María José de la Macorra Art
to
4
1
Overall Width
to
Overall Height
to
5
5
4
1
5
8,923
2,810
2,504
1,339
Artist: María José de la Macorra
Bellota 13
By María José de la Macorra
Located in Mexico City, CDMX
#garden #sculpture #contempraryart #decoration #outdoors #bronze #nature #acorn
This large bronze sculpture is a contemporary art piece which can also serve as art for the garden or outdoors.
María José de...
Category
2010s Naturalistic María José de la Macorra Art
Materials
Bronze
Bellota 11
By María José de la Macorra
Located in Mexico City, CDMX
María José de la Macorra (México, D.F., 1964) realizó sus estudios en la Escuela de Cerámica y Porcelana de Toluca, Mokichi Okada Association,...
Category
2010s Naturalistic María José de la Macorra Art
Materials
Iron
Bellota 7
By María José de la Macorra
Located in Mexico City, CDMX
María José de la Macorra (México, D.F., 1964) realizó sus estudios en la Escuela de Cerámica y Porcelana de Toluca, Mokichi Okada Association,...
Category
2010s Naturalistic María José de la Macorra Art
Materials
Bronze
Bellota 9
By María José de la Macorra
Located in Mexico City, CDMX
María José de la Macorra (México, D.F., 1964) realizó sus estudios en la Escuela de Cerámica y Porcelana de Toluca, Mokichi Okada Association,...
Category
2010s Naturalistic María José de la Macorra Art
Materials
Bronze
Bellota 8
By María José de la Macorra
Located in Mexico City, CDMX
María José de la Macorra (México, D.F., 1964) realizó sus estudios en la Escuela de Cerámica y Porcelana de Toluca, Mokichi Okada Association,...
Category
2010s Naturalistic María José de la Macorra Art
Materials
Bronze
Related Items
French 19th century Animalier bronze of Two Hares on a naturalistic base
By Alfred Dubucand
Located in Bath, Somerset
19th century bronze group of a standing and sitting hare by French animalier sculptor Alfred Dubucand (1823-1894). Finely detailed bronze with good dark brown patination. Signature '...
Category
Late 19th Century Naturalistic María José de la Macorra Art
Materials
Bronze
$2,483
H 4.34 in W 3.55 in
A late 19th century bronze animalier figure of a seated hound
By Prince Paul Troubetzkoy
Located in Bath, Somerset
A late 19th century bronze of a hound, seated on a naturalistic base, after Prince Paul Troubetzkoy. Incised to base 'Paolo Troubetzkoy 1893', with a dark brown patina.
Born in 1866...
Category
Late 19th Century Naturalistic María José de la Macorra Art
Materials
Bronze
$8,967
H 9.45 in W 7.68 in
Pair of herons in chiseled bronze with green patina, 20th century (1960s)
Located in PARIS, FR
The Herons, pair of chiseled bronze subjects, the body with a green patina and the head with a purple patina, 1960s-1970s. The two herons or storks are presented in different attitud...
Category
1970s Naturalistic María José de la Macorra Art
Materials
Bronze
$3,161
H 44.89 in W 27.56 in D 23.23 in
Pecheur / - Full of anticipation -
Located in Berlin, DE
Adolphe Jean Lavergne (1863-1928), Pecheur, c. 1900. Brown patinated bronze with rectangular cast plinth on a green marble base (3 cm high), total height with hinge 37 cm, width 9 cm, depth 8 cm, weight 2.9 kg, signed “Lavergne” on the plinth.
- Base with old drilling and a few oxidized areas, patina occasionally rubbed, somewhat stained in the folds.
- Full of anticipation -
This bronze is the larger, highly detailed version of the fisherman that made Parisian artist Adolphe Jean Lavergne famous. In preparation for fishing, the boy prepares his rod before heading out to sea. The attachment of the iron ring and the rope behind him suggest a quay wall and a boat moored there. However, the depiction is entirely focused on the actual action of the young fisherman: With equal skill and concentration, he bends a hook to connect it to the fishing line. The contrast with his casual clothing, the loose-fitting trousers, the open shirt with its "wild" folds, and, last but not least, the sun hat boldly perched on his neck, reinforces the impression of the attentive care with which he goes about his work. His gaze makes him appear absorbed, as if he has forgotten the world around him and yet he is visibly filled with anticipation of fishing.
