depth: 8.5 cm / 3.35 in Marks : Stamped "Made in Germany" to the underside, with an impressed form number and hand-inscribed decor number, consistent with the factory's practice of marking form and decor separately. About Uffrecht & Co. Founded by **Jacob Uffrecht** in the mid-19th century, the firm became one of the principal stoneware manufactories of Neuhaldensleben, a town whose economy — like much of the surrounding district — was built substantially around ceramic production. By the early 20th century, Uffrecht had passed to Jacob's descendants, and by the 1930s the firm operated within the orbit of the **Carstens** ceramics group, one of the most significant German pottery conglomerates of the era. Carstens acquired the firm outright in 1936. After WWII, the Neuhaldensleben works passed into East German state hands as VEB Haldensleben, while the Carstens family re-established production in West Germany as the now well-known Carstens Tönnieshof. The Bauhaus Connection Uffrecht's design output in this period is associated with **Hildegard Delius...