Marie lucie NESSI Paintings

Gabriel Casarrubios Martín (1953) - Fishermen - Oil on canvas Oil size 60x73 cm. Frameless. Gabriel Casarrubios Martín (1953) The Toledo artist trained in Fine Arts in Madrid, at t...

Emile CHAUMONT (Perigueux 1877 - 1927) Summer landscape in Périgord Oil on panel H. 32 cm; L. 41 cm Signed lower left, dated 1912 Provenance: Private c...

Jordi Freixas Cortés (1917-1984) - Spanish village landscape - Oil on canvas Oil measures 65x54 cm. Frameless. Jordi Freixas Cortés (1917-1984) Jordi...

Title: Rambla de Barcelona Artist: Jordi Curós Ventura (1930-2017) Technique: Oil on canvas Dimensions: 28.7 x 23.6 in (73 x 60 cm) Support: Canvas...

Yana Beylinson's (US based) "Sunflowers II" is an original, handmade oil painting that depicts impressionistic flowers of red and yellow melding together with green leaves. Artist ...

Octave Denis Victor Guillonnet (1872 - 1967) Les Oliviers, A landscape with olive trees signed "EODV Guillonnet" lower right Oil on wood panel 38 x 46 cm...

Léon Frédéric (1856-1940) The Dunes and the Sea, signed at the lower right Oil on canvas transfered on woodpanel 30 x 40 cm Framed : 42 x 53 cm in good condition, Léon Frédéric always presented his oil landscapes on canvas transferred onto mahogany panels like this one. This seascape and dunes by Léon Frédéric is part of a series of landscapes inspired by the shores of Heyst, near the Belgian coastal resort of Knokke. Although he found much inspiration in the rolling landscapes of the Ardennes, particularly in the area of Nafraiture, at the other end of the country, the North Sea offered him a completely different motif and an opportunity to explore another source of inspiration. His style may seem lighter in some ways, but the same energy is evident in the way he depicts the vegetation in the foreground, for example, with the dunes reminiscent of the hills and valleys he loved. Similarly, his approach to composition is characteristic of his art, with a very high horizon line that seems to raise the viewer's gaze. Finally, this work exudes a great serenity that invites contemplation. Léon Frédéric was born on 26 August 1856 in Brussels and died on 25 January 1940 in Schaerbeek. The son of a prosperous jeweller, Léon Frédéric was apprenticed to the painter-decorator Charle-Albert in 1871, and attended evening classes at the Brussels Academy. In 1874, he worked in the private studio of Jean-François Portaels. The following year, he joined forces with a group of young painters to rent a studio where they could study live models. From 1876 to 1878, he prepared for the Prix de Rome, which he failed, but his father offered him a year's travel to Italy. From 1878 to 1879, he made his debut with the artistic group l'Essor, which brought together proponents of realism. In 1883, he was hailed as a promising painter with his painting Les Marchands de craie, a triptych combining modernism with the genius of the primitive masters, and in the 1890s he became one of the most popular painters in Belgium, cited alongside Constantin Meunier and Eugène Laermans. On 24 April 1929, King Albert I awarded Léon Frédéric - at the same time as James Ensor - the title of Baron. In 1882, he discovered the work of the French naturalist painter Jules Bastien Lepage...

Oil on canvas by Jallais, France, 1960s. Boats in port. In its pretty dark brown wooden frame. With frame: 68x58 cm - 26.8x22.8 inches, without frame: 61x50 cm - 24x19.7 inches. 12F ...

Oil on Canvas Canvas Size: 21.75 x 18 inches Framed Size: 28 x 25.5 inches Signed Lower Right

Pluie a Venice is painted in Hambourg's preferred palette of muted blue-green, grey, and gold with splashes of ruby red, deep blue, and emerald green. The soft colors work well for beach scenes and rainy days such as the ones portrayed in this painting. The impressionistic scene shows multiple pedestrians strolling down the boardwalk, shielding themselves from the rain with colorful umbrellas that provide pops of color and balance the overcast sky. The background contains a three-masted ship and Piazza San Marco's famous bell tower and Basilica. Hambourg uses the minimum number of brushstrokes necessary to portray ships, seagulls, buildings and people as well as reflections on the glistening sidewalk. The brushstrokes in the sky have an interesting texture that is controlled yet carefree and there is heavy impasto throughout. His portrayal is both realistic and romanticized. Hambourg was clearly influenced by the great Impressionist artists of earlier generations, perhaps none more than the one with a direct connection to his family. Hambourg's wife, Nicole Rachet, was born into a family with a large collection of works by Impressionist master Eugene Boudin. Rachet's grandfather was a contemporary and friend of Boudin's, and a collector of his work. In their later years, Hambourg and Rachet donated over 300 canvases by Boudin and other artists to the Eugene Boudin Museum in Honfleur, France. It was such a large and important gift that the collection bears...

Rafael Duran Benet (1931-2015) - Lovers - Oil on canvas on board Oil measurements 38x46 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter, ne...

Scottish artist John Maclauchlan Milne, RSA, (1885-1957) is a contemporary of Scottish Colourists Peploe, Fergusson, Cadell and Hunter. Like the...