GERMAN VERSION
Adolphe Jean Lavergne (1863-1928), Pecheur, um 1890. Braun patinierte Bronze mit rechteckiger gegossener Plinthe auf grünem Marmorsockel (3 cm Höhe), Gesamthöhe mit Angel 37 cm, Breite 9 cm, Tiefe 8 cm, Gewicht 2,9 kg, auf der Plinthe mit „Lavergne“ signiert.
- Sockel mit alter Bohrung und wenigen oxidierten Stellen, Patina mitunter berieben, in den Falten vereinzelt etwas fleckig.
- Voller Vorfreude -
Die Bronzefigur ist die größere äußerst detaillierte Ausführung des Fischers, mit dem der Pariser Künstler Adolphe Jean Lavergne bekannt geworden ist. In Vorbereitung auf das Fischen präpariert der Junge die Angel...
Category
1890s Realist María José de la Macorra Art
Materials
Bronze
$687 Sale Price
20% Off
H 14.57 in W 3.55 in D 3.15 in
Bronze Spanish naturalistic 19th century sculpture of a young boy
Located in Woodbury, CT
An amazing bronze cast of a little 19th-century boy. The quality of the piece is outstanding, as is the color and patination.
There is little known about the painter other than he wo...
Category
1890s Naturalistic María José de la Macorra Art
Materials
Bronze
$2,200 Sale Price
20% Off
H 12 in W 4 in D 4 in
Mother Nature, Figurative Bronze by Contemporary Indian Artist "In Stock"
By Subrata Biswas
Located in Kolkata, West Bengal
Subrata Biswas - Mother Nature
Bronze, H 11.75 x W 9 x D 3.75 inches
Style : The motive of a child in its most basic form appears quite repeatedly in the works of Subrata Biswas. Th...
Category
2010s Contemporary María José de la Macorra Art
Materials
Bronze
$975
H 11.75 in W 9 in D 3.75 in
Florentine singer / - The Renaissance of the Renaissance -
By Paul Dubois
Located in Berlin, DE
Paul Dubois (1829 Nogent-sur-Seine - 1905 Paris), Florentine singer, 1865. Light brown patinated bronze with cast round plinth mounted on a square marble base (3.5 cm high). Total height 53 cm. Bronze dimensions: 49.5 cm (height) x 20 cm (length) x 10 cm (width), weight 5.6 kg. Inscribed on the plinth "P.[aul] DUBOIS", dated "1865", with the foundry's mark "F. BARBEDIENNE FONDEUR" and the signet "REDUCTION MECANIQUE A. COLLAS".
- Patina very occasionally darkened, lute with loss of one tuning peg, otherwise in excellent condition.
- The renaissance of the Renaissance -
The bronze is a precisely executed and masterfully cast contemporary reduction of Paul Dubois 155 cm tall masterpiece "Florentine Singer", which is exhibited in the Musée d'Orsay and for which the artist was awarded the Medal of Honor at the Paris Salon in 1865. The work acted as a beacon, and was followed by a plethora of depictions of juveniles.
Inspired by Donatello and Luca della Robbia, but also by painters such as Piero della Francesca, Benozzo Gozzoli, and Pinturicchio, the "Florentine Singer" is not an epigonal work that pays homage to a vanished era, but a successful attempt to draw vitality from the art of the past and thus give it new life.
The effect of vitality is the core of Italian Renaissance art theory. In order to fulfill itself as art, art had to appear like nature. This naturalism also characterizes the "Florentine Singer". The young man appears to have been taken from life, which is reinforced by the momentary nature of his action. He has just struck a now fading chord. In addition, the natural appearance is enhanced by the detailed shaping of the figurative details, such as the laces with the slightly curved leather of the shoes, the belt buckle, or the ornamentation on the body of the lute. Even the fingernails are clearly defined. Unlike the Renaissance, however, the effect of liveliness here is not based on the "discovery" of nature and the human body, but primarily on the rediscovery of the art of the Quattrocento. The liveliness of the artwork is therefore at the same time a revitalization of this art, so that we can speak of a Renaissance of the Renaissance, just as the Pre-Raphaelites in England at the same time transferred the Quattrocento to contemporary art.
