Marilyn Minter Figurative Photography

Candida Höfer (German, b. 1944) Teatro Degollado Guadalajara III, 2015 Medium: C-Print Dimensions: 30 × 39.2 cm (38 x 47 cm) Edition of 100: Hand signed on label, verso Condition: Ex...

A rare, intimate photo of the legendary David Bowie taken at New York's Kit Kat Club in 1999 during a private VH1 event, by celebrated downtown photographer, Fernando Natalici. Dime...

Eric Clapton Photograph by Fernando Natalici: A dreamy, classic photo of rock n roll & blues legend Eric Clapton captured at the world famous Madison Square Garden during the hirstor...

Duncan Hannah, Unmade Beds 1976 by Fernando Natalici: This rare, vintage original 1970s darkroom photograph was captured on the set of "Unmade Beds" by ...

Keith Haring Subway Drawings Photograph: This photograph captures Keith Haring's epic conquest, producing public art across the New York City subwa...

"Girl With A Gun" Actress and legendary downtown NY scenester Patti Astor, photographed on the set of "The Foreigner" by celebrated New York underground photographer Fernando Natalici - East Village, New York 1977. The Foreigner (director Amos Poe 1977) - a seminal cinematic work at the height of the 1970's American underground - a film which has been documented in virtually every publication pertaining to the history of the late 70's New York Downtown Art scene. Digital C Print on lustre paper. Dimensions: 16 x 20 inches including borders. Hand-signed numbered from an edition of 10 (+ 5 AP’s). Obtained directly from artist. Excellent overall condition. About The Artist: New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, Jean-Michel Basquiat, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Fernando’s photo archive and art design were recently featured in two highly regarded New York shows: “Area” at The Hole Gallery NYC (2014) & “Downtown New York Film” at The Museum of The Moving Image (2015). "The Foreigner" is a testament to the "punk" sensibility as manifested at CBGB during this time; the streets and lofts of SoHo and the Lower East Side art scene. Fernando Natalici is represented by Lot 180 Gallery New York “Patti Astor was a queen of the downtown scene. She arrived in NYC in 1975 with stardom on her mind. In a short time, she was in demand in underground No Wave films and was one of the creative sparks that put the East Village on the cultural map. But Patti Astor was also sick of the "established" uptown art gallery scene, filled with "white walls, white wine, and white people." She knew many graffiti and hip-hop artists, and understood that like the punk artists playing downtown, the uptown rappers and painters used the city as a backbeat and canvas for their work. When Astor and partner Bill Stalling launched FUN Gallery in 1981, they moved graffiti and hip-hop into a gallery space, bringing uptown sensibilities downtown. FUN Gallery's goal was to be a gallery for artists not buyers. It opened its doors to the people and kids who actually lived in the East Village. Patti Astor wanted art for everyone. FUN was the place artists could show without losing any of their street creds, and so the work of many of the cutting edge artists of the early 1980s--such as Jean Michel Basquiat, Keith Haring, Dondi, Futura 2000, FAB 5 FREDDY, Lee Quinones, Kenny Sharif, and Lady Pink--could be seen there. It also was known for its terrific parties. FUN Gallery was only around for four years, but in that short time, it was instrumental in opening up the art world to creativity wherever it's found.” (Source: Josephine Reed) Related Categories: Film Noir. Girl gun. Patti Astor Fun Gallery...

This is a vintage silver gelatin photo of either Stan Lee or John Romita (I believe it is Romita but I am not sure) overlayed with a comic strip in a surrealist style. John Romita is an American comic-book artist best known for his work on Marvel Comics' The Amazing Spider-Man and for co-creating the character The Punisher. He was inducted into the Will Eisner Comic Book Hall of Fame in 2002. He graduated from Manhattan's School of Industrial Art in 1947, having attended for three years after spending ninth grade at a Brooklyn junior high school Among his instructors were book illustrator Howard Simon and magazine illustrator Ben Clements, and his influences included comics artists Noel Sickles, Roy Crane, Milton Caniff, and later, Alex Toth and Carmine Infantino, as well as commercial illustrators Jon Whitcomb, Coby Whitmore, and Al Parker. Romita entered the comics industry in 1949 on the series Famous Funnies. "Steven Douglas up there was a benefactor to all young artists", Romita recalled. "The first story he gave me was a love story. It was terrible. All the women looked like emaciated men and he bought it, never criticized, and told me to keep working. He paid me two hundred dollars for it and never published it — and rightfully so". Romita was working at the New York City company Forbes Lithograph in 1949, earning $30 a week, when comic-book inker Lester Zakarin, a friend from high school whom he ran into on a subway train, offered him either $17 or $20 a page to pencil a 10-page story for him as uncredited ghost artist. "I thought, this is ridiculous! In two pages I can make more money than I usually make all week! So I ghosted it and then kept on ghosting for him", Romita recalled. "I think it was a 1920s mobster crime story". The work was for Marvel's 1940s forerunner, Timely Comics, which helped give Romita an opportunity to meet editor-in-chief and art director Stan Lee. Romita ghost-penciled for Zakarin on Trojan Comics' Crime-Smashers and other titles, eventually signing some "Zakarin and Romita". Romita went on to draw a wide variety of horror comics, war comics, romance comics and other genres for Atlas. His most prominent work for the company was the short-lived 1950s revival of Timely's hit character Captain America, in Young Men #24–28 (Dec. 1953 – July 1954) and Captain America #76–78 (May–Sept. 1954).[21] Additionally, Romita would render one of his first original characters, M-11 the Human Robot, in a five-page standalone science-fiction story in Menace #11 (May 1954). While not envisioned as an ongoing character, M-11 was resurrected decades later as a member of the super-hero team Agents of Atlas. He was the primary artist for one of the first series with a black star, "Waku, Prince of the Bantu" — created by writer Don Rico and artist Ogden Whitney in the omnibus title Jungle Tales #1 (Sept. 1954). The ongoing short feature starred an African chieftain in Africa, with no regularly featured Caucasian characters. Romita succeeded Whitney with issue #2 (Nov. 1954). In the mid-1950s, while continuing to freelance for Atlas, Romita did uncredited work for DC Comics before transitioning to work for DC exclusively in 1958. "I was following the DC [house] style", he recalled in 2002. "Frequently they had another artist do the first page of my stories. Eventually I became their romance cover...

This work was acquired directly from The Andy Warhol Foundation for the Visual Arts. The work is in pristine condition and has never been framed. This is a unique work which comes w...

“Fela in Detroit” by Leni Sinclair: This much iconic Fela Kuti photograph was captured by legendary Detroit counter cultural photographer Leni Sinclair, 2016’s Kresge Foundation's Eminent Artist of the year. Of recent note, this image has been featured in The New York Times article 'The Legacy of Fela Kuti’s Music of Resistance: Hear 15 Essential Songs'. This photo is perhaps the most famed concert of Fela ever taken. Shot by Sinclair at Detroit's historic Fox...

From The Jon Gould Collection of Andy Warhol Photographs Each photo is unique and blind embossed “Andy Warhol” in the lower right corner Provenance: Gift of the Artist to Jon Goul...

Candida Höfer (German, b. 1944) University Library Hamburg A, 2000/02 Medium: Set of 2 c-prints, mounted on Forex Dimensions: each 61 x 61 cm (24 x 24) Edition of 45: Hand-signed and...

"Modernismo M2" Abstract Photography 40" x 80" inch Ed. 2/10 by Giuliano Bekor Print size 40x80 Inches trim bleed Artwork finished size 42x82 Inches Limited edition 2 of 10 Artis...