Dubois takes on the most difficult of all subjects, the depiction of singing through silent sculpture. He was preceded in this by Luca della Robbia and Donatello with their pulpits of singers created in the 1430s in the Museo dell'Opera del Duomo in Florence. Compared to these works, the physiognomy of Dubois singer is far less animated, yet he also depicts singing in a convincing manner. He uses the whole body. He takes the ancient contrapposto, which was essential to Renaissance sculpture, and transforms the standing leg-playing posture into a late medieval S-swing, giving the body an elegant beauty and at the same time setting it in melodic motion. In the equally elegant finger position, the music is expressed in a much more literal way with the beating of the lute. Finally, the musicality of the sculpture culminates in the face with the mouth open to sing.
Through the act of singing, which is a great challenge to the artistic will to depict perfect beauty, the gracefulness of the classical face is not diminished, but enhanced. Starting from the face with the singing mouth and the gaze absorbed by the sounds, the inner vitality spreads, giving the bronze sculpture an intense aura, enhanced by the music. Dubois transfers the beauty of the Renaissance to the musical, sublimating the visible sculpture to the invisible of music.
He took up the challenge of transcending the Renaissance with the Renaissance, thus responding to the Querelle des Anciens et des Modernes, which arose at the end of the 17th century around the French Academy and remained virulent into the 19th century, in which antiquity was regarded either as an unattainable ideal or as a standard to be surpassed. With his work, Dubois proved that the Renaissance, which had championed the art of the ancients, could lead to a new renaissance of art.
About the artist
Paul Dubois' great-uncle was the famous French Baroque sculptor Jean-Baptiste Pigalle, in whose footsteps the talented great-nephew followed. When he debuted at the Paris Salon in 1858, he signed his work "Dubois-Pigalle". At his father's request, however, he first studied law before devoting himself to sculpture under the tutelage of François Christophe Armand Toussaint in 1856 and entering the École des Beaux-Arts in 1858. From 1859 to 1863, he lived in Rome and traveled to Naples and Florence. Inspired by Florentine art of the quattrocento, Dubois initiated a school-forming neo-Florentine style that combined the elegantly simple forms of youthful grace with a precise wealth of detail.Two purchases by the French state (“envois de Rome”) were made during his stay in Rome, which brought him recognition in Paris. After his return there, he quickly became an internationally sought-after artist.
Dubois was also active as a creator of monuments. His most famous work is the equestrian statue of Joan of Arc (1896) on the forecourt of Reims Cathedral. He was also a sought-after portraitist who produced around 50 busts and - Dubois was also a passionate painter - around 100 portraits in oil.
From 1873 to 1878 he was curator of the Museum du Luxembourg, in 1876 he became a member of the Institut de France and from 1878 to 1905 he was director of the École des Beaux-Arts.
In 1865, Dubois was awarded the Paris Salon Medal of Honor for his “Florentine Singer”. In 1867 he became Chevalier, in 1874 Officier, in 1886 Commandeur of the Légion d'honneur, which awarded Dubois the Grande Croix in 1896.
Selected Bibliography
Stole, Elmar: Paul Dubois. In: Saur. Allgemeines Künstlerlexikon, vol. 30, Munich - Leipzig 2001, pp. 677-678.
GERMAN VERSION
Paul Dubois (1829 Nogent-sur-Seine - 1905 Paris), Florentinischer Sänger, 1865. Hellbraun patinierte Bronze mit gegossener runder Plinthe auf quadratischem Marmorsockel montiert (3,5 cm Höhe). Gesamthöhe 53 cm. Maße der Bronze: 49,5 cm (Höhe) x 20 cm (Länge) x 10 cm (Breite), Gewicht 5,6 kg. Auf der Plinthe mit „P.[aul] DUBOIS“ bezeichnet, auf „1865“ datiert, mit dem Gießereistempel „F. BARBEDIENNE FONDEUR“ und dem Signet „REDUCTION MECANIQUE A. COLLAS“ versehen.
- Patina sehr vereinzelt nachgedunkelt, Laute mit Verlust eines Stimmwirbels, ansonsten ausgezeichnet erhalten.
- Die Renaissance...
Category
1860s Realist María José de la Macorra Art
Materials
Bronze
$4,294 Sale Price
20% Off
H 20.87 in W 7.88 in D 3.94 in
"Wild Boar" contemporary realist bronze cinghiale sculpture, life-size, Fenske
By Ben Fenske
Located in Sag Harbor, NY
‘Wild Boar’, the striking new bronze sculpture by Ben Fenske and Richard Zinon, vibrantly illustrates the ‘new’ Renaissance currently under way.
Ferocio...
Category
21st Century and Contemporary American Realist María José de la Macorra Art
Materials
Bronze
$80,000
H 33 in W 51 in D 25 in
Black unique wrought Iron Fig Tree - majestic outdoor indoor sculpture
By Ivan Zanoni
Located in Milan, IT
Monumental Wrought Iron Tree Sculpture - A Collaborative Masterwork by Ivan and Luciano Zanoni
Italy, Contemporary
The Fig Tree: A Timeless Symbol.
Revered since antiquity and promi...
Category
2010s Naturalistic María José de la Macorra Art
Materials
Iron
$90,661
H 110.24 in W 66.93 in D 74.81 in
Stunning Iron Sculpture - Two Buttercups and a moth
By Ivan Zanoni
Located in Milan, IT
The yellow, shiny and vibrant petals of buttercups are memories of childhood time and radiate joy, happiness and friendship. Ivan Zanoni hand-forges them as miniature suns with their...
Category
21st Century and Contemporary Naturalistic María José de la Macorra Art
Materials
Iron
$2,624
H 18.9 in W 6.3 in D 4.53 in
Horse (mixed media fiber sculpture)
By Siri Hollander
Located in Maricopa, AZ
About the artist :
Siri Hollander’s entire process started from an innate desire to work in large format but being self-taught she had to create her own system through trial and erro...
Category
1990s Naturalistic María José de la Macorra Art
Materials
Steel
$2,800 Sale Price
30% Off
H 16 in W 18 in D 4 in
Sunflower - Wrought iron indoor and outdoor sculpture
By Ivan Zanoni
Located in Milan, IT
Hand-Forged Life-Size Sunflower Sculpture by Italian Hammersmith - Indoor & Outdoor Art
Description:
Bring the warmth and poetry of nature into your space with this exquisite life-size sunflower sculpture, masterfully handcrafted by a renowned Italian hammersmith. Designed for both indoor and outdoor settings, this piece radiates elegance, charm, and artisanal excellence.
Each sunflower is forged by hand using traditional techniques passed down through generations, embodying the essence of Italian craftsmanship. The delicate curvature of the petals, the intricate texture of the center, and the organic lines of the stem all contribute to a sculpture that feels alive with movement and emotion.
Whether placed in a garden, terrace, entrance hall, or contemporary living space, this sculpture becomes an immediate focal point-inviting conversation, admiration, and a deeper appreciation for handmade artistry.
Details:
Origin: Italy
Material: Hand-forged iron
Finish: Natural patina suitable for outdoor use (custom finishes available on request)
Dimensions: Life-size scale
Condition: New,
Suitable for: Indoor or outdoor display
Style: Organic, botanical, timeless
Celebrate the beauty of nature through the hands of an Italian master. A truly unique and timeless piece for collectors of fine art and lovers of bespoke design.
Based in Caldes (Trentino, Italy), Zanoni is heir to a family tradition of blacksmithing passed down from his father, Luciano Zanoni, who famously forged a monumental four-meter olive tree sculpture...
Category
2010s Naturalistic María José de la Macorra Art
Materials
Iron
$12,883
H 88.59 in W 21.26 in D 11.82 in
María José De La Macorra art for sale on 1stDibs.
Find a wide variety of authentic María José de la Macorra art available for sale on 1stDibs. You can also browse by medium to find art by María José de la Macorra in metal, bronze, iron and more. Not every interior allows for large María José de la Macorra art, so small editions measuring 5 inches across are available. Customers who are interested in this artist might also find the work of Curtis Jeré, John Senex, and Shanna D'Antonio. María José de la Macorra art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,890 and tops out at $22,000, while the average work can sell for $1,890.